The Soul of the Stout: A Journey Through Traditional Pub Culture
Description
A cinematic and evocative photographic collection capturing the essence of traditional pub culture and the artistry of dark beer. From the warm, rain-slicked exterior of historic stone taverns to the precise craft of pouring the perfect pint, this series explores the deep textures and rich atmosphere of classic gathering spaces. Visual highlights include extreme macro shots of cascading nitrogen bubbles, the rich velvety texture of the creamy foam head, raw roasted malts held in weathered hands, and intimate moments shared under dim, candlelit interiors. The imagery seamlessly blends rustic wood elements, polished brass taps, and vibrant neon reflections to evoke a timeless sense of warmth, companionship, and brewing heritage.
Note: This entire photo series was conceptually designed and generated using Artificial Intelligence.
The Soul of the Stout: A Journey Through Traditional Pub Culture
Description
A cinematic and evocative photographic collection capturing the essence of traditional pub culture and the artistry of dark beer. From the warm, rain-slicked exterior of historic stone taverns to the precise craft of pouring the perfect pint, this series explores the deep textures and rich atmosphere of classic gathering spaces. Visual highlights include extreme macro shots of cascading nitrogen bubbles, the rich velvety texture of the creamy foam head, raw roasted malts held in weathered hands, and intimate moments shared under dim, candlelit interiors. The imagery seamlessly blends rustic wood elements, polished brass taps, and vibrant neon reflections to evoke a timeless sense of warmth, companionship, and brewing heritage.
Note: This entire photo series was conceptually designed and generated using Artificial Intelligence.
U.S. theatrical distributor Neon continued to make history at Cannes tonight with its seventh straight Palme d’Or win for Christian Mungiu’s Fjord. Fjord marks Mungiu’s English-language debut. In it, the co-stars play a mixed Romanian and Norwegian couple who move to the fjord village where the wife was born with their children. Their planned new life […]
Neon CEO Tom Quinn has heralded the success of Backrooms and Obsession, saying the films show “there’s a younger generation here that’s willing to walk away from their phone.” Quinn said the box office breakouts were “incredible” for the industry, and he equated it to a Blair Witch Project-style moment. He also claimed some credit […]
Route 66 Dreams: Classic Cars Across the American Desert
Description
A cinematic visual journey through the mythic atmosphere of Route 66, featuring vintage cars, abandoned gas stations, neon motels, desert highways, red rock landscapes, and golden sunset light. The series blends classic Americana, road trip nostalgia, open-road freedom, and a slightly surreal retro mood, evoking the timeless romance of travel across the American Southwest.
These images were generated by Artificial Intelligence.
Toronto-based Kurdish artist Roda Medhat pushes the boundaries of fabric into the realm of sculpture, exploring the ways in which traditional West Asian textiles can be translated into various media. As digital fabrication and 3D scanning cross paths with memory and material, Medhat’s practice asks “how we carry our stories, and what happens when those stories are translated into new, synthetic languages?”
The artist’s new solo exhibition, titled From the Loom, fills Toronto’s Abbozzo Gallery with large-scale sculptures in conversation with a new series of textile works. Known in part for his neon installations, the artist also presents several glowing light-based works encased within glass or acrylic, redolent of patterned Kurdish rugs.
“Def” (2026). Photo by Fraser Carr Moore
Several of Medhat’s images and symbols—most prominently young boys riding horses and interacting with nature—are sourced from Kurdish children’s books. These icons are woven directly into the surface of each textile by way of an electronic Jacquard machine, further accentuating the contrast between preserved cultural objects and contemporary reconstruction. In the exhibition’s statement, Medhat shares that his work “functions as a distillation of a wider body of research,” including the contemporary subversion of archival materials.
“The Sheep and the Chevrolet,” an anchoring work within the exhibition, reimagines François Balsan’s problematic 1947 ethnographic work of the same title. Pitting bucolic Kurdish life with Western modernism, Balsan’s off-key travelogue presented a stereotypical, highly subjective view of Kurdish culture. Medhat’s bold sculpture invokes 3D printing to construct a monumental sheep composedly sitting atop a small Chevrolet vehicle, offering a playful point of reconceptualization.
From the Loom is on view through May 26. You can find more from the artist on Instagram.
“The Sheep and the Chevrolet” (2026). Photo by Darren RigoPhoto by Darren Rigo“A Rug Falls in Four Frames” (2025). Photo by Fraser Carr MoorePhoto by Darren Rigo“Boy, Cat, Bike, Mother” (2026). Photo by Fraser Carr Moore“Jajim 1” (2026). Photo by Fraser Carr MooreDetail of “Jajim 2” (2026). Photo by Fraser Carr MoorePhoto by Darren RigoPhoto by Darren RigoDetail of “Def” (2026). Photo by Fraser Carr Moore
EXCLUSIVE: Here’s your first official look at Once Upon A Time In Harlem, the decades-in-the-making documentary conceived and shot by William Greaves and directed by his son, David Greaves. Neon will release Once Upon A Time In Harlem in theaters on October 16. The film’s theatrical release follows a series of buzzy debut screenings at […]
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