simppdess posted a photo:

ABOVE: Gaza Cinderella, Northern Gaza Strip, 2012“Although her drawing is filled with soldiers, helicopters, and tanks, “Amara” only spoke about her intense fear of missile strikes. When a building or other structure is targeted in Gaza, it is often hit with a barrage of several missiles to ensure its complete destruction. The sound of successive […]

The post WAR TOYS: Photographer Brian McCarty Travels to War Zones & Refugee Camps To Communicate Children’s Stories When Words Fail first appeared on Hi-Fructose Magazine.

For the better part of two decades, Irina Werning has traveled throughout Latin America searching for a specific trait: incredibly long hair. In her photography series Las Pelilargas—meaning “the long-haired ones” in Spanish—she chronicles a time-honored Indigenous tradition through a visual celebration of patience, joy, and cultural pride.

In a statement, Werning shares that when she asks young women in the many small towns she’s visited why they have long hair, they respond with simple reasons akin to, “Because I like it.” But, Werning adds, “The true reason is invisible and passes from generation to generation. It’s the culture of Latin America, where our ancestors believed that cutting hair was cutting life, that hair is the physical manifestation of our thoughts and our souls and our connection to the land.”

Nearly 90 images are included in Werning’s new book, Las Pelilargas, published by GOST Books. The photos span 18 years, starting with the artist’s first encounter with long-haired women in 2006 in Argentina, when she was photographing members of the Indigenous Kolla community.

“Guided by her intuition, she went on to spend months in remote mountain towns putting up signs in schools, hospitals, and markets, and organising hair competitions in an effort to seek out those with long hair,” GOST says. Werning continued to make the portraits until 2024. “She found that traditions were not just surviving, but evolving with long hair symbolising both continuity and subtle rebellion.”

Find your copy on Bookshop. You might also enjoy Celia D. Luna’s series, Cholitas Bravas.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Irina Werning Chronicles 18 Years of Photographing ‘Las Pelilargas’ in a New Book appeared first on Colossal.

Blown wildly out of proportion in large format, the slime molds that British photographer Barry Webb captures seem atmospheric and sculptural. Stemonitis, for example, looks like dozens of thin pieces of wire with their ends coated in colored wax. But this fungi-like form is one of hundreds of kinds of slime mold, and it typically only reaches a height of about two centimeters at the most. Thanks to Webb’s macro photos, we glimpse a phenomenally beautiful world up-close that is otherwise virtually invisible.

Scientists have documented hundreds of these organisms, which aren’t actually related to plants, fungi, animals, or molds—despite the name. They comprise a unique group unto themselves, more closely related to amoebas. And new discoveries are being made all the time. From mottled gray bulbs that look like snow-covered trees to pink, coral-like tendrils, Webb chronicles a huge array of colors and shapes. He also consistently submits images to local and national botanical records so that researchers have access to high-resolution imagery.

Webb’s image of a species called Lamproderma scintillans, partly engulfed by a water droplet, won the Botanical Britain category of the British Wildlife Photography Awards. Several of his photos are on display in large format in the exhibition Mythos Wald at Gasometer Oberhausen in Germany, which continues through the end of the year. And in the U.K., see Webb’s awarded images in the 2026 International Garden Photographer of the Year exhibition at Cambridge University Botanic Garden. Find more on his Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Barry Webb Documents a Marvelous, Macro Array of Colorful Slime Molds appeared first on Colossal.

Panasonic is celebrating 25 years in the camera game under its illustrious Lumix brand name. Jaron Schneider and I were invited to attend this celebration in Osaka, Japan, and there was an incredible surprise in store for us: the Lumix L10.

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timlashbrook_photography posted a photo:

A truly remarkable aircraft. The ONY flying example left in the world.

Growing up in the Australian Outback, where he first picked up a camera as a teenager to document his surroundings in the bush, Jon McCormack developed a keen eye for the beauty and subtleties of nature. Throughout his career, he’s stepped foot on all seven continents. Yet the idea for his new book, Patterns: Art of the Natural World, emerged from a period of quieter reflection.

Like many of us during the pandemic, McCormack’s travels were limited to his immediate area. He began visiting the same spots repeatedly and “discovered a new way of seeing, using photography to reveal the hidden harmony and symmetry of the natural world,” says a statement. Patterns, forthcoming from Damiani Books, draws upon this patient and attentive approach to nature’s rhythms, emphasizing its interconnectedness, resilience, and fragility.

The snapshots view slivers of our world from a range of perspectives, whether honing in on the recurring features of crystals or flying over a flamboyance of flamingos in Kenya. Patterns contains 90 striking images and text contributions from fellow photographers and conservationists.

Find your copy on Bookshop, and keep up with McCormack’s travels on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns appeared first on Colossal.

The Rusty Lark, a small bird thought to be extinct for nearly a century, has been photographed for the first time.

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Thomas Hawk posted a photo:

date stamped on slide, February 1969

camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

chris murkin posted a photo:

G-KAPW Hunting Percival Provost RAF XF603
This Aircraft Served with the Royal Air force from 1953 until 1965
Photo taken at Old Warden Shuttleworth Wings & Wheels Air Show 30th May 2026
HAH_9045

Science educator Steve Mould's newest video sheds fascinating light on an oft-forgotten color photography process. Mould's video has the grabby title, "You've Never Seen a Real Photo," which is closer to the truth than it sounds.

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