A cartoon illustration of a sweaty vampire smiling in the middle of a big city crowd crossing the street. Caption reads "The city provided endless dining options."
A cartoon illustration of a bittersweet looking vampire playing his nintendo switch in a gothic castle. Caption reads "The only reason he played Animal Crossing was to walk through the sunshine again."
Throughout the third season of AMC’s “Interview With the Vampire,” characters speak with equal parts dread, anticipation and awe of something called the “Great Transformation.” The phrase has its own meaning within Anne Rice’s lush, grandiose world of bloodsuckers and spell-casters as interpreted by creator and showrunner Rolin Jones. But it’s also a meta description […]
Throughout the third season of AMC’s “Interview With the Vampire,” characters speak with equal parts dread, anticipation and awe of something called the “Great Transformation.” The phrase has its own meaning within Anne Rice’s lush, grandiose world of bloodsuckers and spell-casters as interpreted by creator and showrunner Rolin Jones. But it’s also a meta description […]
Lestat de Lioncourt (Sam Reid) has always loved being the center of attention. Whether he's dazzling audiences in New Orleans, provoking Louis (Jacob Anderson) into another argument, or turning an interview into a spectacle, subtlety has never exactly been his strongest quality. That tendency is on full display in Interview With the Vampire Season 3 — now titled, The Vampire Lestat — which finds the legendary vampire embracing life as a rock star in front of adoring crowds. The season premiere m
Lestat de Lioncourt (Sam Reid) has always loved being the center of attention. Whether he's dazzling audiences in New Orleans, provoking Louis (Jacob Anderson) into another argument, or turning an interview into a spectacle, subtlety has never exactly been his strongest quality. That tendency is on full display in Interview With the Vampire Season 3 — now titled, The Vampire Lestat — which finds the legendary vampire embracing life as a rock star in front of adoring crowds. The season premiere made it clear that Lestat is done hiding in the shadows, and the world seems more than willing to watch. Not everyone is paying attention to the man on stage, though.
Editor's note: The below contains spoilers for The Vampire Lestat premiere.While viewers have long been anticipating a return to AMC's Immortal Universe, they may not have been expecting The Vampire Lestat to kick off precisely the way that it did. Rather than beginning with Lestat himself (Sam Reid) firmly in his rockstar era, the opening scene of the premiere, "Detroit," actually jumps forward to a point long after his band's tour, hinting at a potential direction for Season 4 in the process.
Editor's note: The below contains spoilers for The Vampire Lestat premiere.While viewers have long been anticipating a return to AMC's Immortal Universe, they may not have been expecting The Vampire Lestat to kick off precisely the way that it did. Rather than beginning with Lestat himself (Sam Reid) firmly in his rockstar era, the opening scene of the premiere, "Detroit," actually jumps forward to a point long after his band's tour, hinting at a potential direction for Season 4 in the process.
Memory is a monster. It's the sentiment that AMC's adaptation of Anne Rice's Interview with the Vampire emphasized, via the show's official tagline, long before the completion of its second season, but no one could have envisioned exactly how things would play out. Following Season 2's most shocking revelations, it actually seemed as if the series' titular vampire, Louis de Pointe du Lac (Jacob Anderson), was actually on his way to some form of reconciliation with his maker and on-again, off-aga
Memory is a monster. It's the sentiment that AMC's adaptation of Anne Rice's Interview with the Vampire emphasized, via the show's official tagline, long before the completion of its second season, but no one could have envisioned exactly how things would play out. Following Season 2's most shocking revelations, it actually seemed as if the series' titular vampire, Louis de Pointe du Lac (Jacob Anderson), was actually on his way to some form of reconciliation with his maker and on-again, off-again lover, Lestat de Lioncourt (Sam Reid), but if there's one thing that the Rolin Jones-created series continually emphasizes, it's that things are never that straightforward between immortals. The show's title definitively shifting to The Vampire Lestat for its third season was its loudest signal yet that the story would be pivoting to a different point of view, but that change also brings with it a decisively bold chapter that manages to be equal parts chaotic and poetic, as perpetually unpredictable and enthralling as its subject, while refusing to hold the viewer's hand throughout any of it.
Sam Reid isn’t a rock star, but he plays one on TV. Although, anyone who attended the June 2 premiere party for “The Vampire Lestat” at New York’s Beacon Theatre could have sworn Reid was the real deal. In full character as the show’s vampire-turned-rocker Lestat de Lioncourt, Reid performed six original songs from the […]
Sam Reid isn’t a rock star, but he plays one on TV. Although, anyone who attended the June 2 premiere party for “The Vampire Lestat” at New York’s Beacon Theatre could have sworn Reid was the real deal. In full character as the show’s vampire-turned-rocker Lestat de Lioncourt, Reid performed six original songs from the […]
Interview with the Vampire retitling its third season to The Vampire Lestat is quite an unconventional move for traditional serialized television. The striking shift is, however, perfectly in accordance with creator Rolin Jones' magnificent adaptation of author Anne Rice's The Vampire Chronicles series. Rice's transgressive material and Jones' transformative interpretation scrutinize how traumatic experiences can frame an individual's perspective and distort their memories — especially when a co
Interview with the Vampire retitling its third season to The Vampire Lestat is quite an unconventional move for traditional serialized television. The striking shift is, however, perfectly in accordance with creator Rolin Jones' magnificent adaptation of author Anne Rice's The Vampire Chronicles series. Rice's transgressive material and Jones' transformative interpretation scrutinize how traumatic experiences can frame an individual's perspective and distort their memories — especially when a concept as simultaneously harrowing and freeing as immortality enters the picture.
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