To prove I can do other stuff, I did my first Inkscape art, a hedgehog. They are quadrupedal insectivorous mammals that hibernate in the winter and roll around.
To prove I can do other stuff, I did my first Inkscape art, a hedgehog. They are quadrupedal insectivorous mammals that hibernate in the winter and roll around.
A cartoon illustration of a man and his dog holding each on a chair as a cat paints them on an easel. Caption reads "The weekends had got a lot more interesting since the cat had started to paint."
RIGHT NOW! I'm doing LIVE drawing from my prompt book on Twitch! Come join the fun! www.twitch.tv/grickle14 #grickledoodle #twitch #drawing #art #funny #humor #cartoon (Or catch it later on the Grickle Channel on Youtube!)
RIGHT NOW! I'm doing LIVE drawing from my prompt book on Twitch! Come join the fun! www.twitch.tv/grickle14 #grickledoodle#twitch#drawing#art#funny#humor#cartoon (Or catch it later on the Grickle Channel on Youtube!)
The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker
The Cartoonists and Cartoons
Thirteen cartoons, thirteen cartoonists. No newbies, No duos, that we know of. The longest active contributing cartoonist in the issue is Roz Chast, whose first New Yorker cartoon appeared in the issue of July 3, 1978.
This Week’s Cartoons (in a slideshow).
This Week’s Cartoon Caption Contest (Benjamin Slyngstad provides the drawing for this week’s contest)
Th
The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker
The Cartoonists and Cartoons
Thirteen cartoons, thirteen cartoonists. No newbies, No duos, that we know of. The longest active contributing cartoonist in the issue is Roz Chast, whose first New Yorker cartoon appeared in the issue of July 3, 1978.
Back in May of 2017, Rea Irvin’s perfect Talk design, shown here, was displaced by — gasp! — a redrawn version executed by a contemporary illustrator. The Spill continues to hope that Mr. Irvin’s work returns. Read more here.
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Rea Irvin’s A-Z Entry:
Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.
A cartoon illustration of a man sitting on an airline passenger seat with a strange creature in his lap, talking to a concerned looking flight attendant. Caption reads "I was told we were allowed one discomfort animal per person?"
Happy Birthday, Liza Donnelly!
The Spill sends birthday greetings to long-time New Yorker contributor, Liza Donnelly, seen above attempting to take it easy for a few minutes in Maine a few years ago.
Born in Washington, D.C., then high-tailing it asap to New York City, she has been contributing to The New Yorker since 1979. Among the many hats she wears, the most recent is filmmaker. Her documentary on The New Yorker‘s women cartoonists, Woman
The Spill sends birthday greetings to long-time New Yorker contributor, Liza Donnelly, seen above attempting to take it easy for a few minutes in Maine a few years ago.
Born in Washington, D.C., then high-tailing it asap to New York City, she has been contributing to The New Yorker since 1979. Among the many hats she wears, the most recent is filmmaker. Her documentary on The New Yorker‘s women cartoonists, Woman Laughing, co-directed with Kathleen Hughes, is making the rounds, festival-wise this year.
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