Al Frueh’s Terrif Love Letter

In 1913, long before Al Frueh (pronounced “free”) became a fixture at The New Yorker, he designed the above letter for his wife. Read all about it here.

Mr Frueh was a cover artist, as well as a cartoonist, contributing 201 cartoons during his 34 years at the magazine. Of note: he had the very first cartoon in the very first issue of The New Yorker. His one-and-only New Yorker cover, dated February 28, 1925, was the magazine’s second:

He will most likely be remembered for his theater drawings (accompanying the magazine’s theater reviews):

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Tilley Watch Online, April 20 – 24, 2026

Daily Cartoon: Ben Schwartz, Harriet Burbeck, Kyle Bravo, Felipe Galindo (bonus drawing), Tom Toro, Maggie Larson.

Barry Blitt’s Kvetchbook: “Happy Earth Day (To Those Who Celebrate)”

The Tilley Watch Online, May 18-22, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: (the duo of) Joe Dator and Kevin Maher, Sam Hurt, Adam Douglas Thompson, Matt Reuter, J.A.K.. See them here.

Barry Blitt’s Kvetchbook: “From Heel To Calf”

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Ellie Black Guests On The Latest Cartoon Caption Contest Podcast

Ellie Black, who began contributing to The New Yorker in February of 2019 (February 11th, to be exact), joins the CCCP crew this week (it’s episode #251, for those keeping track). Listen here. 

Photo,  top l-r: co-hosts Nicole Chrolavicius and Paul Nesja. Bottom row: Ellie Black.

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Sidenote: Ellie Black is one the 52 New Yorker cartoonists profiled in At Wits End: Cartoonists Of The New Yorker (Clarkson Potter, 2024).

Peter Kuper’s Spy Vs. Spy Poster For MAD Issue #600

Peter Kuper, who began contributing to The New Yorker in 2011, has posted his Spy Vs. Spy poster appearing in MAD Issue #600 (Mr. Kuper has written and illustrated that feature since 1997).

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Interview Of Interest: Ivan Ehlers.

From Printmag.com, June 12, 2026, “Ivan Ehlers’ Political Cartoons Feel More Important Than Ever.” 

A short interview with Mr. Ehlers who began contributing to The New Yorker in July of 2021. Visit his website here.

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The Tilley Watch Online, June 8-12, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Jorge Penne, Ngozi Ukazu, Bob Eckstein, Keith Knight, (the duo of) Jason Chatfield & Scott Dooley.

Artist At Large: Millie von Platen’s “Superstitious Behaviors Of Knicks Superfans”

Sketchbook: Zoe Si’s “Power Play: Behind The Music of ‘Heated Rivalry'”

Barry Blitt’s Kvetchbook: “Looksmaxxing For Dummies”

The New York Times On William Steig’s Shrek

Here’s a welcome out-of-the-blue, awkwardly headlined New York Times article by Brian Raftery on William Steig and his most famous creation, Shrek.

“Nobody Once Told Him the World Was Gonna Meme Shrek” 

I have two bones to pick with this otherwise terrif piece — both concern “a thousand illustrations” found in this sentence:

“Steig began selling his art to publications including The New Yorker, to which he’d ultimately contribute more than a thousand illustrations.”

Bone #1: technically, “…more than a thousand…” is correct, but of the very few New Yorker cartoonists who have contributed 1000 or more cartoons to The New Yorker (approximately 20 something out of the approximately 850 cartoonists who have contributed since 1925), only four have contributed in the range of 2000: Steig, James Stevenson, Alan Dunn, and Lee Lorenz. A (perhaps weedsy) feat worth mentioning, at least here on the Spill.

Bone #2: cartoons are not illustrations, and illustrations are not cartoons. The New Yorker has had a 100 year practice of making sure the cartoons in the magazine do not refer to the accompanying text. Illustrations accompany and refer to accompanying text — cartoons do not. Cartoons stand alone — they are graphic islands.

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William Steig’s A-Z Entry:

William Steig (photo above) Born in Brooklyn, NY, Nov. 14, 1907, died in Boston, Mass., Oct. 3, 2003. In a New Yorker career that lasted well over half a century and a publishing history that contains more than a cart load of books, both children’s and otherwise, it’s impossible to sum up Steig’s influence here on Ink Spill. He was among the giants of the New Yorker cartoon world, along with James Thurber, Saul Steinberg, Charles Addams, Helen Hokinson and Peter Arno. Lee Lorenz’s World of William Steig (Artisan, 1998) is an excellent way to begin exploring Steig’s life and work. New Yorker work: 1930 -2003.

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Thirteen cartoons, thirteen cartoonists. No newbies, No duos, that we know of. The longest active contributing cartoonist in the issue is Roz Chast, whose first New Yorker cartoon appeared in the issue of July 3, 1978.

This Week’s Cartoons (in a slideshow).

This Week’s Cartoon Caption Contest (Benjamin Slyngstad provides the drawing for this week’s contest)

The Rea Irvin Talk Watch

Back in May of 2017, Rea Irvin’s perfect Talk design, shown here, was displaced by — gasp! — a redrawn version executed by a contemporary illustrator. The Spill continues to hope that Mr. Irvin’s work returns. Read more here.

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Rea Irvin’s A-Z Entry:

Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

A New Yorker State Of Mind Digs Into The Issue Of April 11, 1936

A New Yorker State Of Mind: Reading Every Issue Of The New Yorker: always fun, always interesting reading.

This week: the issue of April 11, 1936. Read it here. 

Cover by Helen Hokinson.

Her A-Z Entry:

Helen Hokinson (above) Born, Illinois,1893; died, Washington, D.C., 1949. New Yorker work: 1925 -1949, with some work published posthumously. All of Hokinson’s collections are wonderful, but here are two favorites. Her first collection: So You’re Going To Buy A Book! (Minton, Balch & Co, 1931) and what was billed as “the final Hokinson collection”: The Hokinson Festival (Dutton & Co., 1956). According to a New Yorker document produced during Harold Ross’s editorship (1925-1951) rating their artists, Ms. Hokinson and Peter Arno occupied a special category unto themselves above all others.

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The Tilley Watch Online, May 11-15, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Mo Welch, Adam Douglas Thompson, Brendan Loper, Avi Steinberg, (the duo of) Pia Guerra and Ian Boothby. See them here. 

The Daily: How To Win Our Cartoon Caption Contest— a Q&A with Caroline Mimbs Nyce and the magazine’s deputy cartoon editor, Rachel Aster Perlman.

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Thurber Prizes Awarded Tonight In Columbus

From The Columbus Dispatch, May 5, 2026, “Thurber Prize For American Humor To Celebrate Laughter In Literature” [and cartoons!].

The Spill again congratulates Emily Flake for being named the 2026 recipient of the Thurber Prize For American Humor In Cartoon Art. The winner for literature will be announced this evening.

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Latest Addition to The Archives…A Script

A script came this way recently, courtesy of a loyal Spill reader (thank you loyal Spill reader!).

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Fifteen cartoons, fifteen cartoonists. No newbies. Two duos, that we know of (the Spill counts duos as one cartoonist). The longest active contributor in the issue is this cartoonist (I began contributing in 1977).

This week’s cartoons (in a slideshow)

This week’s Cartoon Caption Contest (Avi Steinberg provides this week’s contest drawing)

The Rea Irvin Talk Watch

Once again, Rea Irvin’s perfect Talk design (shown here) has not returned to the magazine. Every Monday morning, since May of 2017, when a redrawn(!) version by a contemporary illustrator replaced Mr. Irvin’s work, I’ve opened up the newest issue hoping to see the original, but alas…

Read more here.

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Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

The Tilley Watch Online, May 4-8, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Emily Flake, Victoria Roberts, Ben Schwartz, Bob Eckstein, Olivia Pecini (a bonus cartoon by an online only cartoonist), Meredith Southard.

See them here (in a slideshow)

Barry Blitt’s Kvetchbook: “Straight Outta Hormuz” 

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Happy Mother’s Day

One from The New Yorker, August 19, 1985.

Upcoming Women Laughing Screenings 

Women Laughing, Liza Donnelly and Kathleen Hughes documentary film about New Yorker women cartoonists past and present, will be screened at a number of venues beginning this Spring and into the Fall. You can see the schedule here.

Please note that three screenings are happening within the next few days:

Portland Museum of Art
May 9, 2026 Portland, ME

The Moviehouse
May 9, 2026 Millerton, NY
Followed by conversation with Liza Donnelly, Kathleen Hughes, Amy Hwang. 

The Church
May 15, 2026 Sag Harbor, NY
Followed by conversation with Liza Donnelly, Kathleen Hughes and Emma Allen.

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Update: Thurber Prize For American Humor In Writing Awarded

Congrats to Shalom Auslander for being awarded the 2026 Thurber Prize for American Humor in Writing … and congrats once again to Emily Flake the (previously announced) 2026 Thurber Prize winner for American Humor In Cartoon Art.

Fave Photo Of The Week

The above group photo was taken the other day in Washington, D.C., at DC/Dox, where Women Laughing was screened. The film, directed by Kathleen Hughes (third from left) and Liza Donnelly second from left), has been popping up at numerous festivals this year.

New Yorker cartoonists, Sara Lautman (second from right), and Emily Sanders Hopkins (first on the right) participated in a panel discussion following the screening.

Also pictured: Women Laughing producers Judith Mizrachy (first on the left), and Nathalie Seaver (fourth from left).

Photo by (New Yorker cartoonist) Marshall Hopkins

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And In Other Donnelly News…

Check out the latest in the series, Talk & Draw With Heather Cox Richardson and Liza Donnelly here (the subject this time ’round is Watergate).