Peter Kuper News

A couple of fun items concerning Peter Kuper, who began contributing to The New Yorker in 2011. His book, Insectopolis: A Natural History is a Ohio Books Awards finalist in the category of nonfiction.

and…

his work is included in Cleveland’s Maltz Museum exhibit, “Icons In Ink: The Jewish Comics Experience” 

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A Reminder: Rich Sparks Today at 12:30 On Jason Chatfield’s “Draw Me Anything”

Mr. Sparks,began contributing to The New Yorker in 2016; Mr. Chatfield began contributing in 2017.

Link here to Mr. Chatfield’s site

Tilley Watch Online, The Week of April 27–May 1, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Lynn Hsu, Enrico Pinto, (the duo of) Sophie Lucido Johnson and Sammi Skolmoski, Sarah Kempa, Hilary Campbell. See them here (in a slideshow).

Barry Blitt’s Kvetchbook: “Charles And Donald See Eye To Eye”

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Pomp And Circumstance: A slideshow of graduation cartoons (the below, from the great Warren Miller,* is just one of many in this online special feature.

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*Warren Miller’s A-Z Entry:

Warren Miller (photo by Liza Donnelly, NYC, Sept. 1997) Born 1936, Chicago, Ill. The following biographical information comes from The Phoenix Gallery site which hosted a group exhibit of NYer cartoonists work (Lorenz, Harris, Modell, and Miller) in 2007: “Warren Miller studied commercial and fine art at the American Academy of Art, Chicago. He started selling cartoons to Playboy and The New Yorker in 1961 and moved to New York City later that year. Miller’s work has also appeared in Esquire, Punch, Rolling Stone, Audubon, Harvard Business Review, Barrons, Time, Newsweek, The New York Times, and the London Sunday Times. Mr. Miller is a painter and a sculptor as well. He has exhibited his work in a number of shows in the New York area and in the Midwest.” Key collections: All Thumbs (Bobbs-Merrill,1967); Prince and Mrs. Charming (Bobbs-Merril, 1970). New Yorker work: 1959 -.

Fave Photo Of The Week

The above group photo was taken the other day in Washington, D.C., at DC/Dox, where Women Laughing was screened. The film, directed by Kathleen Hughes (third from left) and Liza Donnelly second from left), has been popping up at numerous festivals this year.

New Yorker cartoonists, Sara Lautman (second from right), and Emily Sanders Hopkins (first on the right) participated in a panel discussion following the screening.

Also pictured: Women Laughing producers Judith Mizrachy (first on the left), and Nathalie Seaver (fourth from left).

Photo by (New Yorker cartoonist) Marshall Hopkins

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And In Other Donnelly News…

Check out the latest in the series, Talk & Draw With Heather Cox Richardson and Liza Donnelly here (the subject this time ’round is Watergate).

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Sixteen cartoons, eighteen cartoonists (Ed Steed has “Spots”; Ben Schwartz has a “Sketchpad”). One duo (the Spill considers duos as one cartoonist). No newbies. The longest active cartoonist in the issue is Roz Chast, whose first New Yorker drawing appeared in the issue of July 3, 1978.

This week’s cartoons (in a slideshow)

This week’s Cartoon Caption Contest (Felipe Galindo provides the drawing for this week’s contest).

The Rea Irvin Talk Watch

Rea Irvin’s above design, which ran in The New Yorker for 92 years, was disappeared in May of 2017 and replaced by — no joke! — a redraw by a contemporary illustrator. The Spill continues to hope that Mr. Irvin’s work returns. Read more here.

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Rea Irvin’s A-Z Entry

Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

A New York Times story published online today (“David Sedaris Has Two Apartments For His Two Picassos”) features a number of photos of the writer David Sedaris’s Manhattan home(s). In the last photo, Mr. Sedaris sits in front of a framed Charles Addams drawing hovering over his shoulder. The drawing was published in The New Yorker, August 26, 1972, It features a spouting whale in a swimming pool. A couple stands off to the side. The woman says to the man: “Thar she blows? Is that all you can say?” 

I was surprised when I saw the drawing this morning. Why surprised? Because I did a similar, (though not truly identical) drawing of a (non-spouting) whale in a swimming pool. It was published in The New Yorker August 26, 2013:

It hasn’t happened that often, but when something of mine comes graphically uncomfortably close to a previously published drawing by another cartoonist, I feel a bit sheepish about it. I console myself by thinking that, in decades of drawing thousands of cartoons (many of them involving swimming pools*, and some involving whales, including another drawing with a whale in a swimming pool**) these intersections are bound to happen. In 1972, I was in my first year of college (go Newark State!) and just beginning to pester The New Yorker‘s art editor, James Geraghty, with my earliest stabs at cartoons. It’s possible I saw the Addams swimming pool drawing that August (altho I confess I did not remember it until seeing this Sedaris article). I suppose it only took 41 years for the idea of a whale in a swimming pool to slip out of the haze of memory and into my cartoon consciousness. If that’s what happened.

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*(from The New Yorker, July 3, 2023)

** (from The New Yorker, July 8, 2019)

Al Frueh’s Terrif Love Letter

In 1913, long before Al Frueh (pronounced “free”) became a fixture at The New Yorker, he designed the above letter for his wife. Read all about it here.

Mr Frueh was a cover artist, as well as a cartoonist, contributing 201 cartoons during his 34 years at the magazine. Of note: he had the very first cartoon in the very first issue of The New Yorker. His one-and-only New Yorker cover, dated February 28, 1925, was the magazine’s second:

He will most likely be remembered for his theater drawings (accompanying the magazine’s theater reviews):

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Tilley Watch Online, April 20 – 24, 2026

Daily Cartoon: Ben Schwartz, Harriet Burbeck, Kyle Bravo, Felipe Galindo (bonus drawing), Tom Toro, Maggie Larson.

Barry Blitt’s Kvetchbook: “Happy Earth Day (To Those Who Celebrate)”

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Thirteen cartoons, thirteen cartoonists. No newbies, No duos, that we know of. The longest active contributing cartoonist in the issue is Roz Chast, whose first New Yorker cartoon appeared in the issue of July 3, 1978.

This Week’s Cartoons (in a slideshow).

This Week’s Cartoon Caption Contest (Benjamin Slyngstad provides the drawing for this week’s contest)

The Rea Irvin Talk Watch

Back in May of 2017, Rea Irvin’s perfect Talk design, shown here, was displaced by — gasp! — a redrawn version executed by a contemporary illustrator. The Spill continues to hope that Mr. Irvin’s work returns. Read more here.

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Rea Irvin’s A-Z Entry:

Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

Early Cover Release…Knicksmania At The New Yorker

The New Yorker has early released (online) the cover for the issue of June 22, 2026. David Remnick, the magazine’s editor, recently said he’d like to run 20 Knicks covers. Only 18 to go now. Cover artist: Pierre-Emmanuel Lyet:

The magazine has also run a half dozen Knicks-centric cartoons:

here

here

here

here

here

here

…not to mention, in non-cartoon news, the post-game live Substack wrap-ups with Mr. Remnick and two New Yorker contributors (Vinson Cunningham and Louisa Thomas), as well as this Sporting Scene piece by Mr. Remnick, this piece by Louisa Thomas, and this Daily piece.

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Now That’s A Cover!

A spectacular cover by Barney Tobey that includes a New Yorker cover within the cover(!). Mr. Tobey’s New Yorker run lasted 57 years, with 1,040 cartoons and four covers. The one above was his third. His 1983 restrospective, B. Tobey Of The New Yorker is highly recommended.

Barney Tobey (photo above from Think Small, a book of humor produced by Volkswagon) Born in New York City, July, 18, 1906, died March 27, 1989, New York. New Yorker work: 1929 -1986. Essential collection: B. Tobey of The New Yorker (Dodd Mead & Co., 1983). 4 covers; 1,040 cartoons.

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Keith Knight Guests On The Latest Cartoon Caption Contest Podcast

Keith Knight, who began contributing to The New Yorker in 2019, joins the always fun CCCP crew on Episode 254. Listen to it here. 

photo above: clockwise from the top left: Keith Knight, then co-hosts, Paul Nesja, Nicole Chrolavicius, and Beth Lawler

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Polly Lou Adams Guests On The Latest Cartoon Caption Contest Podcast

Polly Lou Adams (upper left in the photo), who began contributing to The New Yorker in June of 2025, joins two of four CCCP co-hosts, Paul Nesja (upper right) and Nicole Chrolavicius. It’s Episode #249 for those keeping track. Listen here. 

Visit Polly Lou Adams website here. ___________________________________________________________________

A New Yorker State Of Mind Digs Into The Issue Of April 25, 1936

A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine continues its good work. 

Read it here. 

Cover by Rea Irvin: Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261. 

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Article Of Interest…Guy Richards Smit

From The Creative Independent, April 30, 2026, Mr. Smit’s  conversation with Brandon Stosay. 

Guy Richards Smit began contributing to The New Yorker in 2022.

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Live Interview Of Interest: Liza Donnelly On Radio Free Rhinecliff

Liza Donnelly, long-time New Yorker contributor, and filmmaker (Women Laughing) will be live today at 5 on Radio Free Rhinecliff. Listen here.  

Photo: Eric Korenman

As Summer begins, here’s a cartoon sampler for you from the archives.

The New Yorker, July 23, 1984:

The New Yorker, June 18, 2001:

The New Yorker, September 3, 2001:

The New Yorker, August 21, 2000:

The New Yorker, August 26, 2013:

The New Yorker, June 13, 1983:

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Nineteen cartoons, twenty cartoonists in this themed (“America At 250”) double issue* (Barry Blitt has the cover). One duo, that we know of (the Spill counts duos as one cartoonist). No newbies. Liana Finck has a ‘Sketchbook” as well as a cartoon.

*Not counting the three cartoonists whose drawings appear as part of the Cartoon Caption Contest. However, the longest active contributing cartoonist in the issue is Mort Gerberg, who supplied this week’s Caption Contest drawing (he began contributing in 1965).

This week’s cartoons (in a slideshow).

The Cartoon Caption Contest 

The Rea Irvin Talk Watch

Back in May of 2017, the above perfect Talk design by Rea Irvin was carted away (after appearing for 92 years!) and replaced –if you can believe it — by a redraw via a contemporary illustrator. The Spill continues to hope Mr. Irvin’s work returns. Read more here.

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Rea Irvin’s A-Z

Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

                                                         Booth The Magnificent!

The other day I came across this George Booth New Yorker drawing (published in the issue of November 13, 1989). I immediately took a screenshot of it and put it aside for a rainy day Spill. Well today’s that rainy day.

The drawing is a reminder of why I fell so heavily under Booth’s graphic spell back in the 1970s when I began contributing to The New Yorker. I can’t say that I had a favorite New Yorker cartoonist then — with so many to choose from, picking just one would’ve been near impossible. But I will say that Booth was most certainly in the top of my top ten favorites. His influence was a huge energy boost; energy felt and acted on (in my own drawings) as I looked through each new issue of The New Yorker. His cartoon art was high bar — something so wonderful it was truly inspirational.

The drawing above hit me (in the best way) because of the drawing itself. Booth’s creative viewpoint was outstanding. He gives us a drone-like view here, and pulls it off because Booth could draw like nobody’s business (never been exactly sure what that means, but I like the sound of it) — he was a cartoonist Michelin chef. Look at the way he handled the house, the car, the characters and the horizon (well, that ‘s just about the entire drawing isn’t it?). Perfect balance, perfect shading, perfect body language for all. And the capper: the mother floating above. (The New Yorker‘s database description of the drawing reads: “Wife to husband about his bloated mother floating upside down above the house.” 

This is exactly the kind of drawing that caused me to break out of linear cartooning, and let go (on paper that is). Let go and try anything. Coupled with Booth’s try anything approach was his ability — as my late colleague Henry Martin would’ve put it — to draw funny. Every character he set down on paper was stand-alone funny. Look at that little kid in the drawing (to me, he looks a little like Bruce Eric Kaplan’s characters, but in miniature). The kid is perhaps the simplest element on the  scene, and yet…we don’t need more than Booth has drawn. The dot for an eye, and a super short tightly blotted line for the mouth is all that’s needed — more would’ve ruined the moment (this is a foundational understanding to all those practicing in the school of Thurber).

Looking again at this Booth drawing only reaffirms what didn’t need reaffirming, but is nevertheless necessary to talk about. The drawing is a reminder of what’s possible in cartoonland.

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George Booth’s A-Z Entry

George Booth (photo above taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926,  Cainesville, MO. Died November 2022, NYC. New Yorker work: June 14, 1969 – 2022. Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth (Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz (Workman, 1998).

More reading:

Ink Spill’s George Booth Appreciation (2016). 

Ink Spill’s George Booth Obit (2022)