Truus, Bob & Jan too! posted a photo:

Vintage British postcard, 1910s. Hepworth Picture Player. P.C., 3. NB IMDb does not list a Chrissie White film with the title The Winning Smile, so it may just be a tagline accentuating what we see.

British actress Chrissie White (1895-1989) was one of the most famous and popular stars of British silent cinema.

Blue-eyed and light-haired beauty Chrissie White was born Ada Constance White in Chiswick, London, on 23rd May 1895 – the year film was introduced by the Lumière brothers. She started her film career when joining the Hepworth company in 1907 as a 12-year-old girl. Under the name of ‘ Chrissie’ she became one of the first stars in British cinema, often performing in shorts by director Lewin Fitzhamon, in particular the Tilly comedies. When White was teamed with Alma Taylor, they became a popular comic duo as the naughty schoolgirls Tilly and Sally, who create havoc everywhere. The Tilly comedies were a popular series in the years 1910 and 1911. NB White supposedly rode to the studios on a bicycle in her early years as a star.

One by one, White moved from comedy to drama and romance. By 1912 Chrissie White had become Hepworth’s leading lady and the most popular British star of her time. In the same year she married Claude Witten, who also worked for Hepworth. One of her earliest features was a crime film set in the horse racing milieu: The Kissing Cup (1913); it still survives in the Dutch Desmet Collection, as well as the Tilly comedy Tilly in a Boarding House (1911). Other memorable titles were The Vicar of Wakefield (1913), and At the Foot of the Scaffold (1913). Chrissie White’s male partners in her films were mostly Lionelle Howard (from 1914 on); Stewart Rome (between 1914-1917), a.o. in Coward! (1915) and Her Boy (1915); and Henry Edwards (from 1918 on).

Edwards also directed most of their films together, such as Possession (1919), The City of Beautiful Nonsense (1919), The Kinsman (1919), The Bargain (1921) and Lily of the Alley (1923). All in all they did some 22 films together. They were also a couple in real life, as White married Edwards in 1922, and they had a daughter Henrietta, who also became an actress. Edwards and White became real celebrities in Britain, the equivalent of Douglas Fairbanks and Mary Pickford. White's last silent film with Edwards was the romance The World of Wonderful Reality (1924).

When Hepworth collapsed in 1924, Chrissie White - who had worked only for Hepworth - retired from the screen, to the regret of her fans. She returned in the sound era to play in only two films more, with Edwards as her male partner: The Call of the Sea (Leslie Hiscott 1930) and the comedy General John Regan (Edwards 1933), filmed in Northern Ireland. After that White definitively retired from the screen, and after the death of Edwards in 1952 she withdrew from publicity at all. Estimates are that Chrissie White worked in between 100 and 180 films, shorts and features. Chrissie White died 18/8/1989 in Hollywood, California, and was buried at the Westwood Memorial Park.

Clips of Chrissie White's films can be traced in the BBC/BFI documentary Silent Britain (2006). See also on YouTube Tilly, the Tomboy, Gives to the Poor www.youtube.com/watch?v=Ac1dVYaPN8I

Sources: IMDB, www.hepworthfilm.org/chrissie_white.htm. See also www.flickr.com/photos/truusbobjantoo/3023085296/

ShutterNut... posted a photo:

Please be aware... Photos are purely for entertainment. I am no expert. Titles are from recognition - what I was told - or a quick search. Polite comments or corrections are welcome.

ShutterNut... posted a photo:

Please be aware... Photos are purely for entertainment. I am no expert. Titles are from recognition - what I was told - or a quick search. Polite comments or corrections are welcome.

Eudaemonius posted a photo:

Eudaemonius posted a photo:

The rhythm, the cadence, is hypnotic. The late-afternoon sun helps: scales flying off the fish flash in a silvery, summery gust. Three young men fall into a soft, steady rhythm — fish, knife, entrails — chop, chop! The day winds down at the pier, and Curaçao — this small, arid island off the northern coast of Venezuela, part of the former Dutch Antilles — now stands out as one of the best ideas conceived since the Big Bang; at times, it may also seem like the opposite: a Caribbean theme park for Europeans and Americans. But not now — it is a kingdom of physical well-being, a haven of tranquility, the soul of the slow world. Guts, scales, salt water, milky sun, rhythm, rhythm, rhythm.

Seguir leyendo

Truus, Bob & Jan too! posted a photo:

Vintage British postcard, 1910s. Hepworth Picture Player. Photo by Lallie Charles.

British actress Chrissie White (1895-1989) was one of the most famous and popular stars of British silent cinema.

ShutterNut... posted a photo:

Please be aware... Photos are purely for entertainment. I am no expert. Titles are from recognition - what I was told - or a quick search. Polite comments or corrections are welcome.

Neil. Moralee posted a photo:

Founded in 1919 by Walter Owen Bentley in Cricklewood, London, the Bentley motor company quickly established a reputation for exceptional performance and engineering, famously dominating the 24 Hours of Le Mans throughout the 1920s with the help of the legendary 'Bentley Boys'. Following financial difficulties during the Great Depression, the company was acquired by Rolls-Royce in 1931, moving production to Derby and later to its iconic factory in Crewe, Cheshire, in 1946. After decades of being closely associated with Rolls-Royce, Bentley was purchased by the Volkswagen Group in 1998, a transition that sparked a significant revitalisation of the brand's identity as a manufacturer of luxury, high-performance grand tourers that continues to define its legacy today.


Beer, Devon, UK.

Truus, Bob & Jan too! posted a photo:

Vintage British postcard, 1910s. Hepworth Picture Player. P.C. 2. NB IMDb does not list a Alma Taylor film with the title The Girl Who Believed, so it may just be a tagline accentuating what we see.

Alma Taylor (1895-1974) was a British actress, who peeked in the British silent cinema of the 1910s and 1920s. In 1915 readers of Pictures and Picturegoers voted her most popular British performer, beating even Charlie Chaplin. Taylor acted in over 150 films, among which some prestigious examples like Shadow of Egypt (1924) by Sidney Morgan.

Alma Taylor was born in London, on 3 January 1895. According to Anthony Slide, brunette, blue-eyed Alma Taylor was the Hepworth actress 'par excellence'. Beginning in 1907, she already acted with producer Cecil Hepworth, playing tragic young girls. She then co-starred with Chrissie White in Hepworth's 'Tilly Girl' comic series (1910-1915) about two naughty schoolgirls, as well as in 75 or more short and long subjects by Hepworth, such as the Dickens adaptations Oliver Twist (1912), David Copperfield (Thomas Bentley) and The Old Curiosity Shop (Bentley 1913). In those days , everyone helped out at the studios, so both Alma and Chrissie helped in the processing rooms when the weather was too poor to shoot. During the First World War and soon after Taylor contributed to the war effort by acting in such propaganda films like The Nature of the Beast (Hepworth 1919). Taylor clearly was the producer's favorite, and remained devoted to him for decades, starring opposite Ralph Forbes in the rather old-fashioned British countryside drama Comin' Thro the Rye (1923), a remake of an earlier version by Hepworth. After a temporal absence from the screen, Hepworth relaunched Taylor in his last film, The House of Marney (1926), with John Longden. In 1924, the Daily News named her, along with Betty Balfour, Britain's top star. Alma Taylor only starred in four non-Hepworth films: The Shadow of Egypt (Sidney Morgan, 1924) with Joan Morgan, Quinneys (Maurice Elvey, 1927), A South Sea Bubble (T. Hays Hunter 1928) with Ivor Novello, and Two Little Drummer Boys (G.B.Samuelson, 1928). In the late silent era she did some German films, including her part of Mrs. Barrymore in Der Hund von Baskerville/ The Hound of the Baskervilles (Richard Oswald 1929), a film longtime considered lost but rediscovered in 2009. With the coming of sound, however, Taylor's career dwindled and she had to satisfy with minor, matronly roles, in small number of films, such as Bachelor's Baby (Harry Hughes, 1932), Things Are Looking Up (Albert de Courville, 1935), Lilacs in the Spring (Herbert Wilcox, 1954), and Blue Murder at St. Trinian's (Frank Launder, 1957). Uncredited, she played a box office woman in Hitchcock's second vserion of The Man Who Knew Too Much (1956). Probably her last part was the uncredited role of an old lady in the Titanic-drama by Rank, A Night to Remember (Roy Ward Baker 1958). Alma Taylor died in London, 23 January 1974. She was the wife of film producer and director Walter West (1885-1958), who in the late 1910s and early 1920s was the regular director of Violet Hopson, first with his company Broadwest (1914-1921) and then for Hopson's own company.

Sources: IMDB, English Wikipedia, Anthony Slide in Encyclopedia of British Film, www.allmovie.com, www.hepworthfilm.org/alma_taylor.htm.