Eudaemonius posted a photo:

saltycotton posted a photo:

Burroughs Sensimatic ad
1956

camera_holic posted a photo:

Ilford HP5 35mm film

D_M_J posted a photo:

Some more film shots from around the paddock at VSCC Curborough, and what a great way to start the speed season! Love the relaxed atmosphere at this event and one of my favourite paddocks to photograph too.

Decided to only shoot black and white on the day, mostly with the Hasselblad but there will be some much older camera stuff to come too...

Camera // Hasselblad 500CM
Film // Ilford FP4
Developer // Ilfotec HC (B)
Scan // Camera scan

Steamjet 54 posted a photo:

The 1967 Plymouth Barracuda launched the car's second generation with a complete redesign. Sharing its A-body platform with the Valiant, it featured distinct "Coke bottle" styling and was offered in three iconic body styles: Fastback, Notchback Hardtop, and Convertible.
Kashmir is a fastback - the flagship look of the generation, known for its massive wraparound rear glass.

Engine options included a base 225 cubic-inch (3.7L) Slant-6 engine producing 145 hp.
Two small block V8 273 CID LA-series V8s were available (a 2-barrel with 185 hp and a 4-barrel with 235 hp). The big block V8 (Formula S) was. introduced mid-year, a 383 CID big-block V8 capable of 280 hp. It required the Formula S trim and turned the car into a formidable drag-strip contender.
The car was praised for its roomy trunk and solid power, especially with the 273 and 383 engine options. However, the "Formula S" package was highly recommended for serious drivers. It included stiffer ride rates, larger-diameter torsion bars, and heavy-duty rear leaf springs to combat body roll and the nose-heavy weight of the big-block V8.

Kashmir by Led Zeppelin:
www.youtube.com/watch?v=gEYqSorzOZs

Oh, let the sun beat down upon my face
With stars to fill my dream
I am a traveler of both time and space
To be where I have been
Sit with elders of a gentle race
This world has seldom seen
Talk of days for which they sit and wait
All will be revealed
Talk and song from tongues of lilting grace
Whose sounds caress my ear
And not a word I heard could I relate
The story was quite clear
Oh, oh
Oh, oh
Ooh, oh, baby, I've been flying
No, yeah, mama, there ain't no denying
Oh, ooh, yeah, I've been flying
Mama, mama, ain't no denying, no denying

dannyhennesy posted a photo:

...as I said earlier I missed out on the Fright Knight theme, I started frequenting cafés, pubs and clubs... but a small AFOL was still around in me when I visited friends with Lego I was always ready to play with their kids (and their Lego...

Peace and Noise!

/Mushroombrain from the brick-block

The Tilley Watch Online, May 18-22, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: (the duo of) Joe Dator and Kevin Maher, Sam Hurt, Adam Douglas Thompson, Matt Reuter, J.A.K.. See them here.

Barry Blitt’s Kvetchbook: “From Heel To Calf”

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Ellie Black Guests On The Latest Cartoon Caption Contest Podcast

Ellie Black, who began contributing to The New Yorker in February of 2019 (February 11th, to be exact), joins the CCCP crew this week (it’s episode #251, for those keeping track). Listen here. 

Photo,  top l-r: co-hosts Nicole Chrolavicius and Paul Nesja. Bottom row: Ellie Black.

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Sidenote: Ellie Black is one the 52 New Yorker cartoonists profiled in At Wits End: Cartoonists Of The New Yorker (Clarkson Potter, 2024).