Just as Tolkien did in "The Lord of the Rings," photographers encompass cultural, historical, and personal viewpoints in their work. However, as in that book, a complex interaction exists between the photographer's intent and the viewer's interpretation of the image.
Early morning. Black t-shirt, dark blazer. I’m dragging heavy bags down from my apartment just outside Stockholm, heading to a taxi waiting outside. In twenty minutes, I’ll be at Stockholm Waterfront, where three intense days of shooting are about to begin. And I love it.
A major new biography explores the life of Edith Tudor Hart, a pioneer photographer in 1930s London who became a Soviet secret agent and had a hand in the history of the notorious "Cambridge Five."
Now, my not-so-piping-hot take is more nuanced, but I still stand by that statement in the title. Because while stunning skies are what drew me to landscape photography, they’ve also held back my development and growth.
As much as I think that landscape photography is a lone pursuit, it often conflicts with the need for feedback about our work. Learning to take photos is one thing but learning to interact with others, to find connections and build a creative network is often overlooked, but just as vital.
Is it foolish to buy a camera with 40-plus megapixels? Photographers are still pushing for higher megapixel count, but that may be too many.
The 1994 genocide in Rwanda was one of the most intimate and large-scale acts of violence of the 20th century. In just 100 days, between 800,000 and one million people were killed, mainly Tutsis but also Hutus. Perpetrators were neighbors, teachers, church leaders, even family members, who attacked face-to-face with machetes, clubs, and spears.
Upstart British photography company Alfie Cameras is launching its next camera, the Alfie Boxx, in just a few weeks. The upcoming camera is an all-in-one analog camera experience, enabling photographers to capture and develop photos right in the camera itself.
Photography has always had a weakness for metrics, but dynamic range has taken on a peculiar authority in the digital era. It is treated not just as a specification, but as a verdict. Cameras are ranked, dismissed, or praised based on differences of less than a stop, as if such a number alone could determine the quality of an image.
For more than a decade, commercial photographer and retoucher John Barnard has worked across high-end campaigns for brands including Nike, Apple, Restoration Hardware, and Pottery Barn. But after 15 years in the industry, what ultimately pushed him to build his own software wasn’t a creative breakthrough or a business pivot. It was a broken tethering connection on set.
Spring often brings a shift in how photographers move. There's more travel, more location work, and a renewed focus on portability. With that comes the need for camera bags that match different shooting styles, whether that’s lightweight everyday carry or fully protected transport for larger, pricier kits.
Every so often, Hasselblad takes to its YouTube channel to showcase a legendary product from its distant past. The latest classic camera to get the modern video treatment is an absolute beauty, the Hasselblad 500 EL/M "20 Years in Space" edition. Released way back in 1982, it is arguably Hasselblad's coolest camera ever.
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