MUMBAI, April 26 — India has ramped up purchases of Russian oil and revived alternate supplies from Africa, Iran and Venezuela to blunt a sharp crude shortfall from the crisis-ridden Middle East, analysts say.

India, the world’s third-largest oil buyer, normally sources about half of its crude through the Strait of Hormuz, a vital waterway that has seen only a trickle of traffic since the United States and Israel launched attacks on Iran on February 28.

India’s heavy import dependence, combined with modest oil reserves compared with major consumers like China, has prompted analysts to warn that India could be among the most vulnerable to a sudden oil price hike.

But while India is grappling with disruptions to cooking gas supplies, it has so far avoided the petrol shortages that have hit some neighbouring nations.

Ship tracking and import data show that India has partially plugged the gap by turning to old allies, expanding promising ties and reviving suppliers it had not tapped in years.

The biggest backstop has been Russian crude—a fuel source New Delhi spent much of the past year trying to pivot away from under stiff US tariffs.

Indian refiners imported an average of nearly 1.98 million barrels per day (bpd) from Russia in March, according to trade intelligence firm Kpler—a sharp jump from the previous two months.

Analysts say the surge was likely aided by a temporary US waiver granted in March covering Russian oil already at sea.

“Imports rose from approximately one million bpd in January and February,” said Nikhil Dubey, an analyst at Kpler.

“This near?doubling suggests that this additional volume was likely contracted following the sanction waiver,” he told AFP.

Useful purchase 

India likely purchased an additional 60 million barrels of Russian oil that will be delivered through April, two trade analysts said.

Washington’s exemptions have drawn criticism from Ukrainian President Volodymyr Zelensky, who says they complicate efforts to choke off Russia’s revenues more than four years into its full-scale invasion of Ukraine.

But Kyiv gained little leverage after US President Donald Trump last week extended the waiver on Russian seaborne oil by another month.

“The extension gives Indian refiners the runway they urgently needed,” said Rahul Choudhary, vice?president at Rystad Energy.

“Indian refiners will likely move quickly to lock in the additional barrels the extension unlocks before the May 16 deadline.”

Other markets have also aided India.

Imports from Angola averaged 327,000 bpd in March, data from Kpler shows, nearly three times what India received in February.

Industry watchers say African crude purchases were made before the United States struck Iran and have proven to be useful.

“A lot of the uptick you’re seeing from Angola in March or Nigeria in April comes because we were (already) looking at sources other than Russia,” an official at a state?run refiner told AFP, requesting anonymity because they were not authorised to speak with journalists.

“It’s now come in handy because shipments from Iraq and most of the Middle East have fallen heavily.”

According to Kpler, crude from both Iran and Venezuela began arriving this month.

Imports from Iran averaged 276,000 bpd as of mid?April, while shipments from Venezuela stood at around 137,000 bpd, preliminary data from Kpler shows.

The purchases have proven to be a fortuitous windfall for refiners who largely steered clear of both suppliers previously to avoid US ire.

Higher prices 

Despite the diversification, the road ahead looks difficult.

India’s overall crude imports fell in March, sliding to 4.5 million bpd from 5.2 million in February, according to Kpler.

Analysts also cautioned that oil from the African nations has limits as a substitute.

“In a prolonged Iran conflict scenario, African crudes can partially backfill supply. However, they are unlikely to fully replace Middle Eastern barrels on a structural basis due to crude slate mismatches,” said Dubey, explaining Indian refineries were configured for different grades than what comes from the African countries.

Higher prices are also a problem.

“The era of cheap oil is over for now, but access has been preserved. Either way, India doesn’t have the luxury of walking away,” said Choudhary, noting that April barrels were secured at between US$5 (RM19.80) and US$15 above the Brent global oil benchmark.

State?run retailers have yet to raise pump prices, with the government instead cutting excise duties on fuel.

Some analysts warn prices could rise by as much as 28 rupees (30 cents) per litre once voting in key state elections ends later this month.

The oil ministry acknowledged Thursday that government?owned fuel companies were incurring losses but denied that a price hike was imminent.

“India is the only country where petrol and diesel prices haven’t increased in the last four years,” it said.

The government and state oil firms “have taken relentless steps in order to insulate Indian citizens from steep increases in international prices”. — AFP

J Wells S posted a photo:

Taken at the Friday night Milford Cruise-in held in Milford, Ohio.

Figuring out what year this car was mystified me for a bit as I don't remember a 150 model and the rear trim looked more like a '56 than that of the '57's I remember and the three slashes/indentions by the headlight are missing. I thought it might be a '56 with a '57 front. With a little research, I found some 150's that seem to have solved the mystery.

Pejasar posted a photo:

Prinsipe Royce PH posted a photo:

MARTELINO HOUSE, QUIAPO, MANILA

From Lugares Historicos en Filipinas -
"The Martelino House is located on a corner lot, sharing the block with the Padilla and Zamora Houses. The name “Martelino” is believed to have originated from records at Ateneo, which mention the property.

The house is often featured in historical photographs of Hidalgo Street, showcasing its role in the iconic lineup of grand mansions that the street is famous for. In the 1960s, parts of the house were repurposed into a billiard hall and bowling alley, catering primarily to nearby students. Local folklore also suggests that the legendary pool player Efren “Bata” Reyes honed his skills at this venue during his youth."

I took this photo during the Quiapo Heritage Walk of Renacimiento Manila last January.

Medium: Canon EOS 4000D (taken in auto-creative mode)
Date Taken: January 24, 2026

Copyright 2026. All Rights Reserved.

May 1, 2011 was a day like any other on the agenda of Jeffrey Epstein, less than two years after leaving the Florida jail where he served time for procuring a minor for prostitution. This is how that day played out, according to declassified documents from the U.S. government: at 9:30 a.m., breakfast with the diplomat Terje Rod-Larsen. At 11 a.m., a meeting with Nick Ribis, a former executive for Donald Trump’s hotels. At 1 p.m., an appointment with the journalist Michael Wolff. At 5 p.m., another appointment with Howard Lutnick, current U.S. Secretary of Commerce. At 6:30 p.m., dinner with the filmmaker Woody Allen and his wife Soon-Yi Previn, along with other guests like the neuroscientist Steve Kosslyn and hedge fund manager Glenn Dubin. At 8:30 p.m., another dinner in the home of designer Vera Wang.

Seguir leyendo

Methodological note

When selecting the most relevant individuals mentioned in the Justice Department documents, EL PAÍS decided to place significant emphasis on the nature of the relationship these individuals had with Epstein. For that reason, we have not included people who are mentioned in the documents, but for whom there is no substantial evidence of contact with the pedophile and his inner circle. For example, we do not mention former King of Spain Juan Carlos I, whose name appears in millions of documents because he was mentioned by an actress, nor José María Aznar, whose only link to Epstein, according the declassified documents, is that his name appears on two shipping receipts issues by the sexual criminal. Nor have we included Alberto Cortina, to whose business Epstein was connected through third parties, but who does not appear to have had direct contact with the criminal.

In the mid-20th century, before preservation efforts revived Miami’s Art Deco South Beach neighborhood with bright colors and lavish hotels, the area was a whitewashed holiday haven for retirees. And in a third-floor room of the Colony Hotel, which looked out onto the building’s marquee and the street below, a unique artistic endeavor unfolded.

Ukrainian artist Jonko “George” Voronovsky (1903-1982) transformed his humble, long-term residence into a vibrant environment of paintings and objects that he described as “memoryscapes.” Having endured incredible hardship amid the political maneuvers of the U.S.S.R. and the Nazis during the 1930s and 1940s, he chose to work in a bright, optimistic style that summoned idyllic remembrances from his youth. A short film by Dia Kontaxis, “George V.,” spotlights his legacy.

By all accounts, Voronovsky experienced a loving, typically middle class upbringing in Ukraine in the early 20th century. He spent his youth exploring his village and local forests, studying music, and dabbling in visual art. By the time he was a teenager, the Russian Revolution of 1917 marked the beginning of a protracted period of upheaval in Ukraine. His father died during this time, and the country entered the control of the Soviet Union.

By the early 1930s, Voronovsky had moved to Kyiv. He married in 1933 and became a father to two children. He worked as a mapmaker, and he witnessed the systematic destruction of Kyiv’s historically baroque architecture, which the Soviets replaced with the propagandistic Stalinist style.

In 1941, life would again change drastically. Hitler invaded Ukraine and took control of Kyiv. Three years later, Voronovsky and his family were forced—like many thousands of Ukrainians—to resettle in a camp. They were marched hundreds of miles to Prague, where he then was separated from his family when he was furthered on to a labor camp in Germany. Although he later sent them a portion of his wages to support them, he never saw his wife or children again.

Throughout the 1940s, Voronovsky drifted, traveling with a group called the Musical Wanderers that played in Displaced Persons camps around Ukraine. In 1951, as part of a program that eased immigration quotas in the U.S. to welcome European refugees, Voronovsky landed in New York, then moved to Philadelphia, where the Ukrainian immigrant community was well established. For a while, he found work with the railroad, continued to play music, and traveled. During the 1960s, he created some of his earliest work, a series of nude sculptures.

Eventually, due to his health and a desire to retire somewhere warm, Voronovsky took a room at the Colony Hotel in Miami Beach. Piece by piece, he filled his modest space with colorful paintings and sculptures made from wood, styrofoam, aluminum, and other found materials. These elaborate, often joyful compositions drew from his memories of Ukraine. They highlighted animals, dances, architecture, and bucolic, sunny landscapes. Completely concealed from public display, it was only a matter of chance that his work was seen from the street by a young artist named Gary Monroe, who knocked on the door and befriended the artist.

The amount of work Voronovsky fit into his space was staggering. “This little room was probably nine by 12 feet—5,000 objects,” Monroe says. Star-like forms made from drink cans covered his cabinets and were arranged around paintings. He’d use the backs of pizza boxes and magazine spreads to make his work, drawing from the post-consumer landscape of Miami Beach.

It’s thanks to Monroe that Voronovsky’s work was introduced to a wider audience, first shown in 1986 at a Miami bookstore called Books & Books. It wasn’t until 2023 that the High Museum of Art in Atlanta organized the first major solo exhibition of the obscure artist’s work, recognizing his contribution to the canon of self-taught art in the U.S.

Kontaxis’ film spotlights the High Museum’s exhibition along with interviews and archival footage. See more of her work on Vimeo.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article A Delightful Short Film Highlights the Remarkable Self-Taught Art of George Voronovsky appeared first on Colossal.