Jeffrey Lane Dies: ‘Mad About You’ Writer & Tony-Nominated ‘Dirty Rotten Scoundrels’ Scribe Who Won Three Emmys Was 71




![]()
JUNE 14 — We hear it constantly: “Innovation is the key to our future.” Governments race to launch “innovation strategies,” build shiny tech parks, and tout their rising patent counts. Yet, for all the fanfare, results are wildly uneven. Some nations consistently spawn world-changing technologies and resilient, high-growth industries; others pour money into research with little to show. The difference isn’t simply spending more — it’s about getting the foundations right. After decades of watching policy fads come and go in the world, a clear pattern emerges. A successful national innovation agenda rests not on a single silver bullet, but on the deliberate cultivation of three interconnected ecosystems: the human, the financial, and the cultural.
There is no denying that we do live in an innovation-led world. Every boardroom from Silicon Valley to Singapore parrots the same gospel: “Innovate or die.” Even universities are increasingly giving emphasis on innovation beyond just publication. And yes, businesses pour billions into design thinking workshops, agile sprints, and “moonshot” labs. Yet most get little more than expensive PowerPoints and a trophy shelf of failed pilots. Why? Because they confuse innovation theatre with the real, unglamorous work of building an ecosystem where innovation actually survives. A robust ecosystem is critical. After watching two decades of corporate reinvention efforts, many would argue there are three non-negotiable requirements for innovation success — and none of them are what the consultants are selling.
First, we need to kill the ROI religion — at least for a while. Obsession with monetary returns has been a sore point when pursuing innovation initiatives. The norm is every executive claims to want breakthrough ideas, but their capital-allocation process is designed to hunt just dollars and cents. No positive ROI, no support, is common practice. The reality is true innovation is not a linear factory. It is not straight forward. It is messy, non-obvious, and often looks like failure for months. The major requirement? A separate governance model with a distinct risk appetite. That means a dedicated innovation budget that leadership cannot raid to cover quarterly earnings misses. It means rewarding teams for learning what doesn’t work, not just hitting short-term targets. Without financial “side pockets” and patient capital, your culture of innovation is just a poster on the wall.
Second, psychological safety is not enough — you need political safety. We hear endlessly about “failing fast” and “speaking up.” But in most organizations, the real innovation killers aren’t fear of embarrassment — they’re fear of career suicide. Middle managers know that championing an unproven idea means risking their promotion, their budget, and their internal network. The major requirement is structural protection: explicit career pathways for intrapreneurs, no-blame post-mortems for ambitious flops, and senior leaders who visibly defend the radical failures alongside the wins. Otherwise, your brightest people will quietly innovate at a startup — not inside your walls.
Third, stop worshipping the lone genius. Build for friction. We love the Steve Jobs myth: one visionary, one garage, one world-changing product. But sustainable innovation is a team sport played across functional boundaries. The real requirement is what I call “productive friction” — deliberate collisions between engineering, marketing, operations, and finance. That means tearing down silos not with trust falls, but with joint metrics, shared innovation scorecards, and cross-functional project rotations. When a supply chain manager has equal say with a product designer, magic happens. When they don’t, you get “innovative” features no one can manufacture or sell.
So, here’s the hard truth: most businesses will continue to fail at innovation, not because they lack talent or ambition, but because they lack the courage to change how they govern, reward, and structure work. You can buy all the foosball tables and Post-it notes you want. But until you rewire your capital rules, protect your experimenters from political blowback, and force uncomfortable collaboration, your “innovation ecosystem” is just an expensive hobby. The companies that win won’t be the ones with the flashiest labs. They’ll be the boring ones that did the unsexy work of redesigning their operating systems for uncertainty. Everything else is just noise.
* Professor Datuk Ahmad Ibrahim is affiliated with the Tan Sri Omar Centre for STI Policy Studies at UCSI University and is an Adjunct Professor at the Ungku Aziz Centre for Development Studies, Universiti Malaya. He can be reached at ahmadibrahim@ucsiuniversity.edu.my
** This is the personal opinion of the writer or publication and does not necessarily represent the views of Malay Mail.



It’s not been a quick road to the top, but Harlan Coben is officially one of the most prominent writers of crime fiction in the world. Coben’s work has become so popular that he was even tapped to narrate a true-crime series, Harlan Coben’s Final Twist, which follows the author as he exposes shocking murder and scandals that peel back layers of deceit. The show premiered in January and was such a huge hit that it was renewed for Season 2, though the release date is unknown at this time. Coben’s first project of 2026 was Run Away, the bingeable crime thriller led by James Nesbitt and Minnie Driver. Run Away didn’t back down from Stranger Things Season 5 when it first premiered on Netflix, and Coben will have a chance to keep the momentum soon with another binge-worthy crime series.



Fans don’t have to wait much longer for Ridley Scott’s newest star-studded sci-fi epic, The Dog Stars, but before taking on a post-apocalyptic world opposite Jacob Elordi and Josh Brolin, Allison Janney and Andrew Rannells are tackling an arguably bigger feat. The Academy Award and Emmy winner and the two-time Tony Award nominee star in HBO Max’s new drama Miss You, Love You, a nearly extinct “quiet movie” from Oscar-winning writer-director Jim Rash. Dialogue-heavy films like these are a rarity in today’s Hollywood, and the two powerhouses couldn’t be more proud of what they accomplished while filming.


It’s taken years, but Harlan Coben has quietly become one of the most legendary writers of crime fiction in the world. Coben’s work has become so popular that he was recruited to star in an unscripted series, Harlan Coben’s Final Twist, which follows the author as he exposes shocking murder and scandals that peel back layers of deceit. The show aired earlier this year in January, and it was such a success that it was picked up for Season 2, though it’s unclear at this time when it will be released. Coben’s first project of 2026 was Run Away, the Netflix original crime thriller starring James Nesbitt and Minnie Driver. Run Away went toe-to-toe with Stranger Things Season 5 at the time of airing, and Coben will have a chance to keep the momentum soon with another binge-worthy Netflix series.

June is officially here, which means summer is finally starting to settle in. Sure, the weather's getting nicer, vacations are being planned, and people are pretending they'll spend less time watching TV… but let's be honest, binge-watching season never really ends.














