Grainy textures and gestural lines characterize the lush compositions of Tania Yakunova. Collaborating with a range of commercial and editorial clients, the Kyiv-born illustrator harnesses the visual impact of bold shapes and vibrant color palettes to convey brand narratives and inexpressible feelings. Bare feet planted in dandelion-strewn grass and a greenhouse-style figure housing flowers attempting to burst from the glass cages, for example, conjure Yakunova’s homesickness, since she left her native Ukraine for London in 2023.

The artist’s distinct expressions translate across mediums, whether working in hand-built ceramic sculpture, painting, or digital and graphite illustration. Keep an eye out for new print releases and her latest projects on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Tania Yakunova’s Expressive Figures Entwine with Plant Life in Digital and Graphite Illustrations appeared first on Colossal.

Council proposal to use glyphosate to tidy up pavements criticised over potential harm to humans and wildlife

Cornwall is famed for its glorious gardens and verdant landscapes but a bitter row has broken out over a plan to tackle a less glamorous type of vegetation – roadside weeds.

The unitary authority has announced plans to use the controversial herbicide glyphosate to tidy up pavements and kerbsides, after largely phasing out its use over the last decade amid concerns about potential harm to humans and the peninsula’s rich ecosystems.

In uncertain, often overwhelming times, I’ve found solace in my houseplants. There’s a joy in tending to them—the ritual of watering, the slow unfurl of a new leaf, and the way a room softens in their presence. Over time, my home has filled with them.

But somewhere along the way, I realized: more plants didn’t necessarily mean a more beautiful space. Too many, placed without intention, and suddenly a living room starts to feel less like a sanctuary and more like a roadside nursery. What I was craving wasn’t more greenery—it was a sense of cohesion. A way to make my plants feel like part of the design, not an afterthought.

So I set out to understand how designers actually style plants at home. What I found, through conversations with San Francisco-based Little Trees owner Kathy Ho and Lindsay Pangborn, formerly a gardening expert at Bloomscape, is that the difference comes down to perspective. Plants aren’t just décor—they’re a design layer. And when you start to think about them that way, everything shifts: where you place them, how you group them, and how they shape the feeling of a room.

How to Design With Plants (By Thinking Like a Designer)

When you start to see plants as a design element—not just something to care for—the way you use them begins to change. It’s easy to slip into collecting mode. You find a plant you love, then another, then another—and before long, they’re scattered throughout your home with little thought for how they relate to one another.

Designers approach plants differently. Instead of asking Where can I fit this? they ask, What does this room need?

That shift—from accumulation to intention—creates a space that feels considered.

“Plants should complement your space and your lifestyle, not compete with it,” Pangborn says. In practice, that means thinking about plants the same way you would any other design element: in terms of scale, balance, and placement.

A single, well-placed plant can anchor a corner. A small grouping can create a focal point on a surface. Even negative space—what you choose not to fill—plays a role in how your plants are experienced.

1. Create Visual Moments (Not Plant Clutter)

Once you start thinking like a designer, the next step is editing—then arranging with intention. Instead of dispersing plants evenly throughout a room, focus on creating a few defined moments. Designers often group plants in twos or threes, treating them less like standalone objects and more like part of a vignette. The result feels grounded and cohesive, rather than scattered.

“Grouping plants can make a space feel more calm and considered,” says Ho. “It also makes care easier when plants with similar needs are placed together.”

Think of a cluster on a coffee table, a styled corner of a console, or a small trio anchoring a shelf. What matters isn’t the number of plants—it’s how they relate to one another and to the space around them.

Just as important: what you leave out. Giving each grouping room to breathe allows the eye to land, rather than constantly move.

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2. Use Height and Movement to Shape the Room

One of the simplest ways to elevate your plant styling is to think vertically. When every plant sits at the same level—lined up on a windowsill or clustered at eye height—the effect can feel flat. Designers, instead, use plants to create movement throughout a space, guiding the eye up, down, and across the room.

Trailing plants are especially effective here. Placed on a high shelf, bookshelf, or cabinet, they soften hard lines and draw the eye upward as they grow. Hanging planters offer a similar effect, making use of often-overlooked ceiling space while adding a sense of lightness.

“Using vertical space is key, especially in smaller homes,” Pangborn notes. “It allows you to incorporate more greenery without sacrificing surface area.”

The goal isn’t to fill every level, but to create a sense of rhythm—something that feels layered and lived-in, rather than static. A taller plant on the floor, a cluster at mid-level, and something trailing above can be enough to shift the entire energy of a room.

3. Let Plants Fill the Space—Not Overwhelm It

One of the most common mistakes when decorating with plants is treating every empty spot as an opportunity to add one. But designers tend to approach it the opposite way. Instead of filling space, they use plants to resolve it.

That might look like placing a taller plant in an empty corner to soften a hard edge, or using a single, sculptural plant to anchor a blank wall. On the floor, especially, plants can create a sense of weight and presence—grounding the room in a way smaller accents can’t.

“Larger plants can make an immediate impact,” Pangborn says. “They help define a space and can bring balance to areas that feel unfinished.”

Just as important is what surrounds them. Giving a plant enough space—away from furniture, walls, or artwork—allows it to stand on its own without competing for attention.

A room doesn’t feel lush when every inch is filled. It feels lush when there’s contrast—between fullness and openness, presence and pause.

4. Balance Scale, Shape, and Texture

If you’re drawn to a home filled with plants, the key is to create contrast. A room full of greenery can feel rich and layered, but only when there’s variation. When every plant is similar in size, shape, or tone, the effect flattens. What designers do instead is mix elements deliberately: pairing something tall with something low, something structured with something soft, something bold with something more delicate.

“Combining plants with different leaf shapes and sizes keeps a space visually interesting,” Pangborn says. “It creates depth rather than repetition.”

Think of a broad-leaf plant set against something more airy, or a sculptural silhouette next to a trailing vine. These contrasts give the eye somewhere to move and a reason to linger.

The effect is what people often describe as a “lush” space, but what it really comes down to is composition. Not more plants, but better balance.

Design for Real Life, Not Just Aesthetics

Even the most beautifully styled plants should support the way you actually live in your space. It’s easy to get caught up in how something looks—especially when it comes to plants, which can instantly transform a room. But if they’re difficult to care for, constantly in the way, or require more attention than you can realistically give, that sense of ease starts to disappear.

“Plants should complement your space and your lifestyle,” Pangborn notes. “They should never feel like a burden.”

That might mean grouping plants with similar care needs so your routine feels intuitive. Or choosing fewer, more impactful pieces that you can tend to consistently. It might even mean moving things around as your space (or your energy) shifts.

When you start to see plants as part of your home’s design, the entire approach softens. You edit more. You place with intention, and you let the space breathe.

In turn, your home begins to feel the way you wanted it to all along: lush, yes—but also calm, cohesive, and entirely your own.

This post was last updated on April 17, 2026, to include new insights.

The post Why Your Plants Make Your Home Feel Cluttered (and How to Fix It) appeared first on Camille Styles.

Galicia, Spain-based artist Abi Castillo continues to create iterative self-portraits through her evolving ensemble of ceramic personas. Her delicate yet emotive figures are an invitation to consider the inner self, transformation, and the beauty of the natural world.

Femininity, nature, and symbolism play a central role within Castillo’s sculptures, contrasting with the notion of concealment. “This ambivalence between mysticism and drama, between monstrosity and beauty, is all very present,” she explains in an artist statement.

Though each ceramic character is distinct, her body of work carries overarching formal motifs including colorful hairstyles and wide eyes with light blue irises. Organic elements—such as flowers, insects, coral, and marine foliage—wrap themselves around Castillo’s figures, evoking a sense of protection through delicate armor.

Last time we checked in with Castillo, she mentioned plans to move into a larger studio, where she works now. The artist shares that this opportunity has given her larger creative freedom, and she is looking forward to an exciting year including a group exhibition with Beautiful Bizarre Magazine opening next week at Outré Gallery in Melbourne. For updates and studio views, find Castillo on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Abi Castillo’s Ceramic Beings Contrast Delicacy With the Natural World appeared first on Colossal.

Hieu Chau compares his dense, dynamic compositions to his always active mind. Playing with scale and proportion, the Vietnamese artist renders surreal scenes in which flora and fauna converge and figures interact with the outside world as if in a dream. Chau, who was trained as a painter, now works digitally, although his pieces capture the grainy textures and gestures of a physical medium.

The artist recently published a book collecting his projects from the last decade, and you can find explore an archive of these pieces on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Surreal Dreams Reign in Hieu Chau’s Digital Illustrations appeared first on Colossal.

When we think of somewhere we’ve been, what are the first things to come to mind? Perhaps there are memorable smells, a sense of other people being around, or a particular quality of light. But what if we remembered landscapes and experiences through plants? For Hillary Waters Fayle, flower petals, seeds, and foliage combine into a kind of album of various places, which she then uses to create bold cyanotypes.

The artist has long worked with botanicals and other organic materials, notably embroidering foraged leaves and feathers with meticulous geometric designs. With the series Portraits of Place, which she’s been pursuing for the past six years, Fayle precisely arranges individual petals and leaves into intricate, symmetrical, mandala-like compositions on acrylic.

She starts by collecting and drying botanicals from specific locations, such as Grace Farms Foundation in New Canaan, Connecticut, or Maymont Park in Richmond, Virginia. These are then laid onto watercolor paper that’s been painted with UV-sensitive iron salts. After being left out in the sun, these result in the bright blue cyanotypes that chronicle the outlines—perhaps one could even say the spirit—of the distinctive layouts.

“The way these portraits illustrate a very particular place and time via botany can be a way to define the relationship that the people of that place have with the land—almost like a modern-day florilegium,” Fayle tells Colossal. She continues:

All of these pieces are so different and special to me, but it has been particularly meaningful to make portraits of areas that are going to change drastically in the near future, either from development or rising sea levels, fire, etc. It feels like a way of preserving and honoring the land and all that is present there right now. 

Flowers and plants symbolize the natural evolution of particular spaces, such as a gardener adding new bulbs or birds depositing seeds. They symbolize the nature of seasons and life cycles, emphasizing a relationship that is simultaneously enduring and ephemeral. See more on the artist’s Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Hillary Waters Fayle Creates ‘Portraits of Place’ from Seeds, Foliage, and Petals appeared first on Colossal.

Not every gorgeous green plant needs sunlight and water to look its best. Some plants simply need a sharp pair of scissors, a bit of patience, and a curling tool to really shine. Our Cardstock Potted Fern Plant brings that fresh botanical look indoors—no soil or bugs required.

The post Cardstock Potted Fern Plant appeared first on Lia Griffith.

Greenery does a lot of quiet work in an arrangement. It often hangs back, offering support and balance without asking for attention. Our Crepe Paper Italian Ruscus Video Workshop, part of the Spring Garden Series, focuses on that essential role—giving you a foliage piece that adds movement and structure to your handmade bouquets.

The post Crepe Paper Italian Ruscus Video Workshop appeared first on Lia Griffith.