Favorite Beatle?

Here’s a somewhat autobiographical drawing from The New Yorker (December 28, 1992) posted today in celebration of Paul McCartney‘s just released, well-received, new album, The Boys Of Dungeon Lane. 

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The Tilley Watch Online, May 25-29, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Emily Flake, Juan Astasio, Paul Noth, Adam Douglas Thompson, P.C. Vey. See them here.

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Q&A Of Interest With Hilary Campbell

From Graphic Memoirs Blog, May 29, 2026, “From The New Yorker To Graphic Memoir: Hilary Fitzgerald Campbell”

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Rich Sparks’ Upcoming Draw Me Anything Appearance 

Rich Sparks, whose first New Yorker drawing appeared in 2016 joins a New Yorker colleague, Jason Chatfield this coming Wednesday on Mr. Chatfield’s Draw Me Anything! (Mr. Chatfield began contributing to the magazine in 2017). They’ll most certainly discuss Mr. Sparks’ latest book (below).

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In 2011, Karl von Randow and Matt Buchanan, two tech-loving New Zealand film buffs, launched Letterboxd, a movie review and rating app inspired by Goodreads, the platform that does the same for books. For several years, they juggled this small project with their work at a web design studio. Then came the Covid-19 pandemic. In March 2020, they hired their first full-time employee, and with the world confined to their homes, their user base exploded. In 2023, the company was acquired by the Canadian company Tiny and today boasts over 26 million user profiles. While this figure seems insignificant compared to companies like Instagram (with around three billion active users), it reflects the cultural power of film as a source of conversation. Those who love movies enjoy watching them as much as discussing and analyzing them in detail, and Letterboxd is aimed at that community — including famous filmmakers and performers.

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