Canon's recent video-first and hybrid cameras, the EOS C50, EOS R6 Mark III, and brand-new EOS R6 V, are a perfect example of what I consider Canon's biggest EOS R System mistake. These products are segmented in extremely annoying ways.

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camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

camera_holic posted a photo:

Fujifilm 400 35mm film
Mestre, Italy

icpcat posted a photo:

Cave's Clock. April2026. Newly renovated, the reflection is of the Union Plaza Building. This clock is a historic landmark located at the intersection of Main Street and Capitol Avenue in downtown Little Rock. Originally erected in the early 1930s by Thomas M. Cave, owner of Cave’s Jewelers, the old clock has neon lighting and is a symbol of the city's downtown history. Fomapan100push400. FujicaST801. M42-Fujinon55mm. PolarizingFilter. DiafineDeveloper5+5. Washed:AGOFilmProcessor. CameraScan:FujifilmXH1.

camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

Eudaemonius posted a photo:

camera_holic posted a photo:

Fujifilm 400 35mm film
Mestre, Italy

camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

camera_holic posted a photo:

Ilford HP5 35mm film

camera_holic posted a photo:

Fujifilm 400 35mm film
Venezia, Italy

As soon as I learned about the exciting and excellent new Sony a7R VI and got my hands on it a few weeks ago, I knew exactly what people would be asking once they learned about the camera's new, faster stacked sensor and 30 FPS burst shooting rates. Why would any photographer choose the Sony a1 II over the a7R VI? And I was right. I heard this question at least a dozen times at Sony's a7R VI event in New York City without any prompting whatsoever.

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