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“The rise of AI is the next industrial revolution,” Gloria Caulfield, a real estate executive, told recent graduates of arts, humanities, and communication at the University of Central Florida. The response? A chorus of boos. Caulfield turned to the organizers: “What happened?” she asked. She looked back at the young people in the audience: “Ok, I’ve struck a chord, may I finish?” And she continued: “Only a few years ago, AI wasn’t a factor in our lives,” she added. And then they applauded, and Caulfield smiled with relief. The video of her bewilderment went viral.

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Nevada Gov. Joe Lombardo, a Republican, will face Democratic Attorney General Aaron Ford in a battle to hold onto his seat in November, setting up what is considered one of the most competitive governor's races in the country.

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Please be aware... ALL Photos are purely for entertainment. I am no expert. Titles are from recognition - what I was told - or a quick search. Polite comments or corrections are welcome.

Sen. James Lankford (R-Okla.) on Sunday said Federal Housing Finance Agency (FHFA) Director Bill Pulte is “not qualified” to permanently serve as Director of National Intelligence pointing to his lack of experience in the realm of national security.  “He's not qualified for the long-term position, that's been clear on this. He has no national security...

Known for his collaborative photography projects like Invisible Jumpers, Joseph Ford is interested in perception and intervention. His ongoing series, Impossible Street Art, invites artists such as Antonyo Marest, Alex Senna, and MadC to imagine their work in monumental landscapes via a bit of sleight of hand. The artists create trompe-l’œil interventions on Ford’s photographs, which he then documents on an easel in front of that same place to give a sense of what these huge paintings or installations would feel like in situ.

“These new works mostly explore infrastructure in the form of huge concrete constructions—nuclear power plants, dams, fossil fuel power stations,” Ford says. The locations are often connected to the industries and network of energy production, such as hydropower systems, or logistical configurations related to highways and ports.

For example, the nuclear power station “painted” by Skirl is situated in a sprawling nature preserve on England’s east coast, adjacent to the Suffolk & Essex Coast & Heaths National Landscape, and a new plant is currently under construction despite much local opposition.

“These locations are physically in the public domain and dominate their surroundings through their huge scale, but often have restricted access. They are imposed on us—it is impossible not to see them—but it is impossible to engage with them, use them, or sometimes even approach them.” By superimposing street art on otherwise inaccessible sites, Ford and the participating artists address these looming constructions and the nature of energy production as “a way of reclaiming and engaging with them,” he says.

See Ford’s work this month at The Other Art Fair in Chicago, which runs from April 9 to 12. Find more on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos appeared first on Colossal.

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Kathie Lee Gifford welcomed two kids, Cody and Cassidy, with her late husband, Frank Gifford. She is now a grandmother to three boys

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