News Wrap: Rubio tries to assure Congress that talks with Iran are continuing




In negotiations between the United States and Iran to end the war that began three months ago, uncertainty, denials and — in Washington’s case — an urgent desire to announce some sort of deal have taken firm hold. A senior White House official speaking on condition of anonymity announced on Thursday a framework agreement that Tehran shortly afterwards denied.

© SAMUEL CORUM / POOL (EFE)

Fusing elements of Persian architecture with Christian altarpieces, Arghavan Khosravi grapples with the structures and ideological strictures that shape our lives. The Iranian artist has long reckoned with women’s fight for equality, particularly amid censorship and religious dogma in her native country. Through vibrant gradients that radiate across her sculptural paintings, Khosravi entices the viewer into urgent, ongoing conversations about resistance and control.
Opening today at Uffner & Liu, What Remains presents a dynamic new body of work that captures moments of tension and strife. Figures, in Khosravi’s works, are often restricted and tethered to domestic objects and space, and critically, physically separated from one another. Complete with hinged shutters, suspended cords, and tiny visages tucked into unassuming openings, these new pieces incorporate women obscured by their surroundings, leaving only fragments of a limb or face visible.

While altarpieces have historically been utilized to share stories of the divine through visual depictions, Khosravi instead turns inward. She lives and works in Stamford, Connecticut, and her homesickness and longing for a changed Iran are strong. Large-scale works like “Bearing” portray a seated woman buttressing a Persian building, thick, black, oil-like liquid seeping from its foundation.
What Remains was already in progress before the U.S. war against Iran, the gallery shares. The works are therefore not in response to this particular conflict but rather a timely acknowledgment of what it means to live in a region continually in crisis. As always, Khosravi reminds us that even amid chaos, destruction, and government overreach that outlasts any singular emergency, beauty and self-empowerment can still trigger a new paradigm.
What Remains runs through July 2 in New York. Explore more of the artist’s politically attuned works on Instagram.










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KUALA LUMPUR, June 7 — The Pentagon has reportedly raised its counterintelligence threat level for Israel to its highest tier amid concerns over alleged spying on senior US officials.
AFP, citing NBC News, reported that the Pentagon’s Defence Intelligence Agency assessed Israel’s “ability to conduct human espionage and technical collection” as being at a “critical level”.
NBC News, citing US officials, said the move followed concerns that Israel had tried to obtain information on the Trump administration’s internal discussions and decision-making on conflicts in the Middle East.
The New York Times also reported alleged Israeli efforts to eavesdrop on senior officials, including President Donald Trump’s top negotiator Steve Witkoff and the Pentagon’s top policy official Elbridge Colby.
AFP said the reports came after the United States and Israel launched joint strikes on Iran on February 28, triggering the war.
The reports also come amid apparent strain between Trump and Israeli Prime Minister Benjamin Netanyahu.
Reuters reported earlier this week that Trump confirmed he had called Netanyahu “crazy” during a heated phone call over Israel’s military actions in Lebanon, which Trump said had complicated US diplomatic efforts.
According to AFP, Axios and ABC News had earlier reported that Trump unleashed a profanity-laced tirade at Netanyahu over Israel’s threats to bomb Beirut, amid fears such a move would undermine talks with Tehran. — Reuters





