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‘Fargo’ and ‘Alien: Earth’ Creator Noah Hawley Says YouTube Is His ‘Biggest Competition’: ‘You Are Losing Eyeballs to Things That Are Free’

25 April 2026 at 11:32
Noah Hawley, creator of TV series “Fargo,” “Legion” or “Alien: Earth,” remains optimistic about the industry.  “It has been a process to become optimistic,” he clarified at Canneseries.  “We are between the old and the new model, but there are masterpieces in every generation and we just have to figure out how to make them […]

  • ✇Variety
  • Clavicular Kicked Off YouTube Again Todd Spangler
    YouTube has pulled down two channels operated by Braden Peters, the “looskmaxxing” streamer who is known online as Clavicular. In November 2025, YouTube had terminated Clavicular’s original channel for facilitating access to websites that violate the platform’s Illegal or regulated goods or services policies, according to a YouTube spokesperson. YouTube’s terms of service prohibit creators […]
     

Clavicular Kicked Off YouTube Again

23 April 2026 at 22:11
YouTube has pulled down two channels operated by Braden Peters, the “looskmaxxing” streamer who is known online as Clavicular. In November 2025, YouTube had terminated Clavicular’s original channel for facilitating access to websites that violate the platform’s Illegal or regulated goods or services policies, according to a YouTube spokesperson. YouTube’s terms of service prohibit creators […]

YouTube Inks Deal Making SiriusXM Exclusive Audio Advertising Rep in U.S.

22 April 2026 at 11:46
Google and YouTube sell billions in advertising every month. But now they’re partnering with SiriusXM to handle a specific bucket of inventory: audio ads that run against YouTube content like podcasts, talk shows and music. SiriusXM struck a deal with Google making SiriusXM Media, the group that represents SiriusXM, Pandora and the company’s network of […]

  • ✇PetaPixel
  • Gerald Undone is Done Reviewing Cameras Jeremy Gray
    Gerald Undone, well known for his very detailed and technical reviews of cameras, is done reviewing cameras. 

"I don't want to do this anymore," the long-time creator and camera reviewer says in a new video titled, "I'm Retiring." [Read More]
     

Gerald Undone is Done Reviewing Cameras

20 April 2026 at 20:13

A man with short hair and a beard, wearing a black t-shirt, raises his hand while sitting indoors. The background features shelves with various equipment and a purple wall.

Gerald Undone, well known for his very detailed and technical reviews of cameras, is done reviewing cameras. 

"I don't want to do this anymore," the long-time creator and camera reviewer says in a new video titled, "I'm Retiring."

[Read More]

Modern cults are replacing leaders with ‘life coaches’: ‘They mimic the capitalist logic of influencers’

12 April 2026 at 04:00
A young woman watches a YouTube channel on her cellphone.

It all starts in front of a screen, in the most innocent way possible. Accepting a friend request on Facebook. Following an influencer. Signing up for a study skills course about investing in cryptocurrencies. Entering a Roblox minigame. These are all gateways into a labyrinth of psychological manipulation that, in just a matter of months, can end with the innocent internet user trapped in a cult-like community, isolated and ruined. This mental and physical kidnapping occurs — and this is the worst part — voluntarily.

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  • ✇Hong Kong Free Press HKFP
  • Children’s rights vs Big Tech: What Hong Kong can learn from landmark US trials Guest Contributor
    By John Nguyet Erni Two US jury verdicts against Meta and YouTube last month crystallise, but do not resolve, the promises and contradictions of our legal commitments to both freedom of expression and the protection of children online. A smartphone that has been installed with social media apps. Photo: Indra Projects/Pexels. The US verdicts resonate in Hong Kong, which follows international human rights standards, yet our public conversations about platforms often oscillate between mo
     

Children’s rights vs Big Tech: What Hong Kong can learn from landmark US trials

11 April 2026 at 01:00
Children Big Tech oped featured image

By John Nguyet Erni

Two US jury verdicts against Meta and YouTube last month crystallise, but do not resolve, the promises and contradictions of our legal commitments to both freedom of expression and the protection of children online.

A smartphone that has been installed with Discord, a popular messaging platform.
A smartphone that has been installed with social media apps. Photo: Indra Projects/Pexels.

The US verdicts resonate in Hong Kong, which follows international human rights standards, yet our public conversations about platforms often oscillate between moral panic and technological fatalism. We do not ask hard, unsettling questions.

In Los Angeles, jurors awarded US$6 million (HK$47 million) to a young woman, Kaley, who began using social media at six. She argued that Instagram and YouTube designed addictive features – infinite scroll, autoplay, constant nudges to stay online – that harmed her. She hated her body and thought about hurting herself.

In New Mexico, another jury fined Meta US$375 million (HK$2.9 billion) for failing to keep children safe from predators, violating consumer protection laws.

These are not censorship cases; instead, the platform itself was dangerous, more like tobacco or opioid producers than publishers. 

Australia chose a different path, banning social media for those under 16. Spain, Denmark, France, Malaysia and Indonesia are also considering age-based bans. The world is grappling with legal solutions.

Predictably, Big Tech cries foul, claiming violations of free speech. However, many laws protect expression while allowing proportionate restrictions to protect others’ rights.

These include Article 19 of the International Covenant on Civil and Political Rights (ICCPR), which applies to Hong Kong through the Basic Law and the Hong Kong Bill of Rights.

The United Nations Convention on the Rights of the Child (CRC), ratified by China, goes further, requiring primary consideration of the “best interests of the child” and protecting them from “all forms of… mental violence.” 

While Australia and others keep youths off social media, US juries ask a different question: If social media companies’ design choices fuel anxiety, self-harm and exposure to exploitation, are they still neutral conduits of speech? Or do they carry specific duties of care?

Teenagers look at a mobile phone. Photo: Mary Taylor, via Pexels.
Teenagers look at a mobile phone. Photo: Mary Taylor, via Pexels.

Too often, large platforms hide behind free-speech arguments to avoid liability, whereas children using them have no say. Some worry that holding platforms accountable will chill speech, but the status quo already chills the speech and spirit of the young. These platforms track children, measure them, and nudge them for profit, shaping their values, desires, identities, and speech.

Unregulated design can create its own chilling effect – not by censoring, but by moulding youths’ online world and their habits of mind. They compare themselves with others online and imagine who they might become. 

The juries saw that these companies know far more than their users about these risks. So, these juries shifted responsibility away from supposedly “weak” or “irresponsible” youths to the firms that profit from their pain.

For Hong Kong, it is tempting to read these cases as a morality tale about “Big Tech finally being punished.” Or to long for a simple answer like bans.

But there is a harder question. We often worry about online lies and threats to social harmony, so appeals to “protection,” especially of children, can slide into arguments to control everyone’s speech. 

Why do our policy instincts gravitate toward regulating what we say – through content takedowns, offences and tighter control – rather than governing how platforms are designed and how their business models operate? Why do we rely on schools and parents to fix these problems created by Big Tech’s recommendation algorithms, engagement metrics and data-driven profiling?  Rather than manage political risk and public opinion, how do we genuinely centre children’s rights and voices?

The law does not ask us to choose between Article 19 and the CRC. Instead, it asks harder questions: Can we pass laws that target platforms’ amplification engines rather than opinions? Can we change the defaults rather than individual choices? Can we change profit structures rather than rely on teenage “self-discipline”? Can we see children as people with rights, not just victims of a toxic digital environment or future workers needing digital skills?

The juries in Los Angeles and New Mexico did not solve these dilemmas, but they made it harder to believe a comforting lie: that we can celebrate free speech, outsource our sociality to commercial platforms, and still keep our promise to protect our young.

The real challenge for Hong Kong is whether we will ask the difficult questions now – about Big Tech’s power, our own regulatory choices, and the rights of children as real people, not just as symbols – before our courts, or our children, force those questions upon us.

John Nguyet Erni is a chair professor and former dean of humanities at The Education University of Hong Kong

HKFP is an impartial platform & does not necessarily share the views of opinion writers or advertisers. HKFP presents a diversity of views & regularly invites figures across the political spectrum to write for us. Press freedom is guaranteed under the Basic Law, security law, Bill of Rights and Chinese constitution. Opinion pieces aim to constructively point out errors or defects in the government, law or policies, or aim to suggest ideas or alterations via legal means without an intention of hatred, discontent or hostility against the authorities or other communities.

Livestreaming Coachella 2026: A Complete Guide to the YouTube Schedule for Weekend 2

17 April 2026 at 23:04
Coachella 2026 is underway, and for home viewers, so is Couch-ella. Most of the performances from weekend 2 will be streamed live on YouTube, across seven channels for seven stages — check out the full schedule of streams, below. Although most sets will be seen live, some will be shown on a delayed basis, like […]

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