I’d half expected the falls to be dry. It’s hardly rained in northwest Georgia this autumn. But nature always delights as she often reminds me. The tiered unnamed falls cascade in a soft veil to join the creek and meander among the fallen leaves. The low water level made for easy scrambling across narrow streams, allowing me to fully explore this beautiful gorge in solitude.
I’d parked at the north end of Sitton’s Gulch Trail in a quiet residential neighborhood instead of the busy Cloudland Canyon State Park lot. It’s a rolling uphill hike from here to the steps above the falls and an easy hike back. It turns out that was a blessing, as I’d lingered at the falls and dusk was quickly approaching as I tried to ignore scores of puffball mushrooms and striking leaves along my way to get to the car before the last of the light, which disappears earlier in the canyon bottoms.
It’s mid-November, and most of the leaves have fallen. Those still in the treetops twirl in the breeze, mimicking the gentle patter of a spring rain. I’m a half-mile from the parking lot when the full aroma of decaying leaves envelopes me and stops me in my tracks. I close my eyes and inhale deeply, savoring the nostalgia and peace of an eastern hardwood forest. My shoulders fall, and I’m instantly relaxed. It brings me back to barefoot summers full of exploration.
A couple of weeks ago, the falls were reportedly dry. Since then, there’s been some rain. And the snow flurries two days ago. I glimpsed a pool of water as I rounded a bend in the trail. What I’d thought was the sounds of rustling leaves was actually the gentle sound of water splashing down the boulder-strewn gulch! I’m elated!
I had an image in my head of the red maples in full color with the motion-blurred water falling behind them. It’s an image I missed on my last trip here, because I didn’t have my tripod. I had to hand-hold a long exposure, and all of the images turned out blurry.
I wanted a do-over, even though I know we can never visit the same river twice. Today, most of the red leaves are on the ground, leaving the ochres and golds aloft to sing the song of the season.
The creek widens as I move up the path; small cascades roll over rocks in miniature torrents. Just before the unnamed falls, the Sitton’s Gulch Creek is only a few feet wide, carrying leaves, eddying in pools, and spilling down the canyon.
I lingered at the base of these falls for an hour, enthralled with the way the water moves and all of the leaf mosaics plastered on the rocks.
Climbing the wooden steps, I crossed the creek on a boardwalk at the lip of the falls. I took the short spur to Hemlock Falls. A viewing platform overlooks the ninety-foot waterfall.
Social trails descend steeply to the base of the falls, an area that would be pooled with water when the creek runs full. Today, it would be a safe scamper down. But. I’m three miles from my car and one-and-a-half hours from sunset. Next time. This canyon keeps calling me.
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The post Cloudland Canyon Waterfalls appeared first on Exploring Nature by Sheila Newenham.
When I set out for Waterton National Park in Alberta, Canada, I imagined fall forests resplendent in golds, accented by oranges and reds. The smell of leaves composting into the earth and the peace of the earth quieting into winter. What I found was a blackened landscape, still deeply scarred by the 2017 Kenow Fire eight years ago.
When the foliage is gone, the structure lies bare. Undulations ripple along the mountainsides; seeps and drainages stand out.
The rhythms of the forest are speaking in structure, not color. This gift in this landscape of open vistas is long sightlines – a dream for wildlife spotting.
The Kenow Fire ignited with a lightning strike and burned slowly until September 11, 2017, when it blew up in critically dry conditions, surging from 30,000 to 104,000 acres overnight, overtaking Waterton National Park. The Kenow Wildfire was a fire of exceptional severity exceeding every fire since the Park’s records began in 1700. In the end, half of the vegetated land and 80% of the hiking trails in the Park were burnt.
In almost all of this burn area, most or all of the organic matter was seared away by the fire. The topsoil burned away to a depth of three feet.
Dense conifer forests are being replaced by young aspens and shrubs such as Saskatoon berry, thimbleberry, and huckleberry. It’s a bear’s delight! The conifers will come back, too. They grow relatively slowly.
Fire is necessary, natural, “normal” for these forests. Our human misunderstanding and resulting meddling have given rise to an increase in these large, catastrophic (by human standards) fires. This was a dramatic fire. The recovery is being documented and studied, providing insights into the land’s history and the resilience of nature.It’s often not what I expected, but it’s always an adventure.
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The post Waterton Park and the 2017 Kenow Fire appeared first on Exploring Nature by Sheila Newenham.
With varying degrees of hope, I commonly say that I’m going to find wild cats when I head into the wild with my camera. And so it was that I excitedly shared this cougar alert post from Waterton National Park just a few days before my arrival there. I never expected what happened next.
On the eve of my first day in the park, during a wildlife drive, I lamented the lack of wildlife sightings. All of the park’s communications warn visitors to be prepared for encountering wildlife while hiking. One hundred yards into any trail is this warning sign.The massive 2017 Kenow Fire razed the dense forests, resulting in extensive sightlines. And yet.
I passed by a small gathering of photographers with their big lenses pointed at a black bear high up on a slope. He was too far away, and, honestly, I’m beyond fortunate to be spoiled by previous, intimate bear encounters.
I’d come here to help reset my head. It’d been way too long since I’d been able to wander the wilderness in this way that feeds my soul, and there’s a lot of stress at home. I craved some forest bathing!
I was having a hard time shedding the stress. “I’ve lost my wildlife mojo,” I said to myself. The wild is responding to my negative energy, I thought as I rounded a bend to see the unmistakable long tail of a mountain lion crossing the road. A wild, North American mountain lion!!
I stopped in the road and activated my flashers while simultaneously grabbing my binoculars. I didn’t expect to locate the ghost cat, master of camouflage, in the low aspens and serviceberry bushes. But there he was. Standing broadside. This magnificent, muscular tomcat looking back at me.
I’ve spent a lot of time in mountain lion territory. I’ve seen tracks, scat, and sign. One delightful winter day, I heard a cougar calling to her kittens. I’m sure plenty of wild cats have seen me. But, until now, I’d never seen one in North America. Ghost cats!
I quickly exchanged the binoculars for my camera. The puma made some assessment of me and turned to pad up the burnt hillside. He moseyed, moving at a relaxed walk, stopping to look around, gently wagging the tip of that long feline tail, doing all the cat things. I reveled in this magical, solitary moment.
As I watched him disappear and reappear through trees and brush, he crouched below a boulder and scrunched his ears out to the side. The stealthy cat pose. I thought he might be stalking a hare.
It was at this moment that I heard a car approaching. I am stopped in the lane of traffic below a blind curve. I started the car and crept forward with my eyes on the rear-view mirror. In the car behind me, one of the photographers I’d passed activated her flashers, and we both stopped.
I glassed and glassed the hillside but could not find the cougar. The person behind me had their big lens out the window, focused on the slope. I scanned the area where she was looking, astonished that she had found this elusive cat so quickly, when I’d been watching him and can’t find him. Only then do I realize that she’s photographing a black bear higher up the hillside to the left. To the right, a cinnamon-phase black bear is ambling along the hillside toward the other bear. This must be what caught the mountain lion’s attention, causing him to crouch. Bears and cats don’t play well together. I’m sure “my” cat is long gone now.
When I got home, I checked the time stamps on my images. I spent almost five minutes with this elegant, wild cougar. FIVE MINUTES! A glimpse is a gift. I don’t even know what to call this—unreal, unbelievable, blessed, connection, becoming.
The image of that lion crossing the road when I first saw him is seared in my mind. Today, I’m the luckiest girl in the world.
If you’re interested in purchasing or licensing any images you see here, please email me at SNewenham at exploringnaturephotos.com, and I’ll make it happen.
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The post Ghost Cat Revealed appeared first on Exploring Nature by Sheila Newenham.
Since 2018, Ontario’s nature protections have been repeatedly weakened. While a few stories such as the ongoing changes to Conservation Authorities or the Greenbelt scandal made headlines, dozens of major changes have flown under the radar, buried deep inside massive government bills. It has been a lot to track, even for us.
Today, Ontario Nature is releasing a comprehensive new resource: Tracked Changes: The Decline of Ontario’s Legal Protections for Nature since 2018. We tracked every single piece of legislation that weakened legal protections for nature and biodiversity from the first term of the current provincial government to today. We broke it all down in plain language, cutting through the legislative jargon to reveal exactly how our environmental laws have been rewritten.
Our review, detailed in the full report, catalogs the changes made bill-by-bill and schedule-by-schedule. Over the past seven years, key environmental laws, built over decades, have been systematically dismantled.
The Endangered Species Act (ESA) has been a primary target. Changes began with Bill 108 in 2019, which created a “Species at Risk Conservation Fund.” Critics called this a ‘pay-to-slay’ scheme, allowing proponents to pay a fee instead of being legally required to provide an “overall benefit” to the species they are harming. This process culminated in 2025 with Bill 5, which fundamentally rewrote the ESA to prioritize economic considerations over science-based recovery and even created a new law, the Species Conservation Act, to eventually replace it entirely.
Conservation Authorities (CAs), our frontline defenders against flooding and protectors of wetlands, have been substantially weakened. Bill 229 in 2020 forced CAs to issue permits for developments authorized by a Minister’s Zoning Order, even if those projects would be denied under their own standards for flood protection. The Auditor General criticized this move for shifting environmental decision-making from qualified professionals to political processes.
Public oversight and democratic accountability have been sidelined at every turn. The independent Environmental Commissioner of Ontario was eliminated in 2018 through Bill 57. The government has repeatedly circumvented the Environmental Bill of Rights, sometimes passing legislation before public comment periods on those very proposals have even closed, as happened with Bill 150 in 2023.
Few of these changes got the headlines they deserved. Nearly all of them were buried inside massive omnibus bills. These are bills that bundle dozens of changes into a single piece of legislation.
For example, Bill 5, the Protect Ontario by Unleashing our Economy Act, 2025, was a single bill that:
This strategy of putting so much into a single bill ensures that major changes to environmental protections pass into law with little media coverage or public awareness. Our new resource cuts through this volume, separating each schedule so you can see exactly what changed and how.
These changes didn’t happen all at once, and taken together, they systematically dismantle many of Ontario’s most significant legal environmental protections.
This report is designed as a tool for advocates, journalists, and anyone who wants to understand what has happened to nature protections in Ontario over three terms of the current government. We hope this will make it easier for people to see the full picture and understand not only what laws have changed, but how these changes have circumvented democratic transparency.
You can read the full report here.
When Austin Bell first visited Hong Kong in 2017, he was struck by the chromatic vibrancy of its public basketball courts. Coming from the U.S., where these surfaces are often the neutral and uninteresting textures of asphalt and other materials, he was compelled to document the range of vivid color combinations, especially within the context of high-rise neighborhoods and urban infrastructure.
Bell set out to capture 2,549 outdoor basketball courts around Hong Kong—every single one there is in the region. The resulting series, SHOOTING HOOPS, not only highlights the physical courts but conveys a unique portrait of the region and the spaces where people can mingle. “To me, basketball courts are one of the most interesting subjects for aerial photography because they look so different from above than the ground,” Bell tells Colossal. “Their flatness and geometric design become an almost extraterrestrial tableau—like concrete crop
circles.”
For such a densely populated place, Bell’s images are often devoid of people, giving the colorful scenes a subtle ghostly feel. Looking closely, though, you can often see passersby out and about, illustrating the abiding popularity of these urban recreation parks. “One of the newest ones is at a playground called Chung Sing, which is so named for the sound a bell makes, so the designers stylized the surrounding area with audio waveforms,” Bell says.
Bell captured the photos in 2019, trawling Google Maps’ satellite imagery and using his drone to explore spaces between buildings and trees. Over the course of 140 days of shooting during multiple visits, he took more than 40,000 photos. He often photographed from dawn to dusk, and it wasn’t unusual for him to shoot upwards of 100 courts in a day. Once, he meticulously planned a route and captured a mind-boggling 475 courts in a single day.
“The insane became mundane,” Bell says in a statement. “I had become an obsessive completist, unable to rest until I found every court in the city. My obsession was fueled by two desires: to show an unseen perspective of Hong Kong and to fully explore a city that I feel so captivated by.”
Find more on Bell’s Instagram, and purchase the photo book from his webshop.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Austin Bell Chronicles Every Single One of Hong Kong’s 2,549 Basketball Courts appeared first on Colossal.
A bold new structure has appeared in Cary Park in Cary, North Carolina: the latest sculptural pavilion by Marc Fornes / THEVERYMANY. The work is titled “L’Ile Folie,” which nods to the architectural tradition of the folly, a landscape feature that was all the rage with wealthy estate owners in the 18th and 19th centuries.
Often nostalgic and resembling ruined miniature castles or bucolic village buildings, follies were generally non-functional and conceived as pure decoration. Fornes, however, reimagines this practice with an eye toward the future rather than the past. The pavilion “gives this tradition a contemporary meaning: memorable, playful, and slightly surreal,” says a statement.
Fornes is known for creating high-tech structures made from thousands of individual facets, blurring the distinction between architecture and sculpture. Situated along a boardwalk and perched over a pond, the gleaming white pavilion invites visitors to pause and appreciate their natural surroundings from a contemporary landmark.
“Constructed from ultra-thin folded aluminum panels, each piece is digitally fabricated and precisely riveted into place,” says a statement. “There is no hidden frame; the skin is the structure. Thousands of perforations filter sunlight into delicate patterns, turning the canopy into an ever-changing atmosphere of shadow and shimmer.”
See more on THEVERYMANY’s Instagram and Vimeo.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Marc Fornes’ New Sculptural Pavilion Reimagines the Architectural Folly appeared first on Colossal.
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