Knicks Covers…

After Game 1 of the Knicks/Spurs game the other night, The New Yorker went live on Substack to dissect the evening. The magazine’s editor, David Remnick, was joined by two contributors, Vinson Cunningham and Louisa Thomas.

Mr. Remnick, talking about the reading public’s demand for Mark Ulriksen’s recent New Yorker cover (above, left) said (jokingly): “Well, my grand plan is to just put the Knicks on the cover for the next 20 weeks.” 

Knicks fans will recall John Cuneo‘s great cover of December 9, 2024:

Exhibit Of Interest: Edward Sorel & Madeline Sorel 

Sorry I missed the opening date of this exhibit, but there are still two weeks left to see it. Edward Sorel and his eldest daughter, Madeline Sorel in a joint exhibit of their work. From Kingsborough Community College’s Linkedin :

Father and daughter are now launching a unique joint-show at the college where Madeline has taught illustration for the past 25 years. The Family Line: Edward and Madeline Sorel, seeks to tell the story through each artist’s work of overcoming external influences to develop one’s own voice and in doing so, develop their own sense of self.

The exhibit is at the Kingsborough Art Museum (KAM) at Kingsborough Community College, 2001 Oriental Boulevard, Brooklyn, NY. The show, free and open to the public, runs through May 20.

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 Madeline Sorel, an illustrator, collagist, felt artist and, the past 25 years, professor in Kingsborough Community College’s art department.

Edward Sorel’s A-Z Entry:

Edward Sorel (self-portrait above from a strip appearing in The Nation following the death of Marlene Dietrich. Drawing used by permission of Mr. Sorel). Born 1929. New Yorker work: 1990 – . All of Mr. Sorel’s books are of great interest; Unauthorized Portraits (Alfred A. Knopf, 1997) is particularly essential. Website: edwardsorel.net

Early Cover Release…Knicksmania At The New Yorker

The New Yorker has early released (online) the cover for the issue of June 22, 2026. David Remnick, the magazine’s editor, recently said he’d like to run 20 Knicks covers. Only 18 to go now. Cover artist: Pierre-Emmanuel Lyet:

The magazine has also run a half dozen Knicks-centric cartoons:

here

here

here

here

here

here

…not to mention, in non-cartoon news, the post-game live Substack wrap-ups with Mr. Remnick and two New Yorker contributors (Vinson Cunningham and Louisa Thomas), as well as this Sporting Scene piece by Mr. Remnick, this piece by Louisa Thomas, and this Daily piece.

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Now That’s A Cover!

A spectacular cover by Barney Tobey that includes a New Yorker cover within the cover(!). Mr. Tobey’s New Yorker run lasted 57 years, with 1,040 cartoons and four covers. The one above was his third. His 1983 restrospective, B. Tobey Of The New Yorker is highly recommended.

Barney Tobey (photo above from Think Small, a book of humor produced by Volkswagon) Born in New York City, July, 18, 1906, died March 27, 1989, New York. New Yorker work: 1929 -1986. Essential collection: B. Tobey of The New Yorker (Dodd Mead & Co., 1983). 4 covers; 1,040 cartoons.

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Keith Knight Guests On The Latest Cartoon Caption Contest Podcast

Keith Knight, who began contributing to The New Yorker in 2019, joins the always fun CCCP crew on Episode 254. Listen to it here. 

photo above: clockwise from the top left: Keith Knight, then co-hosts, Paul Nesja, Nicole Chrolavicius, and Beth Lawler

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The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Eleven cartoons, thirteen cartoonists (Barry Blitt has the cover, and Roz Chast has a “Sketchbook”). No duos, that we know of. No newbies. The longest active contributing cartoonist in the lot is this cartoonist (I began contributing in 1977).

This week’s cartoons (in a slideshow).

This week’s Cartoon Caption Contest (Colin Tom provides the drawing for the latest contest)

The Rea Irvin Talk Watch

If you look through this latest issue of The New Yorker, I guarantee you will not find Rea Irvin’s classic Talk design (shown here) in the magazine. Instead, you’ll see a redrawn(!) version of Mr. Irvin’s work. The redraw showed up in May of 2017, replacing Irvin’s work that had been in place for 92 years. For some inexplicable (to me) reason, the redraw has stayed there ever since. The Spill continues to hope Rea Irvin’s work returns. Read more here. 

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker

The Cartoonists and Cartoons

Fifteen cartoons, fifteen cartoonists. No newbies. One duo, that we know of (the Spill counts duos as one cartoonist). The longest active cartoonist contributor in the issue is Roz Chast, whose first New Yorker cartoon appeared in the issue of July 3, 1978.

This week’s cartoons (in a slideshow).

The Cartoon Caption Contest (Hartley Lin provides the drawing for this week’s contest).

The Rea Irvin Talk Watch 

This week marks the 9th “anniversary” of Rea Irvin’s perfect Talk heading (above) disappearing from The New Yorker (only to be replaced — if you can believe it! — by a redrawn version courtesy of a contemporary illustrator). Using the word “anniversary” seems like a bad fit…here at the Spill it’s head shaking time. The abandonment of Mr. Irvin’s work continues to haunt. Read more here.

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Rea Irvin’s A-Z:

Rea Irvin (pictured above. Self portrait above from Meet the Artist) Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

  Another in a series of quick looks at an artist’s very first New Yorker cartoon and their last. 

Looking through the Spill’s A-Z this morning, my attention turned to Richard Oldden (1931-1995).  A search immediately turned up this entry on Lambiak Comiclopedia. The entry included a number of things I hadn’t known before including this:

“On 14 May 1973, Oldden and gag writer Sam Gross launched their daily newspaper comic ‘The Genius’ (1973-1977) through King Features Syndicate.”

Reading this brought memories of speaking with Sam on the phone — sometimes long conversations about cartoonists I knew little about. I can still hear Sam, in his distinctive voice, saying “Dick Oldden” this and “Dick Oldden” that (oddly, Sam never mentioned “The Genius” strip).

Checking The New Yorker’s database, I found that the magazine published 72 Oldden cartoons. Here’s the first, from the issue of July 23, 1966:

And here’s the last Richard Oldden New Yorker cartoon, published in the issue of September 6, 1993:

New Addition(s) To The Spill Library

With the arrival this week of the Armed Services edition of Thurber’s masterpiece, My Life And Hard Times, the Spill library has moved closer to a completing the Thurber Armed Services editions. Just The Thurber Carnival and Is Sex Necessary remain. All in good time! (I’m in no hurry).

Read more about the Armed Services editions here.

below: the other Thurber titles in the Spill library

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Also this week

Some time back I posted the above photo of the well-used (tattered?) dust jacket covering my copy of Burton Bernstein’s Thurber: A Biography. I bought this copy in 1975, the year it was published, when I was in my last year of college, diving deep into The New Yorker‘s history. I’ve read Mr. Bernstein’s book through and through, again and again (and it shows). Each time the book comes off the shelf I imagine the jacket loses a small piece or two (I’ve been patching it for years).

Strolling through the internet the other day I was so pleased to see a copy of Mr. Bernstein’s book in near new condition (price paid: $3.85). My 51 year old copy can now take it easy; from now on this “new” one will do the heavy lifting.

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Attempted Bloggery On A Recently Auctioned Thurber Original 

A Spill fave site, Attempted Bloggery, is all over the recently auctioned Thurber original shown above. Read it here!

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James Thurber’s A-Z Entry

James Thurber Born, Columbus, Ohio, December 8, 1894. Died 1961, New York City. New Yorker work: 1927 -1961, with several pieces run posthumously. According to the New Yorker’s legendary editor, William Shawn, “In the early days, a small company of writers, artists, and editors — E.B. White, James Thurber, Peter Arno, and Katharine White among them — did more to make the magazine what it is than can be measured.”

Key cartoon collection: The Seal in the Bedroom and Other Predicaments (Harper & Bros., 1932). Key anthology (writings & drawings): The Thurber Carnival (Harper & Row, 1945). There have been a number of Thurber biographies. Burton Bernstein’s Thurber (Dodd, Mead, 1975) and Harrison Kinney’s James Thurber: His Life and Times (Henry Holt & Co., 1995) are essential. Website

Upcoming Women Laughing Screenings 

Women Laughing, Liza Donnelly and Kathleen Hughes documentary film about New Yorker women cartoonists past and present, will be screened at a number of venues beginning this Spring and into the Fall. You can see the schedule here.

Please note that three screenings are happening within the next few days:

Portland Museum of Art
May 9, 2026 Portland, ME

The Moviehouse
May 9, 2026 Millerton, NY
Followed by conversation with Liza Donnelly, Kathleen Hughes, Amy Hwang. 

The Church
May 15, 2026 Sag Harbor, NY
Followed by conversation with Liza Donnelly, Kathleen Hughes and Emma Allen.

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Update: Thurber Prize For American Humor In Writing Awarded

Congrats to Shalom Auslander for being awarded the 2026 Thurber Prize for American Humor in Writing … and congrats once again to Emily Flake the (previously announced) 2026 Thurber Prize winner for American Humor In Cartoon Art.

Al Frueh’s Terrif Love Letter

In 1913, long before Al Frueh (pronounced “free”) became a fixture at The New Yorker, he designed the above letter for his wife. Read all about it here.

Mr Frueh was a cover artist, as well as a cartoonist, contributing 201 cartoons during his 34 years at the magazine. Of note: he had the very first cartoon in the very first issue of The New Yorker. His one-and-only New Yorker cover, dated February 28, 1925, was the magazine’s second:

He will most likely be remembered for his theater drawings (accompanying the magazine’s theater reviews):

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Tilley Watch Online, April 20 – 24, 2026

Daily Cartoon: Ben Schwartz, Harriet Burbeck, Kyle Bravo, Felipe Galindo (bonus drawing), Tom Toro, Maggie Larson.

Barry Blitt’s Kvetchbook: “Happy Earth Day (To Those Who Celebrate)”

Exhibit Of Interest: Mick Stevens to Show Work On Martha’s Vineyard 

Mick Stevens, who began contributing to The New Yorker in December of 1979, tells the Spill that:

“There’s a show of a dozen or so of my older original New Yorker drawings here at The Martha’s Vineyard Playhouse in Vineyard Haven. The show will run for the entire month of May. The artist will be lurking there from time to time.”

Here’s a personal fave New Yorker drawing by Mr. Stevens (not sure this will be included in the exhibit) :

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Some Stevens Cartoon Collections…

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A New Yorker State Of Mind Looks At The Issue Of April 18, 1936

Such fun New Yorker time traveling via the weekly New Yorker State of Mind posts.

This week: the issue of April 18, 1936.

Read it here!

Cover by the one-and-only Rea Irvin.

Tilley Watch Online, The Week of April 27–May 1, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Lynn Hsu, Enrico Pinto, (the duo of) Sophie Lucido Johnson and Sammi Skolmoski, Sarah Kempa, Hilary Campbell. See them here (in a slideshow).

Barry Blitt’s Kvetchbook: “Charles And Donald See Eye To Eye”

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Pomp And Circumstance: A slideshow of graduation cartoons (the below, from the great Warren Miller,* is just one of many in this online special feature.

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*Warren Miller’s A-Z Entry:

Warren Miller (photo by Liza Donnelly, NYC, Sept. 1997) Born 1936, Chicago, Ill. The following biographical information comes from The Phoenix Gallery site which hosted a group exhibit of NYer cartoonists work (Lorenz, Harris, Modell, and Miller) in 2007: “Warren Miller studied commercial and fine art at the American Academy of Art, Chicago. He started selling cartoons to Playboy and The New Yorker in 1961 and moved to New York City later that year. Miller’s work has also appeared in Esquire, Punch, Rolling Stone, Audubon, Harvard Business Review, Barrons, Time, Newsweek, The New York Times, and the London Sunday Times. Mr. Miller is a painter and a sculptor as well. He has exhibited his work in a number of shows in the New York area and in the Midwest.” Key collections: All Thumbs (Bobbs-Merrill,1967); Prince and Mrs. Charming (Bobbs-Merril, 1970). New Yorker work: 1959 -.

Peter Kuper’s Spy Vs. Spy Poster For MAD Issue #600

Peter Kuper, who began contributing to The New Yorker in 2011, has posted his Spy Vs. Spy poster appearing in MAD Issue #600 (Mr. Kuper has written and illustrated that feature since 1997).

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Interview Of Interest: Ivan Ehlers.

From Printmag.com, June 12, 2026, “Ivan Ehlers’ Political Cartoons Feel More Important Than Ever.” 

A short interview with Mr. Ehlers who began contributing to The New Yorker in July of 2021. Visit his website here.

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The Tilley Watch Online, June 8-12, 2026

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

Daily Cartoon: Jorge Penne, Ngozi Ukazu, Bob Eckstein, Keith Knight, (the duo of) Jason Chatfield & Scott Dooley.

Artist At Large: Millie von Platen’s “Superstitious Behaviors Of Knicks Superfans”

Sketchbook: Zoe Si’s “Power Play: Behind The Music of ‘Heated Rivalry'”

Barry Blitt’s Kvetchbook: “Looksmaxxing For Dummies”