When Emma Heming Willis walked into a neurologist’s office nearly four years ago, she left with a whirlwind of emotions. Fear, surprise, anxiety, disorientation. But to cope with them, she left with just one thing: a piece of paper. A single brochure, a single printed sheet, was all the former model — who turns 48 on June 18 — took with her from that medical center. She was drowning in medical jargon and technical terms but was lost as to how to proceed. Because she had just been told that her husband, superstar Bruce Willis, the kind-hearted action hero admired around the world, not only had aphasia — as they had known for months — but also frontotemporal dementia, an incurable and irreversible condition. And there she was, a small piece of paper in her hand, the world crumbling beneath her feet. Perhaps that was the spark that led Heming to become, in addition to a wife, mother, caregiver, and patient advocate, an author.

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On the first day of Cannes, artificial intelligence already sparked a debate between two jury members, Demi Moore and Paul Laverty. From that moment, the festival and the market running alongside it diverged in their reactions to the digital tool: while Cannes imposes limits on its use (even though one of its sponsors, which joined in 2026, is Meta, owner of Meta AI) and artists warn of its dangers, the market saw a rush of Chinese films made with AI and a handful of Western projects embracing its use. Filmmakers will be wary, but the industry has rushed to exploit AI.

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