The Exceptional Winners of the Sony World Photography Awards 2026
The Sony World Photography Awards announced the four overall winners of its 2026 competition, including the prestigious “Photographer of …
The Sony World Photography Awards announced the four overall winners of its 2026 competition, including the prestigious “Photographer of …
Although DJI just unveiled the Osmo Pocket 4 this morning, rumors of the next Osmo Pocket are already swirling.
Blackmagic Design unveiled DaVinci Resolve 21 this week and alongside the expected types of improvements, like more AI-powered video editing features, Blackmagic shocked the creative world by adding RAW photo editing and organization features to Resolve 21. I've been trying Resolve 21's new photo editing features since it arrived on Monday, and there's a lot to like. There's also quite a bit that isn't quite up to snuff, is just a bit too different for my tastes, or is outright confusing.
After teasing the Osmo Pocket 4's slow-motion video capabilities last week, DJI has fully unveiled its new pocket gimbal camera. Although the upgrades are relatively small, they may prove very useful for some creators.
Alongside the exciting new Cine-Servo 40-1200mm T5.0-10.8 video lens, Canon also unveiled the MS-510 Multi-Purpose Camera at NAB 2026. This highly specialized new camera is not built for typical consumer use, but it's still worth checking out thanks to its impressive technology.
Last July, Sony surprised the photography world by unveiling the RX1R III, arriving so many years after the RX1R II that many RX1R fans had all but given up hope of a new model ever coming. Sony even released two more A-mount DSLRs after the RX1R II, to put the wait into perspective. So what took so long? Sony told PetaPixel that it needed to develop the right technology to make a new RX1R camera worth it, and that tech took time.
Less than two months after unveiling the Voigtländer Nokton Vintage Line 75mm f/1.5 Aspherical lens for Leica M-Mount cameras, Cosina has revealed yet another 75mm VM lens, the ultra-compact Voigtländer APO-Skopar 75mm f/2.8.
When PetaPixel editor-in-chief Jaron Schneider saw Sony's cutting-edge XYN immersive display technology at CP+ 2026 in Yokohama, Japan, he described it as being like seeing through an Apple Vision Pro, but without any of the headgear. But XYN goes far beyond a single display device; XYN is an end-to-end spatial capture solution.
Adobe Premiere, which torpedoed the "Pro" in its name earlier this year, has a new "first-of-its-kind" color grading system, dubbed Color Mode.
Canon has unveiled the Cine-Servo 40-1200mm T5.0-10.8 lens, a new version of the company's extremely popular Cine-Servo 50-1000mm T5.0-8.9 lens.
"One of the best things about medium-format photography is the variety of frame sizes available," says a new Kickstarter campaign for the VZ-6617 variable frame medium-format film camera. The camera aims to take full advantage of this aspect of medium format, enabling photographers to swap between different framing and aspect ratios at any time, even within the same roll of film.
When Shenzen Sonida Digital Technology Co. Ltd. joined the Micro Four Thirds system in February, it was easy to wonder about the quality of Sonida's future products. However, the company has publicly expressed a strong desire to make high-quality new imaging products.