Normal view

  • ✇Lines and Colors
  • Eye Candy for Today: Jasper Cropsey’s Autumn – On the Hudson River cparker
    Autumn – On the Hudson River, Jasper Francis Cropsey, oil on canvas, 60 x 108 in. (152 x 275 cm), in the collection of the National Gallery of Aart, DC, which has both a zoomable image and a downloadable high res file available. Cropsey was a 19th century American architecht and first generation Hudson River painter known for his colorful and dramatic views of mountains and valleys, particularly when arrayed in bright fall foliage. This painting is considered his landmark work, pai
     

Eye Candy for Today: Jasper Cropsey’s Autumn – On the Hudson River

2 May 2026 at 16:15
Autumn - On the Hudson River, Jasper Francis Cropsey, Hudson River School, oil on canvas, National Gallery DC
Autumn - On the Hudson River, Jasper Francis Cropsey, Hudson River School, oil on canvas, National Gallery DC (details)

Autumn – On the Hudson River, Jasper Francis Cropsey, oil on canvas, 60 x 108 in. (152 x 275 cm), in the collection of the National Gallery of Aart, DC, which has both a zoomable image and a downloadable high res file available.

Cropsey was a 19th century American architecht and first generation Hudson River painter known for his colorful and dramatic views of mountains and valleys, particularly when arrayed in bright fall foliage.

This painting is considered his landmark work, painted in the studio from memory, notes and sketches. It’s common to talk of landscape paintings as haveing a morefgound, middleground and background, but Cropsey’s composition appears to have six or seven levels of distance, reinforced by his deft handling of atmospheric parspective.

I love the little details that lend the image scale; the family picnicing on the hillside in the foreground (images above, second down), the horse and rider on tha path between the trees in the middleground, a bit to the right of center (images above, third down) and the cows drinking from a stream at the lower right (images abvoe, bottom).

  • ✇Lines and Colors
  • Oliver Bonhomme cparker
    Oliver Bonhomme is a French illustrator and art director with a long client list that inludes le Monde, the New York Times Magazine, The Washington Post, Apple and numerous others. His illustrations look at first to be high in chroma, but then you realize the colors are not actually that intense, but are made to appear so by the artful juxtapositon of complimentary colors. His subjects are often imaginative and surreal, but sharply delineated and graphically strong. [Via Richard
     

Oliver Bonhomme

22 April 2026 at 21:27
Oliver Bonhomme illustrations
Oliver Bonhomme illustrations

Oliver Bonhomme is a French illustrator and art director with a long client list that inludes le Monde, the New York Times Magazine, The Washington Post, Apple and numerous others.

His illustrations look at first to be high in chroma, but then you realize the colors are not actually that intense, but are made to appear so by the artful juxtapositon of complimentary colors.

His subjects are often imaginative and surreal, but sharply delineated and graphically strong.

[Via Richard Solomon, Artist Representative]

  • ✇Lines and Colors
  • Eye Candy for Today: Martin Heade orchid cparker
    Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade, oil on wood, 14 x 18 in. (35 x 46 cm), in the collection of the National Gallery of art, DC. which has a large downloadable image. Though he also painted wonderful landscapes, Martin Heade’s standout subjects are his portrayals of exotic flowers and birds. Here, he sets a striking pink orchid against a mist enshrouded forest, and includes three rare hummingbirds and a nest with eggs.
     

Eye Candy for Today: Martin Heade orchid

15 April 2026 at 17:23
Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade
Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade (details)

Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade, oil on wood, 14 x 18 in. (35 x 46 cm), in the collection of the National Gallery of art, DC. which has a large downloadable image.

Though he also painted wonderful landscapes, Martin Heade’s standout subjects are his portrayals of exotic flowers and birds. Here, he sets a striking pink orchid against a mist enshrouded forest, and includes three rare hummingbirds and a nest with eggs.

  • ✇Lines and Colors
  • Angela Hao cparker
    Angela Hao lives and works in the U.S., but makes virtual visits to Japan via Google Street view, capturing the charm of small, quirky storefronts in digital ink and watercolor style illustrations she creates in Procreate. These are delightlfully whimsical and take note of the small details that give each little store its own personality. She has prints available on inPrint. Via My Modern Met
     

Angela Hao

7 April 2026 at 00:44
Angela Hao
Angela Hao

Angela Hao lives and works in the U.S., but makes virtual visits to Japan via Google Street view, capturing the charm of small, quirky storefronts in digital ink and watercolor style illustrations she creates in Procreate.

These are delightlfully whimsical and take note of the small details that give each little store its own personality.

She has prints available on inPrint.

Via My Modern Met

  • ✇Lines and Colors
  • Eye Candy for Today: Edward Seago scene of Rome cparker
    Ponte Sant’Angelo, Rome, Edward Seago; 20 x 30 in. (51 x 77), link is to Bonham’s auction from 2019. I assume it’s currently in a private collection. Edward Seago, a British painter active in the early to mid 20th century, is one of my favorite landscape painters. I particularly love his brushy, painterly application of paint, as is evident in this view of the famous bridge in Rome.
     

Eye Candy for Today: Edward Seago scene of Rome

28 March 2026 at 23:39
Ponte Sant'Angelo, Rom, Edward Seago
Ponte Sant'Angelo, Rom, Edward Seago

Ponte Sant’Angelo, Rome, Edward Seago; 20 x 30 in. (51 x 77), link is to Bonham’s auction from 2019. I assume it’s currently in a private collection.

Edward Seago, a British painter active in the early to mid 20th century, is one of my favorite landscape painters. I particularly love his brushy, painterly application of paint, as is evident in this view of the famous bridge in Rome.

  • ✇Lines and Colors
  • Emilio Ocón y Rivas cparker
    Emilio Ocón y Rivas was a 19th century Spanish artist specializing marine subjects, perhaps unsurprisingly as he lived in Malaga, the bustling port city on Spain’s Medterranean coast. He is considered responsible for founding the School of Marine Artists there. He had a particular touch for atmosphere and his paintings show the moods of the sea, sunny and tranquil, stormy and dark. Cautionary note to contemporary painters: Ocón died of lever disease brought on by the ingestion of p
     

Emilio Ocón y Rivas

27 March 2026 at 23:20
Paintings by Spanish marine artist Emilio Ocon y Rivas
Paintings by Spanish marine artist Emilio Ocon y Rivas

Emilio Ocón y Rivas was a 19th century Spanish artist specializing marine subjects, perhaps unsurprisingly as he lived in Malaga, the bustling port city on Spain’s Medterranean coast. He is considered responsible for founding the School of Marine Artists there.

He had a particular touch for atmosphere and his paintings show the moods of the sea, sunny and tranquil, stormy and dark.

Cautionary note to contemporary painters: Ocón died of lever disease brought on by the ingestion of paint – due to his habit of bringing his brushes to a point in his mouth.

Photography Lessons From ‘The Lord of the Rings’

3 May 2026 at 13:30

A large bird of prey with outstretched wings hovers above tall, golden reeds in a field, with a blurred green background suggesting trees or vegetation.

Just as Tolkien did in "The Lord of the Rings," photographers encompass cultural, historical, and personal viewpoints in their work. However, as in that book, a complex interaction exists between the photographer's intent and the viewer's interpretation of the image.

[Read More]

What Event Photography Is Really Like Behind the Scenes

3 May 2026 at 12:01

A lively, elegant party with guests in formal attire watches a performer singing on stage under an ornate chandelier and frescoed ceiling, bathed in dramatic, warm lighting. Musicians play brass instruments in the background.

Early morning. Black t-shirt, dark blazer. I’m dragging heavy bags down from my apartment just outside Stockholm, heading to a taxi waiting outside. In twenty minutes, I’ll be at Stockholm Waterfront, where three intense days of shooting are about to begin. And I love it.

[Read More]

The Hidden History of a British Female Photographer Turned Soviet Agent

3 May 2026 at 11:00

A black and white photo shows a woman with a camera and a man in a trench coat and hat, reflected in a mirror with "37%" written on it, in an urban setting.

A major new biography explores the life of Edith Tudor Hart, a pioneer photographer in 1930s London who became a Soviet secret agent and had a hand in the history of the notorious "Cambridge Five."

[Read More]

  • ✇PetaPixel
  • Addressing ‘Creative Loneliness’ Bruce Percy
    As much as I think that landscape photography is a lone pursuit, it often conflicts with the need for feedback about our work. Learning to take photos is one thing but learning to interact with others, to find connections and build a creative network is often overlooked, but just as vital. [Read More]
     

Addressing ‘Creative Loneliness’

2 May 2026 at 13:15

A dramatic, dark landscape with rocky hills and a prominent jagged peak in the background. Foreground features scattered stones on a stark, shadowy plain under a moody, cloudy sky with light breaking through.

As much as I think that landscape photography is a lone pursuit, it often conflicts with the need for feedback about our work. Learning to take photos is one thing but learning to interact with others, to find connections and build a creative network is often overlooked, but just as vital.

[Read More]

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