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  • ✇The Daily Cartoonist
  • CSotD: Politics and Pigeon Drops Mike Peterson
    I’m not nearly as worried about mice and rats as I am of the looney in charge of Health and Human Services.Hantaviruses are spread in rodent droppings, which is why they’re a greater threat out West where desert climates suit rodent life and their droppings don’t return to the earth quickly. And how better could […]
     

CSotD: Politics and Pigeon Drops

12 May 2026 at 12:03
I’m not nearly as worried about mice and rats as I am of the looney in charge of Health and Human Services.Hantaviruses are spread in rodent droppings, which is why they’re a greater threat out West where desert climates suit rodent life and their droppings don’t return to the earth quickly. And how better could […]

  • ✇Cartoon Research
  • Fleischer’s Animated News #9 Devon Baxter
    Here’s issue number 9 of Fleischer’s Animated News, published in August 1935, with cover art by animator Nick Tafuri. Among its highlights: – Lou Fleischer writes about the Music Department. – Gag cartoons by Hal Seeger, Joe Oriolo, and Harry Lampert. (Lampert was the assistant manager of Fleischer’s inking department; he later moved into comic books, where he co-created The Flash for DC.) – Tintype bios on Nelly Sanborn (Dave’s secretary/head of the Timing Department), Joe Fleischer, and John
     

Fleischer’s Animated News #9

7 April 2026 at 07:01

Here’s issue number 9 of Fleischer’s Animated News, published in August 1935, with cover art by animator Nick Tafuri.

Among its highlights:

– Lou Fleischer writes about the Music Department.

– Gag cartoons by Hal Seeger, Joe Oriolo, and Harry Lampert. (Lampert was the assistant manager of Fleischer’s inking department; he later moved into comic books, where he co-created The Flash for DC.)

– Tintype bios on Nelly Sanborn (Dave’s secretary/head of the Timing Department), Joe Fleischer, and Johnny Burks, who constructed the “setbacks” in the cartoons that involved the Fleischers’ stereoptical process.

– Full story and animation credits for Dave Tendlar’s Betty Boop and Grampy (1935)

– What “screwy jobs” did many of the Fleischer artists have before animation?

Thanks to Jerry Beck and Bob Jaques for sharing these rare materials

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