Cartoonist Jay Howell is "looking forward to the next thing, always". Click above to read the full article.
The post Punks Git Cut: The Art of Jay Howell first appeared on Hi-Fructose Magazine.
ABOVE: “Spatial Awareness”, 54″ x 250″, hand-knit with wool, 2025, photo by Chris Rettman From her dining room table in Oklahoma City, Kendall Ross knits brightly colored, intricately patterned sweaters and vests—some so large that referring to them as wearables is a bit misleading. Her textile pieces are often emblazoned with diary-like messages that speak […]
The post Kendall Ross Comments Directly on the Craft Vs. Art Debate first appeared on Hi-Fructose Magazine.
GWAR was never an ordinary rock band. And in the recent documentary This Is GWAR, director Scott Barber digs into the past and present of the music and art collective that simultaneously defied categorization while infiltrating late twentieth century pop culture and continues to entertain fans today with heavy metal and elaborate—even gory—stage shows. Read Liz Ohanesian's full article by clicking above.
The post THIS IS GWAR: Inside the infamous Art Collective turned Gored-out Shock band first appeared on Hi-Fructose Magazine.
Sam Jinks’ work hits like a shot to the body. There’s a sudden impact, and it bruises the most important organs. The uneasy feeling settles in and deepens over time. Read the full article by Joseph Williams by clicking above.
The post Uneasy: The Hyper-Real Sculptures of Sam Jinks first appeared on Hi-Fructose Magazine.
Yuko Shimizu is a New York-based illustrator, whose bold manga lines depict intimate narrative scenes from myth, science fiction, and pop iconography, creating a visual genre all her own. Read the full article by Harrison Cook clicking above!
The post Yuko Shimizu depicts intimate narrative scenes from myth, science fiction, and pop iconography, creating a visual genre all her own. first appeared on Hi-Fructose Magazine.
Painter Laura Ball's hypnotically engaging paintings give the viewer a multi-planed insight to the roiling energy of the subconscious, as well as the dynamics of the equally vital and tempestuous physical world. Read the full article by Kirsten Anderson by clicking above.
The post Capturing the Minotaur: The Art of Laura Ball first appeared on Hi-Fructose Magazine.
A bad Facebook experience turned Brown off to social media, but he ultimately brought David Henry Nobody Jr. to Instagram... Read the full article by clicking above!
The post David Henry Nobody JR Exposes Himself first appeared on Hi-Fructose Magazine.
Scott Teplin gets his artistic kicks by turning things inside out, by mangling and mashing and cohabitating the objects of his obsession.Read the full article on the artist by clicking above.
The post Text & Car Crashes: the Art of Scott Teplin first appeared on Hi-Fructose Magazine.
Henrik Aarrestad Uldalen captures people in oils with all the precision and clarity of a camera. He then places these incredibly lifelike images in impossible scenes. Uldalen’s models float in blank spaces. They precariously climb staircases that spiral upside down. They fall from buildings that tilt at odd angles. The Oslo-based artist’s work isn’t so […]
The post Weightless: The Paintings of Henrik Uldalen first appeared on Hi-Fructose Magazine.
Incorporating a mix of objects—everything from old toys to dead bugs to simple paper constructions—Lewis Chamberlain builds unusual scenarios... Read the full article by clicking above!
The post Lewis Chamberlain: From the Pocket of A Ghost first appeared on Hi-Fructose Magazine.
Surrounded in her Massachusetts studio by pins, glue, and piles of brightly colored paper strips, a visitor might initially mistake Lisa Nilsson for a reclusive arts and crafts teacher. But as her nimble hands purposefully curl the paper into shapes, and then magically weave the shapes into identifiable forms, a new impression emerges. Read the full article by clicking above!
The post The Cross-sectioned Paper Sculptures of Lisa Nilsson first appeared on Hi-Fructose Magazine.
Max Seckel's paintings are all about the details. His landscapes come alive with the messy signs of humanity: a traffic cone standing in a puddle surrounded by a weedy yard; a utility pole teetering behind a dumpster; streams of yellow tape banding around trees. Read more about the article by clicking above!
The post Cracks In the Levee: The Paintings of Max Seckel first appeared on Hi-Fructose Magazine.
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