This comic is by me and Becky Hawkins.

Becky writes:

What’s a better challenge than drawing a period piece? Drawing a period piece where the reader is supposed to think it’s present-day until panel 4! Luckily for me, men’s fashion doesn’t change as wildly as women’s fashion, and that one haircut (long on top, short on the sides) is still around. The guy on the left–suit, glasses, and hair–was modeled after someone I saw while I was out and about. Granted, sartorial choices in Portland don’t seem to be bound by time or geography… I hope it works!

Surprising no-one, I spent most of my time laying out panel 4. Barry’s script says: The camera pulls back a little. We now see that the speaker is wearing a swastika armband just above his left elbow. Maybe we can see one or two characters in the background wearing them too. Women are wearing circa 1930s hats; there’s a horse and carriage in the background, maybe; in general, we can now see we’re looking at Berlin in the 1930s.

I did a few sketches from different angles. When I pictured this cartoon in my head, the “camera” was pointing toward the cafe, with the characters sitting by the wall. That way, all you could see in panels 1-3 were two guys, a big window, and a bit of wall. It would be easier to hide the 1930s-ness that way. But when I sketched it out, I couldn’t make it work.

Barry kindly collected several photos of 1930s Berlin cafes before sending me the script. But I still spent way too much time looking at old photos to find some buildings that would plausibly be on a modern American street. Berlin’s public plazas, broad streets with tree-lined medians, and ornate building facades would scream Ye Olde World, in my opinion.

I searched for “1930s Berlin street photography” and found some commercial-residential buildings that wouldn’t look out of place in an old-for-the-US downtown area. I then committed the newbie cartoonist mistake of putting a lot of detail into an area that was destined to sit behind a word balloon. At least I copy-pasted the windows.

I hope you enjoyed this cartoon!

Barry writes:

A story from 2019:

Rep. Alexandria Ocasio-Cortez, D-N.Y., ignited the latest semantic scuffle when she recently charged that the Trump administration “has established concentration camps on the southern border of the United States for immigrants, where they are being brutalized with dehumanizing conditions and dying.” Her use of this term to describe the mass detention facilities in which thousands of asylum-seeking migrants, many of them children forcibly separated from parents and family members, are being held in deplorable conditions, provoked an immediate and fierce backlash. … Sami Steigmann, a Holocaust survivor voiced his indignation: “What you are doing is insulting every victim of the Holocaust. Shame on you!” Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center, charged that Ocasio-Cortez “is insulting victims of genocide” with her comments.

But concentration camps – both actual camps, and the term – existed before World War Two. As far back as 1899, during the Boer War, some British people argued against calling the British concentration camps in Africa what they were.

The American Heritage Dictionary defines the term concentration camp as: “A camp where persons are confined, usually without hearings and typically under harsh conditions, often as a result of their membership in a group which the government has identified as dangerous or undesirable.”

People tend to conflate “concentration camps” with “death camps,” but the two terms aren’t interchangeable, and it’s important to be able to discuss concentration camps without euphemisms. Refusing to call them what they are just helps them get worse.

Andrea Pitzer writes:

If you were swept off the streets in vans by secret police wearing masks; if your initiation into detention involved transit camps meant to hide your departure and effectively disappear you from legal help, temporarily or forever; if you are held with others who are denied due process; and if you are detained with people who have predominantly been rounded up more on the basis of ethnicity, race, religion or political affiliation than for any criminal charge you have in common, you are in a concentration camp. It is only a question of what stage concentration camp you are in, and whether you will be stuck there until the camp is allowed to transform into its next nightmare form.

TRANSCRIPT OF CARTOON

This cartoon has four panels. All of them show two men in suit and tie, talking at an outdoor cafe. One man is a redhead with a mustache; the other is a clean-shaven blonde.

PANEL 1

REDHEAD: And the conditions in the concentration camps we’ve built are appalling! I’m ashamed for my country!

BLONDE: Whoa! “Concentration camps”? Really?

PANEL 2

A shot of the blonde man, lecturing.

BLONDE: The camps can be criticized but calling them “concentration camps” is inflammatory. It’s something people say for the shock value.

PANEL 3

The blonde man looks angry.

BLONDE: Frankly, calling them “concentration camps” demeans the memory of the victims of the real historic concentration camps!

PANEL 4

The “camera” pulls back, and we see that this is a scene from 1930s Germany. (Storefront signs are in German, there’s a horse and carriage going past, women in 1930s fashions and hats.) The blonde man has angrily stood up, and we can see he wears a swastika on his sleeve (as does another man in the foreground).

BLONDE: And finally – never say you’re ashamed to be German. It’s like our new chancellor Hitler says – we’re making Germany great again!

(No chicken fat in this one!)

Don’t Call Them Concentration Camps | Patreon

ICE agents are the worst people in the world. If you’re a good person and you’re working for ICE, you don’t really exist, because all the good people have resigned by now.

In Maine, an ICE agent told a woman filming him in public – which is entirely legal to do – “we have a nice little database, and now you’re considered a domestic terrorist.”

In Minneapolis, days after an ICE agent publicly murdered Renee Good, agents were referring to Good’s death to threaten civilians. “Listen, have y’all not learned from the past couple of days? Have you not learned?”

Garret Grass reports that “Overall, CBP’s arrest and misconduct rate is FIVE TIMES higher than other federal law enforcement agencies — and, in fact, if you look over the last decade, the arrest rate of CBP officers and Border Patrol agents (.5%) has been HIGHER than the arrest rate of undocumented immigrants in the United States (.4%).”

Brookings wrote about “reports of ICE using excessive force, such as in the case of Julio Sosa-Celis, and of U.S. citizens being arrested or detained based on their accent or appearance, including Native Americans.”

On January 20, a 5-year-old with a pending asylum case was apprehended by ICE as he arrived home from preschool. School officials say he was used “as bait” to attempt to arrest other family members and members of his community.

ICE agents are some of the worst people, and that’s not an accident.

ICE is deliberately trying to attract the worst people in the country, by using white nationalist dog whistles in recruitment ads. For instance, they’ve posted ads using the slogan “We’ll Have Our Home Again,” a quote from a white nationalist anthem.

Since 2020, the song has been circulated on the messaging app Telegram almost exclusively by accounts linked to far-right extremists, according to analysis by Open Measures, a research firm that specializes in online extremism.

With lyrics about replacement by foreigners, Beirich says the song is only popular in white nationalist spaces. “This is the kind of thing that I can’t find to be a mistake,” she said.

ICE has also famously lowered “the bar for recruits, including reduced training, slower background checks, and lower physical abilities… Some ICE recruits reached the training academy before fingerprinting, drug tests or background checks were completed.”

Washington Post reporter Drew Harwell commented on ICE recruitment:

With this kind of campaign, they feel like they’re going on the internet and basically just saying, “Hey, if you want to pick up a gun and start shoving people around, you want to join us.”

No wonder ICE has been killing people – thirty two people in 2025, and they’re on track to kill many more than that in 2026.

Most of the drawing in this one is basic – mostly just a guy talking straight to the camera – although I hope it’s good. The last panel was the most fun to draw, just because there’s so much more going on there. And – as far as chicken fat goes – I’m very pleased with my little “summary of everything popular on YouTube” at the bottom of panel three. Frank Young did a terrific job with the colors, despite my giving him zero guidance. (It’s so handy to work with a colorist who gets my cultural references).

TRANSCRIPT OF CARTOON

This cartoon has four panels.

PANEL 1

A middle-aged man in a button-up shirt points directly at us, contempt on his face. He’s standing in a park.

MAN: You! Yeah, you! Face it – you’re a loser.

PANEL 2

The man continues berating us.

MAN: You’ve never accomplished much of anything, and you never will, because you’ve got nothing to contribute.

PANEL 3

We’re looking at a hand holding a smartphone; on the phone’s screen, the man continues his rant.

MAN: But you still think you’re better than most people. Especially the dark skinned ones. You’re basically a piece of shit and you want to hurt people.

PANEL 4

We switch scenes to a cluttered living room. Two women are relaxing on the sofa, one with her feet up on the other’s lap. The second woman is looking at her smartphone.

WOMAN 1: What on earth are you watching?

WOMAN 2: New ICE recruitment ad.

PHONE: Well, have I got a job for YOU!

CHICKEN FAT WATCH

“Chicken fat” is long-dead cartoonists’ slang for what the kids now call “Easter eggs.”

Panel two: In the hollow of a tree is a human skull. Through the eyeholes, we can see a bird sitting inside the skull.

And on the ground, an evil bunny glares and smokes a cig.

Panel three: Thumbnails of other videos are below the main image. The other videos are named “CATS,” “puppies,” “BOOBS,” “SPORTS!,” and “RAGE.”

Panel four: There are two framed pictures of the wall, one of a giant worm wearing a polo shirt, the other of the title character from the 1990s cartoon “Daria.”

The cat snoozing on the sofa is wearing glasses.

The first woman has a tattoo of an octopus with a mohawk, and also a snake winding around her arm.

The book on her lap says “BOOK TITLE, by Author Name.”

The second woman has a tattoo of Harold from Harold and the Purple Crayon. She’s wearing a t-shirt with the “Hitchhiker’s Guide to the Galaxy” planet logo.

One coffee mug on the table has a picture of an apple with a worm hole. The other mug has a picture of a worm looking puzzled (I think it’s looking for its apple).

A book on the coffee table is entitled “GREG: Like God, but taller” by “A Horne,” a reference to the UK TV show “Taskmaster.”

Wanted | Patreon