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  • Washington DC is ready to try the Mamdani model Jesús-Sérvulo González Moreno
    The U.S. capital is about to enter a new era. Janeese Lewis George, a 38-year-old member of the city council, won the Democratic mayoral primary. The newsworthy element of this is that the former prosecutor belongs to the party’s most progressive wing and is all but certain to succeed Washington, D.C. Mayor Muriel Bowser, who declined to seek re-election after three terms. Her political rise pushes to the left a city that is not the nation’s largest but one of its most influential.Seguir leyendo
     

Washington DC is ready to try the Mamdani model

The U.S. capital is about to enter a new era. Janeese Lewis George, a 38-year-old member of the city council, won the Democratic mayoral primary. The newsworthy element of this is that the former prosecutor belongs to the party’s most progressive wing and is all but certain to succeed Washington, D.C. Mayor Muriel Bowser, who declined to seek re-election after three terms. Her political rise pushes to the left a city that is not the nation’s largest but one of its most influential.

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© Jose Luis Magana (AP Photo/Jose Luis Magana)

Janeese Lewis George celebrates her victory in the Washington, D.C. mayoral primary on June 16, 2026.
  • ✇El País in English
  • NUEVAYoL: The Puerto Rican New York that Bad Bunny sings about Paola Nagovitch
    LeAna López’s hips cue the musician, who, in a direct and improvised exchange, mirrors her movements on the primo, the lead drum of Puerto Rican bomba. The rhythm — born on Puerto Rico’s slave plantations in the 17th century — reverberates on this occasion inside a church in East Harlem, the Manhattan neighborhood known as El Barrio. The roar of the barrel drums builds, and, as the music reaches its peak, the scene seems to shift to the northeastern coast of the Caribbean island, to Loíza, the c
     

NUEVAYoL: The Puerto Rican New York that Bad Bunny sings about

24 May 2026 at 04:00

LeAna López’s hips cue the musician, who, in a direct and improvised exchange, mirrors her movements on the primo, the lead drum of Puerto Rican bomba. The rhythm — born on Puerto Rico’s slave plantations in the 17th century — reverberates on this occasion inside a church in East Harlem, the Manhattan neighborhood known as El Barrio. The roar of the barrel drums builds, and, as the music reaches its peak, the scene seems to shift to the northeastern coast of the Caribbean island, to Loíza, the cradle of Afro–Puerto Rican culture. But in an instant, the traffic on Lexington Avenue breaks the spell, serving as a reminder: this is New York.

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Styling:

Lorena Maza @lorenamazastyling

Photography assistant:

Ana Aizersztein @fotosdeana_

Makeup:

Kaiya Carlin @kaiyacarlin

Casting:

Güerxs Casting @guerxs

Studio:

Delicia Studio @deliciastudio_

Production:

The LTC - @the__ltc

© Camila Falquez (EL PAÍS)

Ángel Jiménez’s La Lechonera La Piraña is one of the few places outside of Puerto Rico where you can eat an authentic plate of lechón boricua. For the last 20 years in a trailer in the Bronx, Jiménez begins cooking pork before dawn and opens at midday on Saturdays and Sundays for those who snag a place in line before he sells out. He runs the business on his own, cooking, serving and chatting with clientele, always with a beer in hand.
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