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Vibrant Victorian-Era Transparencies Illuminate a Host of Microscopic Creatures

Vibrant Victorian-Era Transparencies Illuminate a Host of Microscopic Creatures

During the Victorian era, innovators made huge leaps with optical technologies. It was the period of the stereoscope and an early projector known as the magic lantern, not to mention that eyeglasses became more affordable and entered the mainstream. These advances also influenced scientific inquiry, making microscopes more powerful, and the pursuit of microscopy enabled researchers and enthusiasts to discover creatures invisible to the naked eye.

One of these enthusiasts was London-based educator and amateur scientist Charles Thomas Hudson. Along with other scholars and aficionados, he participated in interest groups. β€œAs President of the Royal Microscopical Society and a Fellow of the Royal Society, Hudson was a leading figure in this growing scientific community,” says a statement from Osh Gallery, which is currently exhibiting a collection of unique illustrations in The Hudson Transparencies.

A Victorian-era illustrated transparency of tiny marine creatures
Sea slugs

Curated byΒ Luke Powell and Jody Hudson-Powell of design firm Pentagram, which runs Osh Gallery, the exhibition literally brings to light a number of colorful transparencies that Hudson used during his lectures. While they appear dark and even unfinished in a typical setting, β€œwhen lit from behind these intricate works transform into magical visions of life previously only glimpsed when viewed under a microscope,” the gallery says.

The Hudson Transparencies includes 58 original transparencies that measure a surprisingly large 37.8 by 29.5 inches. Each of the graphics’ proportions are β€œthe equivalent of drawing ants the size of elephants,” says a statement. The animals and botanicals emerge through a combination of painted paper and perforations, which are made with lines and clusters of pinholes.

Hudson was particularly fascinated by rotifers, a phylum of zooplankton named for their so-called β€œwheel-bearing” characteristics. He also catalogued algae, protozoa, and larvaeβ€”such as that of the mayfly with its feather-like tail. Microscopic marine organisms were a particular favorite, though, and these back-lit images highlight the convergence of science and spectacular visuals that not only brought these creatures to life in a unique way for 19th-century viewers but continue to awe us today.

The Hudson Transparencies continues through June 11 in London. You might also enjoy Martin Kunz’s turn-of-the-century tactile graphics and Lorenz Oken’s seminal natural history work,Β Allgemaine Naturgeschichte FΓΌr Alle StΓ€nde.

A Victorian-era illustrated transparency of tiny marine creatures
Opercularia nutans
A Victorian-era illustrated transparency of a larval mayfly
A larva of a mayfly
A Victorian-era illustrated transparency of tiny marine creatures
A collection of rotifer species
A Victorian-era illustrated transparency of tiny marine creatures
Testudinella patina
A Victorian-era illustrated transparency of tiny marine creatures
Sponges, Porifera
A Victorian-era illustrated transparency of tiny marine creatures
Proales werneckii
A Victorian-era illustrated transparency of tiny marine creatures
Cupelopagis vorax

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From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

Growing up in the Australian Outback, where he first picked up a camera as a teenager to document his surroundings in the bush, Jon McCormack developed a keen eye for the beauty and subtleties of nature. Throughout his career, he’s stepped foot on all seven continents. Yet the idea for his new book, Patterns: Art of the Natural World, emerged from a period of quieter reflection.

Like many of us during the pandemic, McCormack’s travels were limited to his immediate area. He began visiting the same spots repeatedly and β€œdiscovered a new way of seeing, using photography to reveal the hidden harmony and symmetry of the natural world,” says a statement. Patterns, forthcoming from Damiani Books, draws upon this patient and attentive approach to nature’s rhythms, emphasizing its interconnectedness, resilience, and fragility.

a photograph by Jon McCormack of bright yellow aspen trees along the edge of a lake in the mountains
Golden aspens and their reflection join to shape a luminous triangle of color

The snapshots view slivers of our world from a range of perspectives, whether honing in on the recurring features of crystals or flying over a flamboyance of flamingos in Kenya. Patterns contains 90 striking images and text contributions from fellow photographers and conservationists.

Find your copy on Bookshop, and keep up with McCormack’s travels on Instagram.

a photograph by Jon McCormack of an aerial view of streams that look abstract
Patterns of minerals left behind by volcanic eruptions in Iceland
a photograph by Jon McCormack of an abstract pattern in nature
A microscope reveals the crystalline patterns of caffeine
a photograph by Jon McCormack of prismatic spray above a waterfall in Yosemite National Park
A prismatic waterfall at Yosemite
a photograph by Jon McCormack of birds flying over yellow streams, seen from high in the air
Flamingos in flight mirror the shifting patterns etched across Kenya’s Lake Magadi
a photograph by Jon McCormack of dolphins swimming, seen from a vertical perspective
A pod of dolphins swim near the Channel Islands
a photograph by Jon McCormack of microscopic crystals in repeating patterns
In every drop of water, diatoms are algae with glass-like silica shells that resemble tiny jewels under a microscope
the cover of the book 'Patterns' by Jon McCormack featuring an abstract up-close image of stone

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns appeared first on Colossal.

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