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When the topic of studio interference comes up, it sounds almost exclusively like something that happens now, in the present day, especially with large-budget films. "Creative differences" is usually the term that gets thrown around, and that's often the polite way to say the director wanted to make their own movie, rather than what the studio wanted them to make.

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The horror genre is having quite the moment, as evident with the massive success of Backrooms and Obsession. But if you don't feel like venturing to the theater, Netflix has plenty of options to choose from. To finally come across Luis Javier Henaine's Disappear Completely, one has to dig deep — almost as deep as the movie's main character in his search for a cure to the curse that threatens to turn him into a kind of living corpse, a karmic punishment for his own misdeeds as a photojournalist specialized in crime scenes.

Art the Clown (David Howard Thornton) may still have one more New Year's Eve-themed rampage ahead of him, but Damien Leone is already looking beyond the killer clown that turned him into one of horror's biggest modern success stories. Following years of growing success with the Terrifier franchise, the filmmaker has officially lined up his next nightmare.

Low-budget horror movies aren't for everyone. But it's difficult to ignore Obsession, which just raked in over $30 million in ticket sales over the Memorial Day weekend, taking it to $80 million worldwide. Not bad for a film that was made for just $1 million.

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A rich goldmine of cinematic terror, Japanese horror has long been celebrated for contributing some of the most effective and traumatizing films that the world has ever seen. There is no doubt that the nation's filmmakers have mastered the art of fear, tormenting audiences with their tales of vengeful spirits, hostile curses, and maniacal killers capable of haunting viewers long after the credits have rolled.

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Editor's note: The following contains spoilers for the Widow's Bay Season 1 finale.