A New Yorker State Of Mind Digs Into The Issue Of May 30, 1936

A New Yorker State Of Mind: Reading Every Issue Of The New Yorker Magazine does its usual (and quite wonderful) deep dive into a long ago issue of the magazine. This week it’s The New Yorker of May 30, 1936.

Read it here

Cover by the one-and-only Rea Irvin. His A-Z Entry:

Rea Irvin  Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261.

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Perlman’s Pod

Asher Perlman, who began contributing to The New Yorker in 2021, has announced he’s starting a podcast. His latest cartoon collection is Hi, It’s Me Again (Andrews McMeel).

From Mr. Perlman:

Polly Lou Adams Guests On The Latest Cartoon Caption Contest Podcast

Polly Lou Adams (upper left in the photo), who began contributing to The New Yorker in June of 2025, joins two of four CCCP co-hosts, Paul Nesja (upper right) and Nicole Chrolavicius. It’s Episode #249 for those keeping track. Listen here. 

Visit Polly Lou Adams website here. ___________________________________________________________________

A New Yorker State Of Mind Digs Into The Issue Of April 25, 1936

A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine continues its good work. 

Read it here. 

Cover by Rea Irvin: Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art and only art supervisor (some refer to him as its first art editor) holding the position from 1925 until 1939 when James Geraghty assumed the title of art editor. Irvin then became art director and remained in that position until William Shawn officially succeeded Harold Ross in early 1952. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time. Number of New Yorker covers (not including the repeat appearances of the first cover every anniversary up to 1991): 179. Number of cartoons contributed: 261. 

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Article Of Interest…Guy Richards Smit

From The Creative Independent, April 30, 2026, Mr. Smit’s  conversation with Brandon Stosay. 

Guy Richards Smit began contributing to The New Yorker in 2022.

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Live Interview Of Interest: Liza Donnelly On Radio Free Rhinecliff

Liza Donnelly, long-time New Yorker contributor, and filmmaker (Women Laughing) will be live today at 5 on Radio Free Rhinecliff. Listen here.  

Photo: Eric Korenman

Now That’s A Cover!

Here’s a beauty from C.E.M. (Charles E. Martin) who contributed 434 cartoons and 187(!) covers in his 49 year run at the magazine. Interesting (to me) that he began his New Yorker career strictly as a cover artist (his first was the issue of August 6, 1938, signed “Chas. Martin”). His first cartoon did not appear until February of 1947.

What I love about the October 22, 1966 cover is the easy to overlook old building at the bottom. Martin is giving us a familiar New York City site: the old hanging in despite the forward march of the new.

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C.E.M.’s A-Z Entry

Charles E. Martin ( C.E.M.) (photo left above from Think Small, a cartoon collection produced by Volkswagon. Photo right, courtesy of Roxie Munro) Born in Chelsie, Mass., 1910, died June 18, 1995, Portland, Maine. New Yorker work: 1938 – 1987.

Bishakh Som In Group Exhibit

The exhibit, “Drawn Out: A Queer Comics Celebration” includes work by Bishakh Som, who began contributing to The New Yorker in 2018.

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Roxie Munro Gallery Appearance

The terrif New Yorker cover artist, Roxie Munro, was recently at The Annapolis Gallery, signing books, and talking about her work. Visit her website here. 

Ms. Munro contributed 14 covers to The New Yorker.

Simon Fieldhouse’s Latest 3D Portrait Sculpture: Peter Arno

Next up in artist Simon Fieldhouse‘s New Yorker series: Peter Arno. See the sculpture in various settings here.

And here are his other New Yorker 3D sculptures:

Eustace Tilley

Harold Ross

Saul Steinberg

To see all of his 3D sculptures, go here.

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Frank Cotham Returns As Guest On Cartoon Caption Contest Podcast

Frank Cotham, who began contributing to The New Yorker in 1993, returns to the CCCP in this episode (#248 for those keeping track). Listen here.

photo: clockwise, from top left…Frank Cotham, then the co-hosts Paul  Nesja, Vin Coca, Nicole Chrolavicius, Beth Lawler. 

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Paul Karasik Presents…

From The Vineyard Gazette, April 23, 2026, “Film Noir Takes Center Stage” — this piece on films and Mr. Karasik, who began contributing to The New Yorker  in 1999.  Visit his website here.

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Thurber Prizes Awarded Tonight In Columbus

From The Columbus Dispatch, May 5, 2026, “Thurber Prize For American Humor To Celebrate Laughter In Literature” [and cartoons!].

The Spill again congratulates Emily Flake for being named the 2026 recipient of the Thurber Prize For American Humor In Cartoon Art. The winner for literature will be announced this evening.

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Latest Addition to The Archives…A Script

A script came this way recently, courtesy of a loyal Spill reader (thank you loyal Spill reader!).

A New Yorker State Of Mind Digs Into The Issue Of April 11, 1936

A New Yorker State Of Mind: Reading Every Issue Of The New Yorker: always fun, always interesting reading.

This week: the issue of April 11, 1936. Read it here. 

Cover by Helen Hokinson.

Her A-Z Entry:

Helen Hokinson (above) Born, Illinois,1893; died, Washington, D.C., 1949. New Yorker work: 1925 -1949, with some work published posthumously. All of Hokinson’s collections are wonderful, but here are two favorites. Her first collection: So You’re Going To Buy A Book! (Minton, Balch & Co, 1931) and what was billed as “the final Hokinson collection”: The Hokinson Festival (Dutton & Co., 1956). According to a New Yorker document produced during Harold Ross’s editorship (1925-1951) rating their artists, Ms. Hokinson and Peter Arno occupied a special category unto themselves above all others.

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Exhibit Of Interest: Edward Sorel & Madeline Sorel 

Sorry I missed the opening date of this exhibit, but there are still two weeks left to see it. Edward Sorel and his eldest daughter, Madeline Sorel in a joint exhibit of their work. From Kingsborough Community College’s Linkedin :

Father and daughter are now launching a unique joint-show at the college where Madeline has taught illustration for the past 25 years. The Family Line: Edward and Madeline Sorel, seeks to tell the story through each artist’s work of overcoming external influences to develop one’s own voice and in doing so, develop their own sense of self.

The exhibit is at the Kingsborough Art Museum (KAM) at Kingsborough Community College, 2001 Oriental Boulevard, Brooklyn, NY. The show, free and open to the public, runs through May 20.

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 Madeline Sorel, an illustrator, collagist, felt artist and, the past 25 years, professor in Kingsborough Community College’s art department.

Edward Sorel’s A-Z Entry:

Edward Sorel (self-portrait above from a strip appearing in The Nation following the death of Marlene Dietrich. Drawing used by permission of Mr. Sorel). Born 1929. New Yorker work: 1990 – . All of Mr. Sorel’s books are of great interest; Unauthorized Portraits (Alfred A. Knopf, 1997) is particularly essential. Website: edwardsorel.net

Another in a series of quick looks at an artist’s very first New Yorker cartoon and their last. 

Here’s one of the 80 or so New Yorker artists who had but one cartoon in the magazine. I call them “One Clubbers” in the Spill‘s A-Z; this fellow appears on every One Clubber’s entry:

Fougasse’s first and his last New Yorker cartoon appeared in the issue of March 28, 1925.

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Fougasse’s A-Z Entry:

Cyril Kenneth Bird  Born, London, December 17, 1887. Died, 1965. New Yorker work: 1 cartoon, March 28, 1925. Known professionally under the name Fougasse, Bird became art editor of Punch in 1937, and assumed the title of editor in 1949. Key book: The Good-Tempered Pencil, A Survey of Modern British and American Humorous Art (Max Reinhardt, 1956).

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More Fougasse:  here and here. A goodly number of original work here at the Chris Beetles Gallery.

“His People Simply Happen”

In a 1989 collection, Conversations With James Thurber (University Press of Mississippi) edited by Thomas Fensch, there’s a terrif article, “Melancholy Doodler,” by Arthur Millier (it originally appeared in The Los Angeles Times Sunday Magazine, July 2, 1939). Thurber was forty-four at the time, and in the last year of the best decade of his life, drawings-wise. His eyesight, by May of ’39, had already worsened  to the point of his “struggling to type, read, and draw.”

The article makes no mention of Thurber’s eyesight or his struggles — it rolls along as if all’s well in Thurberland. Here are just a few quotes from the piece (I’d run the whole thing, but don’t want to get into a copyright muddle).

Thurber speaking to Millier:

“You are probably the only person in America who knows I write.” he said bitterly. “They all say: ‘Oh yes, Thurber?–the guy makes those crazy drawings?'”

“i’m not an artist. I’m a painstaking writer who doodles for relaxation. But it’s those doodles they go for…They’ve even labeled me a Dadiast and a surrealist…”

“I almost never have a piece of writing turned down [by The New Yorker]. They print them all — but who reads them? Whereas my drawings — the things people know me for — are often turned down.”

“Captions can make a drawing. Some of my drawings lie around the office for years — waiting for an inspired line.”

Finally, here’s Millier talking about Thurber’s drawings:

“When Thurber begins a drawing of these curious yet strangely familiar people, he rarely knows what they will look like or do. He just lets his hand move with a pencil in it. His people simply happen…”

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–The undated drawing above can be found at Vassar’s Francis Lehman Loeb Art Center.  ________________

James Thurber’s A-Z Entry:

James Thurber Born, Columbus, Ohio, December 8, 1894. Died 1961, New York City. New Yorker work: 1927 -1961, with several pieces run posthumously. According to the New Yorker’s legendary editor, William Shawn, “In the early days, a small company of writers, artists, and editors — E.B. White, James Thurber, Peter Arno, and Katharine White among them — did more to make the magazine what it is than can be measured.”

Key cartoon collection: The Seal in the Bedroom and Other Predicaments (Harper & Bros., 1932). Key anthology (writings & drawings): The Thurber Carnival (Harper & Row, 1945). There have been a number of Thurber biographies. Burton Bernstein’s Thurber (Dodd, Mead, 1975) and Harrison Kinney’s James Thurber: His Life and Times (Henry Holt & Co., 1995) are essential. Website

Peter Kuper News

A couple of fun items concerning Peter Kuper, who began contributing to The New Yorker in 2011. His book, Insectopolis: A Natural History is a Ohio Books Awards finalist in the category of nonfiction.

and…

his work is included in Cleveland’s Maltz Museum exhibit, “Icons In Ink: The Jewish Comics Experience” 

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A Reminder: Rich Sparks Today at 12:30 On Jason Chatfield’s “Draw Me Anything”

Mr. Sparks,began contributing to The New Yorker in 2016; Mr. Chatfield began contributing in 2017.

Link here to Mr. Chatfield’s site

Fave Photo Of The Week

The above group photo was taken the other day in Washington, D.C., at DC/Dox, where Women Laughing was screened. The film, directed by Kathleen Hughes (third from left) and Liza Donnelly second from left), has been popping up at numerous festivals this year.

New Yorker cartoonists, Sara Lautman (second from right), and Emily Sanders Hopkins (first on the right) participated in a panel discussion following the screening.

Also pictured: Women Laughing producers Judith Mizrachy (first on the left), and Nathalie Seaver (fourth from left).

Photo by (New Yorker cartoonist) Marshall Hopkins

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And In Other Donnelly News…

Check out the latest in the series, Talk & Draw With Heather Cox Richardson and Liza Donnelly here (the subject this time ’round is Watergate).