As Mia Bays prepares to leave her post as head of the BFI Filmmaking Fund, she reflects on five years of backing the films nobody else would touch — and why British cinema’s survival depends on never playing it safe.
As Mia Bays prepares to leave her post as head of the BFI Filmmaking Fund, she reflects on five years of backing the films nobody else would touch — and why British cinema’s survival depends on never playing it safe.
Finn Wolfhard will star in the project that is inspired by true events behind the bust of a Vice Canada editor who recruited young people for a drug smuggling operation.
Finn Wolfhard will star in the project that is inspired by true events behind the bust of a Vice Canada editor who recruited young people for a drug smuggling operation.
Watermelon Pictures is releasing Andy Mundy-Castle's documentary on the photographer and activist, famed for his images of the Black Lives Matter and Free Palestine protests in the U.S. and U.K.
Watermelon Pictures is releasing Andy Mundy-Castle's documentary on the photographer and activist, famed for his images of the Black Lives Matter and Free Palestine protests in the U.S. and U.K.
From a Jason Statham actioner to an AI-assisted family animation to a Jonathan Bailey cycling thriller, the 2026 Marché du Film has something for everyone.
From a Jason Statham actioner to an AI-assisted family animation to a Jonathan Bailey cycling thriller, the 2026 Marché du Film has something for everyone.
The 'Feel My Voice' actor plays a father to a shy teen with a gift for singing in the Netflix drama, a remake of the French film from which 'CODA' was adapted and which features authentic deaf characters.
The 'Feel My Voice' actor plays a father to a shy teen with a gift for singing in the Netflix drama, a remake of the French film from which 'CODA' was adapted and which features authentic deaf characters.
Spooked by social media pile-ons, eye-watering costs and a string of high-profile misfires, the major studios have calculated that a glitzy Palais premiere might not be worth it (in more ways than one).
Spooked by social media pile-ons, eye-watering costs and a string of high-profile misfires, the major studios have calculated that a glitzy Palais premiere might not be worth it (in more ways than one).
The acclaimed filmmaker struggled to get their ‘I Saw the TV Glow’ follow-up made — which only gave them more fuel to do so without compromise: “I don’t see any other trans artists getting budgets, and that’s a fucking shame.”
The acclaimed filmmaker struggled to get their ‘I Saw the TV Glow’ follow-up made — which only gave them more fuel to do so without compromise: “I don’t see any other trans artists getting budgets, and that’s a fucking shame.”
Shares producer Sara Murphy, an Oscar winner for 'One Battle After Another': “Square Peg Social was one of the more pleasurable and educational film experiences I’ve had.
Shares producer Sara Murphy, an Oscar winner for 'One Battle After Another': “Square Peg Social was one of the more pleasurable and educational film experiences I’ve had.