Josh Lilley is proud to present No Swans, an exhibition of new work by Providence based painter Timothy Lai (b. 1987, Kota Bharu, Kelantan, Malaysia). The landscape around Lai’s home has been the chief source of inspiration for this series of paintings executed across the past autumn and winter. Salter Grove Memorial Park conjoins the bluntly named Marsh Island and Rock Island there, two crescent jetties cradling small coves along the Providence River. Each island’s banks rise low out of the water, bordered by boulders and reeds, ensnaring dawn cobwebs and framing views of local waterfowl. Beyond the arcing boundary of the jetties, freight ships chug by on their daily deliveries beneath a low sky. You can see the weather coming…

Galerie Max Hetzler, Berlin, is pleased to announce X-Rated (1972–1974), a solo exhibition of paintings and works on paper by William N. Copley. This is the fourth presentation of the artist’s work at the gallery, and the show will be on view through April 22, 2026. 

PPOW are pleased to present Orchid Rain on the Underground, Chris “Daze” Ellis’s third solo exhibition with the gallery. The show is on view through April 25, 2026. Featuring a new series of paintings, multimedia installation, and a site-specific mural, the exhibition harnesses the passion and spontaneity of the graffiti movement of the 1970s and 80s while demonstrating a thoughtful and meticulous practice honed over the past five decades. While the version of New York City that fostered Daze’s beginnings as a fine artist may feel like a bygone era, the works in this exhibition are evidence of its enduring legacy. By revitalizing that foundational energy for the present moment, Daze affirms the continued relevance of those figures and places, and their profound…

Gagosian is pleased to announce an exhibition of new tennis court paintings by Jonas Wood. The gallery’s tenth exhibition of Wood’s work, and its first based in Los Angeles, will be on view through April 25, 2026. 

GRIMM is pleased to present Vignettes & Mutations, a solo exhibition of new paintings by Los Angeles–based artist Eric White on view through May 2, 2026. This is the artist’s fifth solo exhibition with GRIMM and his third solo exhibition at the New York gallery.

Perrotin is pleased to present Borrowed Chord, Danielle Orchard’s second exhibition in Paris and her seventh with the gallery. The exhibition brings together new works that deepen her engagement with figuration, intimacy, and the history of painting. Borrowing its title from a musical term describing a harmony drawn from a parallel key, the exhibition reflects Orchard’s longstanding practice of working within established pictorial traditions—modernist fragmentation, classical composition, and the reclining figure—while subtly shifting their emotional register. The show is on view through April 18, 2026.

Richard Heller Gallery is pleased to present, Reading the Rooms, a solo exhibition of new paintings by Gretchen Scherer. This will be Gretchen's second solo exhibition with the gallery.

Harper’s is pleased to announce Prussian Blue, New York–based artist Sophia Huitema’s first solo exhibition with the gallery. The presentation features new works by Huitema and will be on view through April 25, 2026. 

Casey Bolding’s paintings make memory material. Using plaster and industrial paint in concert with oil, acrylic, and Flashe, the artist builds up densely layered surfaces which he then scrapes and reworks, excavating embedded imagery drawn from mementos, photographs, and art history. As personal as they are process-based, Bolding’s paintings of landscapes and interiors are particularly informed by his childhood in the plains of Colorado, his longtime practice of graffiti writing in abandoned buildings and trains, and commercial faux-finishing techniques learned from his uncle. For Bloodstream, Bolding has created a suite of works that he describes as “mirages or scenes captured from the perspective of someone floating down the Colorado River,” from the Rocky Mountains to the Mexico-California border. This traveler…

Let Us Gather in a Flourishing Way explores contemporary Latinx artists’ innovations and interventions within established traditions of painting, inviting discussion on a variety of themes and revealing the diversity and expansiveness present within the field. The fifty-eight artists in the exhibition—and those in the Latinx field more broadly—encourage us to interrogate the continued relevance of boundaries, from political borders to disciplinary confines. This exhibition therefore celebrates artists whose expressions are first and foremost personal and subjective, but whose heterogeneous and culturally specific interventions enrich one another and the history of American and contemporary art, two fields from which such artists have been historically excluded. Inspired by former U.S. Poet Laureate Juan Felipe Herrera’s poem “[Let Us Gather in a Flourishing Way],” the…

Welcome to the latest edition of Nuart Aberdeen. As far as we can ascertain, this will be the first street art festival in the world with a focus primarily on poetry and text-based works. Over the years, for better or worse, the large scale colourful figurative mural has come to dominate the culture we work with, and although it’s an aspect of the culture we support, due to the resources required to produce murals, they’re perhaps also the least democratic form of art on the streets. As curators, researchers and producers working in “festival” culture, we have a responsibility to not only showcase and celebrate the most interesting and technically competent works of our time, but to also ensure the…

We are so excited to share our interview with Surreal Salon 18 winner, River Reishi, selected by guest juror, Swoon. On the occasion of the win, we spoke with Reishi about the work in the show, the history of Surreal Salon, and her upcoming travels.