When hitting the town for a night out, Kate Moss is the ultimate dressing inspiration. Lila Moss knows this firsthand. Last night, clad in a nude bodysuit covered in crystals, Moss channeled her supermodel mom’s nonchalant style at Racket for Stella McCartney and H&M’s collaboration launch party. Her glitzy statement piece was layered over sheer black tights, providing a sleek contrast—and practical coverage from the evening’s rainy weather.

Moss opted to wear the set under an oversized black blazer, also from McCartney’s H&M collection, which she shrugged off her shoulders for a carefree feel. The formal piece was given a more casual flair from cuffed sleeves, revealing a silky lining that added to her outfit’s textures. Black pointed-toe pumps brought a slick, streamlined finish to Moss’s look.

This wasn’t the first time Moss has channeled Kate’s grungy, rebellious sense of style. Over the years, the young model’s also stepped out in sultry lace, leopard prints, dark leather, and plenty of sheer outfits, all hallmarks of her mom’s rock n’ roll sensibility. The pair regularly take in fashion together, as well. Clearly, style runs in the family.

During H&M and McCartney’s late-night bash, Moss was one of numerous stars who opted for a high-shine outfit. Janelle Monae, Amelia Gray Hamlin, and Julez Smith also stepped out in crystal-covered pieces from H&M and McCartney’s collection, bringing the evening a burst of glitzy glamour. Guests including Renée Rapp, Tasmin Wijnaldum, Jules Kolodny, and Edie Liberty Rose wore the line’s suiting, chain link jewelry, and snake and floral-printed separates—as well as Mark Ronson, who gamely hit the stage for a finale performance.

The moment was also a full-circle one for McCartney, who was the second-ever luxury designer to collaborate with H&M in 2005. Her new line with the brand highlights her various signatures and motifs through the years, featuring tailored suiting, sharp outerwear, draping, and plenty of horses, florals, chain links, and reptilian patterns. The designer’s also in good company, with H&M’s recent designer roster including Glenn Martens, Rokh, Mugler, Rabanne, and the late Iris Apfel.

The May 7 arrival of McCartney and H&M’s collection has been hotly anticipated since it was announced at the British Fashion Awards last winter. However, guests didn’t have to wait long to wear the line, as everyone left with its mesh clutches and rubberized red “Stella” keychains.

Sarah Pidgeon brought the current fascination with Carolyn Bessette Kennedy’s fashion on screens in FX’s Love Story, but her own elegant approach to fashion is worth paying attention too. After a whirlwind of awards shows and red carpet appearances, Pidgeon’s expanding her style sensibilities, most recently with classic blue denim. However, her approach is anything but basic, which she showed off in two different looks in the Big Apple yesterday.

On Tuesday evening, Pidgeon wore a black blazer and medium wash blue jeans for a Love Story FYC screening in downtown Manhattan. The details made for a stylish upgrade eons apart from the basic “West Village girl” uniform. The actress’s Givenchy by Sarah Burton jacket, worn sans shirt, featured a deep triangular neckline and hem with a sharply tailored bodice. Dark blue paneling echoed the 1990s trend of racer strip denim. The wide-leg cut almost made them feel as if they were Givenchy’s answer to those inamous JNCO jeans. Glossy red pointed-toe pumps, a black leather neck scarf, and a soft black Voyou bucket bag with delicate gold hardware—all from Givenchy—provided subtly edgy takes on sophisticated accents.

During the event, those fashionable details made Pidgeon’s denim fit for the red carpet. Her look’s dark colors also smoothly coordinated with a dashing, Ferragamo-clad Paul Anthony Kelly—whose star has also soared from his breakout role as John F. Kennedy, Jr. in the series.

Earlier that morning, the actress was first seen in a daytime-friendly set of light blue straight-leg jeans. Her casual set was paired with a white tank top beneath a deep orange pleated silk jacket, cinched by small hook-and-eye clasps. A dynamic twist came from a burst of leopard prints, courtesy of her oversized, pale beige Chanel flap bag by Matthieu Blazy.

For a whimsical finish, the star slipped on a pair of metallic gold and black cap-toed pumps from Chanel’s New York City-themed Métiers d’Art collection, shown—where else?—on a subway platform. With red logo-accented apples on their heels, the style added a distinctly NYC touch to Pidgeon’s ensemble—no “I Heart NYC” T-shirt required (though Chanel’s made a luxe version of that, too).

Pidgeon’s outfits thoughtfully dressed up denim with color and texture. Her modern style has expanded with major red carpet outings in Chanel, Balenciaga, and Calvin Klein Collection this year. After acclaim from her Bessette Kennedy portrayal, more fashionable forays—particularly non-formalwear ones—are surely on the horizon.

Tyla’s entered her neutral era—well, as neutral as Tyla can be. In recent weeks, the musician’s early 2000’s-influenced style has taken a turn for the bohemian. From a tank top and subtly bedazzled True Religion jeans to a muted bejeweled camisole and miniskirt at Valentino’s fall 2026 show, she’s added another layer to her fashion journey with sultry boho cues. Now, her new chapter’s hit the red carpet, officially taking flight at Billboard’s Women in Music Awards.

During the occasion, Tyla soared in a dynamic custom Javier Colla gown covered in tufted brown, white, and smoky gray feathers. Despite its neutral palette, the halter style was undeniably eye-catching from a bold, backless silhouette, complete with large side cutouts and an open thigh-high slit. The piece’s fluffy texture also continued Tyla’s use of feathered attire, as seen in her Coachella wardrobe and recent “She Did It Again” music video with fellow Y2K-loving songstress Zara Larsson.

Stylist Katie Qian kept focus on the dress with more minimal, metallic gold square-toed sandals with clear PVC straps. The “naked” shoe—a 2026 trend that’s spanned Valentino’s viral open-front pumps to Chanel’s more-viral, sole-less runway sandals—was accompanied by sculpted gold bangles and a delicate anklet. Tyla’s penchant for glitz also shone through her beauty choices, including a light pink manicure, crystal winged “tramp stamp” temporary tattoo, and a sprinkling of star-shaped body stickers.

The moment helped mark a definitive style shift towards free-spirited fashion for Tyla. When the star rose to fame in the early 2020s, her looks emphasized 2000s sex appeal with lace and bright colors across archival pieces from Versace, Dsquared2, and Tom Ford-era Gucci. This particular dress slightly recalled a particular memorable feathered mini dress Christina Aguilera wore to the 2003 MTV Video Music Awards, though Tyla’s was more daring in silhouette, even as its palette was more muted.

Hints at Tyla’s new chapter began this winter with sheer and nature-inspired looks, from George Trochopoulos’s oyster shell jacket to Chanel’s knotted set and piles of beads. Through formal outings in a series of black dresses and diamonds, Tyla wiped her slate clean for a new chapter. Her natural, chronological next step has been a cheeky mid-2000’s bohemian aesthetic, complete with plenty of its signature dark denim, snakeskin, feathers, and lace-up straps.

But what could Tyla wear next? If her “She Did It Again” video is any indication, this new era clearly emphasizes texture. Pieces with metal accents, gauzy, sparkly, or fringed finishes, and light neutral or tonal hues are all on the table—think Phoebe Philo’s silky Chloé dresses, or Michael Kors’ neutral-rich Celine collections from the early and mid-2000s. Tyla’s sure to deliver plenty of fashion surprises as her bohemian style continues to spread its wings.

In Matthieu Blazy’s new class of Chanel ambassadors, nobody’s having more fun than Ayo Edebiri. This year, the actress has frequently worn the French house’s most experimental new designs—a streak that continued with an eclectic mix of pieces last night. On Tuesday, Edebiri appeared on Late Night with Seth Meyers in Blazy’s collaboration with luxury French shirtmaker Charvet—complete with a special, unexpected reference.

While stepping onstage, Edebiri wore sheer black tights beneath an oversized white collared shirt first seen on Chanel’s spring 2026 runway. But this wasn’t your average button-down: it featured pearl accents at the cuffs and collar, an embroidered Chanel logo, and a woven chain hem that gave it a sculpted finish. The deceptively intricate piece wasn’t just chic—it also nodded to the late Broadway diva Elaine Stritch, who famously paired oversized shirts with little more than tights for her signature no-pants look.

Appropriate, considering Edebiri was promoting her starring role in Proof, which marks her own Broadway debut.

Stritch’s dynamic style, frequently worn during her onstage comedy sets over the decades, would become a staple for the actress in her later years. That pairing was seen as a display of her free-spirited nature, pluck, and independence “She appreciated her own long legs and she decided to show them off and you don’t realize how far ahead of the time she was,” Liz Smith told The Cut of Stritch in 2019. “Now it means nothing. But she shocked everybody. And she really made it work.”

Edebiri’s Stritch-esque attire channeled her same humor and wit, bringing a new silhouette to shirtdresses in the process. Aside from the Bottoms star, Nicole Kidman has also worn the Chanel and Charvet shirt, which she paired with jeans for Blazy’s debut show. Edebiri’s take showed a familiar way to approach the piece with a nod to the legendary Stritch, who became beloved for her turns on television and Broadway.

But the flair didn’t end there. Edebiri’s shirt earned a dramatic edge from a shaggy, bright red faux fur jacket, which she wore shrugged off her shoulders. Hailing from Chanel’s subway-set Metiers d’Art collection, the style added a vibrant burst of Big Apple-worthy color to the actress’s attire, ensuring it was both eclectic and bold—in fact, as far from basic as a white button-down could be. Stritch would have surely approved.

For a formal touch, stylist Danielle Goldberg finished Edebiri’s look with a set of glossy black patent leather pumps. Complete with its signature pointed toes and stilettos, the shoe continued its ongoing rise in 2026—having been embraced by Zendaya, Teyana Taylor, Anne Hathaway, and more stars on and off the red carpet this spring. Like the shirt and tights, heels were a frequent finishing touch for Stritch as well, completing Edebiri’s reverent reference to the star.

The moment marked Edebiri’s latest outing in Chanel, having worn styles from matching leather to multicolored feathers in 2026. After Blazy’s beachy cruise show this week, there’s even more dynamic options for her to try—and, perhaps, channel more icons in the future. Here’s hoping his supersized beach tote or sole-less sandals make the cut.

Lately, it seems Gwyneth Paltrow can’t get enough of see-through fashion. This year alone, the star’s hit red carpets in a gauzy pink tank top, transparent lace dress, and the viral layered pants that created a nude illusion beneath her Oscars dress. Now, Paltrow’s continued that trajectory on a trip to Italy, paired with a new sheer look from her arsenal.

Paltrow traveled to Florence this weekend for Belmond’s reopening of its luxe, newly renovated Villa San Michele hotel. For the occasion, she slipped on a sweeping white shift dress with a maxi-length hem. The slit piece was overlaid with a sheer top layer, cinchd by thin side ties for a flowing silhouette. Paltrow’s piece was complete with a trailing gold plant pattern with soft purple centers, bringing her look a shimmering finish.

Paltrow’s Midas touch didn’t stop there, however. A tubular gold necklace, oval hoop earrings, and layered bangle further emphasized her look’s gilded touches with an ornate glamour. Gleaming gold rings brought a shining finish to her accessory lineup.

Though her sheer attire’s elegance leaned towards the ethereal, Paltrow took the simple route when it came to footwear. The actress finished her outfit with a set of nude sandals, secured by minimalist straps atop thin platform soles and stiletto heels. The pair’s neutral color provided a clean base for her look, remaining formal while being almost invisible beneath her swirling dress—and allowing its golden accents and transparent textures to take center stage.

The moment notably marked one of Paltrow’s few outings this year outside of awards season. This winter, she made the rounds with the cast of Marty Supreme for her supporting role as struggling actress and socialite Kay, appearing everywhere from the Golden Globes to the Actor Awards. Between red carpets, she also returned to the front row in a vibrant green minidress for Valentino’s fall 2026 runway show during Milan Fashion Week. Her trip to Villa San Michele continued the actress’s luxe dressing streak, while proving that her penchant for sheer dressing—an arm of the trending mid-2020’s “naked dress” return—can evolve past adventurous red carpet attire.

This also isn’t Paltrow’s last fashionable moment this year. With more collections for her revamped GWYN clothing label coming up, plus the Manhattan opening of Goop Kitchen (complete with a clever campaign starring power publicist Kelly Cutrone) on the horizon, the star’s certainly keeping busy—and is sure to be out and about all the while.

Spring’s as good of a time as any to think pink—just ask A$AP Rocky. The rapper and style icon made a surprise appearance at Chanel’s cruise show yesterday, complete with a sweet nod to his and Rihanna’s infant daughter Rocki Irish. In the front row, the star clutched a supersized pink linen Chanel flap bag, accented with matching baby-sized satin Mary Janes—both personal gifts to Rocki Irish from creative director Matthieu Blazy, according to Page Six.

Rocky’s specific style brought a heartfelt, bold take to parenthood. After all, anyone with little ones is used to carting around a massive backpack, tote, or diaper bag filled with snacks, toys, and supplies for any child-related incident. His supersized Chanel flap bag, complete with tufted white, red, and black tweed trim and gold hardware, created a decidedly luxe take on the practical parental necessity.

Rocky’s whimsical bag added a burst of seasonal color to his Chanel attire during the show: a bright red button-down shirt with gleaming gold “CC” cutout buttons, tucked into pale burgundy crosshatched trousers and cinched with a leather belt. Glossy dark red derbies, plus a supple tan suede jacket with multicolored tweed trim—all from the same Chanel cruise collection that walked the runway—smoothly complemented his look.

Of course, Rocky’s always embraced a dynamic accessorizing opportunity. He finished his Chanel outfit with a swirling gold and silver ring, round gold stud earrings, and a matching watch—plus a swirling bejeweled sun brooch for good measure. Joining him in the front row were Chanel muses and ambassadors Michaela Coel, Nicole Kidman, Tilda Swinton, and Marion Cotillard.

A$AP Rocky’s appearance for Chanel’s cruise show marked his first runway outing since Fashion Month earlier this winter. The star, as well as his partner Rihanna, has been a front-row fixture for years—and both are beloved for their boundary-breaking, open-minded approach to style. In fact, the same ethos led to Rocky founding his own label, AWGE, which he showed in New York City in February. After stylish date nights and outings with their children Rocky, RZA, and Rocki Irish, it’s clear parenthood is another fashion-forward chapter the all-star couple is thoroughly embracing.

Thanks to her custom Chanel bag and darling flats, it seems Rocki Irish—at just 7 months old—is already building an impressive accessory collection. Plus, with her debut appearance on the cover of W’s Pop Issue, she’s got stylish credentials to match. Clearly, fashion runs in the family.

In Matthieu Blazy’s new class of Chanel ambassadors, nobody’s having more fun than Ayo Edebiri. This year, the actress has frequently worn the French house’s most experimental new designs—a streak that continued with an eclectic mix of pieces last night. On Tuesday, Edebiri appeared on Late Night with Seth Meyers in Blazy’s viral collaboration with luxury French shirtmaker Charvet—complete with a special, unexpected reference.

While stepping onstage, Edebiri wore sheer black tights beneath an oversized white collared shirt, which was first seen on Chanel’s spring 2026 runway. But this wasn’t your average button-down, with small pearls placed on its cuff and collars, an embroidered “Chanel” patch, and woven chain hem lining for a smooth silhouette. However, the secretly intricate piece wasn’t only a chic shirt—it also referenced the late Broadway diva Elaine Stritch, who often wore oversized button-downs and with just tights for her signature “no pants” look.

Appropriate, considering Edebiri was promoting her starring role in Proof, which marks her own Broadway debut.

Stritch’s dynamic style, frequently worn during her onstage comedy sets over the decades, would become a staple for the actress in her later years. That pairing was seen as a display of her free-spirited nature, pluck, and independence “She appreciated her own long legs and she decided to show them off and you don’t realize how far ahead of the time she was,” Liz Smith told The Cut of Stritch in 2019. “Now it means nothing. But she shocked everybody. And she really made it work.”

Edebiri’s Stritch-esque attire channeled her same humor and wit, bringing a new silhouette to shirtdresses in the process. Aside from the Bottoms star, Nicole Kidman has also worn the Chanel and Charvet shirt, which she paired with jeans for Blazy’s debut show. Edebiri’s take showed a familiar way to approach the piece with a nod to the legendary Stritch, who became beloved for her turns on television and Broadway.

But the flair didn’t end there. Edebiri’s shirt earned a dramatic edge from a shaggy, bright red faux fur jacket, which she wore shrugged off her shoulders. Hailing from Chanel’s subway-set Metiers d’Art collection, the style added a vibrant burst of Big Apple-worthy color to the actress’s attire, ensuring it was both eclectic and bold—in fact, as far from basic as a white button-down could be. Stritch would have surely approved.

For a formal touch, stylist Danielle Goldberg finished Edebiri’s look with a set of glossy black patent leather pumps. Complete with its signature pointed toes and stilettos, the shoe continued its ongoing rise in 2026—having been embraced by Zendaya, Teyana Taylor, Anne Hathaway, and more stars on and off the red carpet this spring. Like the shirt and tights, heels were a frequent finishing touch for Stritch as well, completing Edebiri’s reverent reference to the star.

The moment marked Edebiri’s latest outing in Chanel, having worn styles from matching leather to multicolored feathers in 2026. After Blazy’s beachy cruise show this week, there’s even more dynamic options for her to try—and, perhaps, channel more icons in the future. Here’s hoping his supersized beach tote or sole-less sandals make the cut.

The joyful evening honored the beloved outgoing Toby Devan Lewis director Lisa Phillips, who will be stepping down from her position after 27 years at the downtown institution.

Nobody’s been pulling out the fashion stops this season quite like Anne Hathaway. The actress has been on a whirlwind international press tour for The Devil Wears Prada 2, complete with overlapping promotion for her pop star-centric thriller Mother Mary. While in London this week, she continued pulling double duty with an impressive aesthetic swap across two very different outfits—all in under 24 hours.

This morning, Hathaway’s Devil Wears Prada 2 tour continued with an appearance at the Victoria and Albert Museum in a tailored black velvet Giorgio Armani Privé coat dress. Her floor-length style featured exaggerated shoulders for a dynamic edge, while allover pearl embroidery brought a sprinkling of glamour. Stylist Erin Walsh finished Hathaway’s look with small diamond-covered hoop earrings and glossy cat-eye sunglasses. Meanwhile, a dark red manicure subtly nodded to The Devil Wears Prada’s signature red, black, and white color scheme, which Hathaway, Meryl Streep, and Emily Blunt have all referenced across their various red carpet looks for the film in recent weeks.

However, Hathaway took an entirely different approach the night before. During a special screening of Mother Mary, the actress leaned into the movie’s ghostly themes with a dramatic gown from Iris Van Herpen’s spring 2020 couture collection. The sweeping black silk piece featured a matte skirt and flared sleeves, which flowed upwards into a series of thin, intricate cutouts. A high collar, rounded chest cutout, and cold-shoulder openings brought a sultry finish to her style, which was grounded with black cutout Aquazzura boots.

At their core, Hathaway’s two looks showed her prowess as a fashion chameleon. After all, it takes a special kind of star to pull off two themed aesthetics at once. Each look also showed a keen approach to styling pieces with an all-black palette, emphasizing texture and shape in the absence of color. Though the shade’s been at play in Hathaway’s wardrobe for each project, this back-to-back moment proved her ease in style adaptation across opposing ensembles.

Though they’ll move at a slower pace, Hathaway’s fashionable forays are far from over after The Devil Wears Prada 2 and Mother Mary’s press cycles wrap. This summer, she’ll be back onscreen in the mythological epic The Odyssey and sci-fi thriller The End of Oak Street. Come fall, she’ll wrap the year taking on the titular role in the film adaptation of Colleen Hoover’s Verity. Clearly, Hathaway’s no stranger to versatility across different genres in the acting world. However, it’s abundantly clear she just be the ultimate fashion multitasker.

Today, Dakota Johnson and Alessandro Michele have proven one of fashion’s most loyal designer and muse pairings. Since taking the helm at Valentino, he’s dressed the actress in everything from lace hot pants to retro cutouts—a surprisingly maximalist streak for the typically minimalist Johnson, but one she’s wholeheartedly embraced. At last night’s Time100 Gala, her latest look by the Italian label was surprisingly statuesque while still making a statement.

Johnson floated onto the carpet at Jazz at Lincoln Center for the occasion in a sweeping white gown, complete with a smoothly draped bodice and thin spaghetti straps. The stark style packed a dramatic punch from its matching cape, which was clasped beneath glittering sequined feathers. Together, both pieces created an angelic effect, with added sparkle from Roberto Coin’s elegant diamond drop earrings, rings, and a diamond-covered bracelet.

Johnson’s attire wasn’t without a surprise, however. Stylist Kate Young paired the actress’s heavenly dress with gothically black leather mules, enhanced with a glamorous twist. The dark, pointed-toe style was topped by crystal-coated snakes, a signature Michele motif across his current Valentino era and his days at Gucci. Johnson’s always rife for a clever contrast on the red carpet, and this latest outing was no exception.

Capes have been subtly trending this year across runways and red carpets, as well—in fact, Johnson’s fellow Time100 honorees Hilary Duff and Kate Hudson also wore the shape at the same event. Furthermore, it’s a favored silhouette of Michele’s, whose swirling iterations have encompassed feline beadwork, colorful sequins, rich velvets, and more ornate details over the years.

During Michele’s previous tenure at Gucci, Johnson became a loyal brand ambassador who frequently wore his intricate designs across red carpets and campaigns. It seems they were destined to come back together. Since Michele took the helm at Valentino, Johnson’s quickly become a brand ambassador and campaign star for the house. Now, after stepping out in some of its most dynamic ensembles, she’s affirmed that aesthetics might transform over time—but friendship is always in style.

In fashion, the ‘90s are a constant source of inspiration—but in 2026, nostalgia for the decade has soared to new heights. Some stars want to channel the era’s signature minimalism with current collection, others prefer wearing archival pieces or full runway look recreations instead. Hailey Bieber chose the latter route when attending this year’s Time100 Gala, embracing the decade’s sexier side with an unexpected reference.

Bieber arrived to Jazz at Lincoln Center for the event in a shimmering Calvin Klein Collection gown, which featured a floor-length skirt and spaghetti-strapped bodice with a structured inner bra. The piece was actually a recreation of a spring 1992 Calvin Klein dress, crafted in silver and lilac floral lace that proved both formal and romantically feminine. The decade’s clean minimalism was also seen in the Rhode founder’s accessories, including matching silk pumps, glinting diamond earrings, and a thin silver bracelet watch.

Aside from its nostalgia, Bieber’s blossoming dress also referenced a top ‘90s fashion figure: Calvin Klein’s wife, Kelly Klein. Klein was a longtime muse to her designer husband, and actually wore the original dress that inspired Bieber’s look to the 1992 CFDA Awards shortly after its runway debut. Like Bieber, Klein kept her accessories to a minimum to further highlight the dress’s metallic sheen and intricate detailing at the time. Over 30 years later, it appears great minds think alike.

While everyone else has put Carolyn Bessette Kennedy on their mood board in the wake of America Love Story, Bieber has artfully swerved by directly channeling Kelly instead. Klein, played by Leila George in the series, was Kennedy’s friend and championed a similar sort of minimalist style. Though, unlike Kennedy, she had a particular fondness for a metallic moment.

As for Bieber, her Calvin Klein Collection dress continued her love affair with archival fashion. The star’s amassed a penchant for wearing vintage runway pieces and throwback styles in recent years, from her John Galliano-designed Dior slip dress at Coachella to Tom Ford-era Gucci, 2000’s Versace, and a ladylike Chanel evening bag. Her outing in Klein’s recreated dress continued that vigor, proving again that standout style isn’t limited to just one decade. Indeed, everything old is new again.

The boss is in! While celebrating her brand’s new Gap collaboration, Victoria Beckham took her love of suiting to New York City. Though her office-ready pieces were certainly sharp, Beckham’s sensibility was anything corporate.

Beckham’s look for the occasion included an oversized dark gray blazer, worn over her go-to white T-shirt. A pair of wide-legged trousers brought her look a relaxed, yet streamlined complement, cinched with a thin brown leather belt. A gleaming watch on a gray ridged band, brown pointed heels, and large squared black sunglasses finished her look with a simple, yet sharp mix of classic neutrals.

Beckham’s relaxed take on suiting was exactly on par with her previous tailoring looks. The star’s regularly worn matching pieces in a similarly nonchalant fashion, always with a T-shirt—which she’s frequently paired with her de-facto denim on and off-duty, as well. From its oversized silhouette and timeless shades, Beckham’s outfit was a modern upgrade to classic suits with the same easygoing touch she’s given her own collections and collaborations over the years.

The star’s launch party at West Village hotspot People’s was also a true family affair. David made a sharp complement to Beckham in a dark navy jacket and trousers, complete with white slip-ons. Meanwhile, their children Romeo and Harper were also present, wearing Gap denim and athleisure to create an especially coordinated night out.

Beckham’s event for her Gap collection continued a particularly busy week for the star. Since her Gap line’s announcement, she’s appeared on numerous morning shows and sat down for an onstage Time100 discussion—which also followed her inclusion in Time’s annual list of the world’s most influential figures. After this latest outing, Beckham proved no schedule is too chaotic if you’ve got a chic sartorial moment—and family—in your corner.