The 78th Issue of Hi-Fructose includes a cover a feature on Nieves Gonzalez, the art of Grip Face, The landscapes of Jennifer Nehrbass, the soft sculptures of Ela Fidalgo, the stitched urban landscapes of Laura Ortiz Vega, the art Jeffrey Gibson, Yu Jin Young’s once transparent figures, and the paintings of Fatima De Juan.  Plus […]

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KRK Ryden's latest solo show "Wet Bread" is now on view at Brassworks Gallery in Portland. Read an interview on the pop surrealist from our archives by clicking above!

The post In Blob We Trust: The Art of KRK Ryden first appeared on Hi-Fructose Magazine.

With works that simultaneously convey the awe of nature and the whimsy of fairy tales, Clémentine Bal sculpts a world full of wonder and imagination. Read Liz Ohanesian's full article on the Hf 63 cover artist by clicking above.

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The 77th issue of Hi-Fructose is coming soon. Click above to see previews!

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"I have a hunch that any successful painting creates work for the viewer,” says the painter Ben Spiers. “I think that's part of the reason why it can be hard to begin the process of looking at paintings seriously..." read the full article on Benjamin Spiers by clicking above!

The post Benjamin Spiers Paints Disconcerting Surrealism For the Modern Age first appeared on Hi-Fructose Magazine.

In Edward Telleri's paintings, eyes become living forms.. Read more by clicking above!

The post Miradas: Edward Telleri’s Gaze-fueled Artwork first appeared on Hi-Fructose Magazine.

Hi-Fructose 76 is Coming. Click Above to see sneak peeks from the next print issue.

The post Hi-Fructose Issue 76 is Coming! first appeared on Hi-Fructose Magazine.

Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.

The post Maud Madsen Explores the Gaps Between Memories first appeared on Hi-Fructose Magazine.

Human relationships with nature inform Martin Wittfooth's work. His oil paintings feature animals in the starring roles. Humans are absent from the scenes he depicts, but the remnants of their world frequently are not. In “The Aviary,” a cheetah is perched on a cherry tree and joined by a few, scattered birds. They overlook a crumbling, brick wall, catching a glimpse of the city that rises from below. Read the full article from our archives by Liz Ohanesian by clicking above.

The post Incantation: The Art of Martin Wittfooth first appeared on Hi-Fructose Magazine.

“I'm not even sure I have an imagination anymore,” Toor says. “Or maybe my process of imagining became fully visual: I need to draw and see things in order to imagine new things. Things happen on the canvas and not in my head so much. It's really important for me to stay surprised. I don't see much point in making anything that I can predict..." Read the full article on Ori Tor by clicking above.

The post Deciphering the “Gibberish Drawings” of Ori Toor first appeared on Hi-Fructose Magazine.