ABOVE: Installation view, Jeffrey Gibson, boshullichi / inlvchi – we will continue to change, Kunsthaus Zürich, 2025, photo by Franca Candrian, Kunsthaus Zürich Jeffrey Gibson was far more open about the act of dreaming and the beliefs that make-up spirituality than I expected. I started our conversation saying that I like to keep things loose, […]

The post Jeffrey Gibson: More Colors than The Eye Can See first appeared on Hi-Fructose Magazine.

“What I am advocating for is a type of grace,” says Matthew Hansel. “Both in the way we see ourselves and in the way we see others. I am celebrating the impossible mix of contradictory things that make us human, including the parts of ourselves we hide from the world.” Hansel’s tour of our hidden […]

The post Matthew Hansel’s Hidden Demons first appeared on Hi-Fructose Magazine.

The women portrayed in Prudence Flint’s paintings are caught in moments of quiet, reflection, and impermanence. They appear fixed in a moment of repose ripe for interruption. Perhaps they are lying on the grass, or changing an infant’s diaper, or awash in warm water mid-shower. Regardless, there is a certain mood shared among her works. Read the full interview with the artist by clicking above!

The post Prudence Flint’s Paintings Capture Moments of repose that are ripe for interruption first appeared on Hi-Fructose Magazine.

“The world I build has no constraint, no logic. Everything is possible,” says Pontiroli. “My objective is to shake our imagination by developing a universe based on the absurd and the senseless.” Read the full article on the artist by clicking above!

The post Sometimes You Just Have To Hug That Walrus: The Humorously Surreal Paintings of Bruno Pontiroli Twist Our Relationship with the Animal World first appeared on Hi-Fructose Magazine.

Todd Schorr creates weird and ambitious works that feel like fever dreams about death, sex, and a fear that the good times are long gone. Read the full article by clicking above!

The post Pop Surrealist Todd Schorr Paints the Unusual & The Arcane first appeared on Hi-Fructose Magazine.

Sean Norvet has long been described as a Renaissance-inspired satirist, a mish-masher of photorealism and cartoons into goofy–gruesome critiques of consumer culture or social media habits or other twenty-first-century concerns. Read the full article by clicking above..

The post Tropical Flavored Nightmare: Sean Norvet’s Paintings Are Reflective Mountains of Disgusting Excess first appeared on Hi-Fructose Magazine.

“My art has always tried to illustrate the spiritual world leaking into the material world. Two worlds affect and play off each other..." Read the full article on Justin Lovato by clicking above!

The post Justin Lovato & The Atomic Soup of the Natural Universe first appeared on Hi-Fructose Magazine.

James Lipnickas has used horror tropes for a long time. But his works were once much more linear. That used to mean monsters, aliens, and isolated landscapes that had something haunted about them. A giant worm pouring its effluence into a cabin. A force within exploding the cabin.
The horror has changed. Click above to read the full article.

The post Invisible To Most: The Drawings of James Lipnickas first appeared on Hi-Fructose Magazine.

“When I learned that there was a technique called honkadori, I thought it was interesting,” says Watanabe. “It seemed like an invasion or challenge to the idea of Western art and original works.” Read the full article by clicking above.

The post Mitsuru Watanabe Interjects A Modern Perspective Onto Classic Paintings first appeared on Hi-Fructose Magazine.

You will want to find a way back to the sideways world, the dirty world, the alien world of Tetsunori Tawaraya. Click above!

The post Tetsunori Tawaraya’s Fierce & Hypnotizing World Will Air-Fry Your Retinas first appeared on Hi-Fructose Magazine.

Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above!

The post Amy Sherald’s American Sublime first appeared on Hi-Fructose Magazine.

Cinta Vidal’s intricate paintings often foster favorable comparisons to graphic prints by M.C. Escher, especially the latter’s impossible constructions. Any similarity is largely incidental: Where Escher revealed the subtle harmonies that unite the incongruent, Vidal reaches for something more intimate and human. Read the full article by clicking above!

The post Macro Verse: The Paintings of Cinta Vidal Allow us To Become Gravity-Defying Voyeurs first appeared on Hi-Fructose Magazine.