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Donald Trump's Meeting with King Charles III During State Visit Reportedly Breached Protocol as Lip Reader Reveals What Melania Said

The US president's meeting with King Charles III during a U.S. state visit drew attention after a reported protocol breach and newly revealed remarks from Melania Trump. A lip reader's account adds detail to the high-profile encounter. Donald Trump welcomed King Charles III and Queen Camilla to the White House...

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David Morrison’s Alluring Drawings Spring from the Blank Page

David Morrison’s Alluring Drawings Spring from the Blank Page

David Morrison continues his hyperrealistic explorations of flowers, seeds, and plants, capturing the intricacies and alluring textures found throughout nature in lush colored pencil. Delicate, fine lines and smooth gradients prevail in the artist’s drawings, which present the organic subject matter as if it were bathed in light. Rendered in a soft haze, shadows of individual fronds and nodes add a deceptive sense of depth to the two-dimensional works.

The pieces shown here are some of Morrison’s latest, and you can find more on his Instagram and via Garvey | Simon, where he’s represented.

a pink flower with long stems by David Morrison
“Botanical Series No.4 Drawing” (2025), colored pencil, 29 x 15 inches
a purple thistle flower with long stems by David Morrison
“Botanical No.3 Drawing” (2025), colored pencil, 29 x 15 inches
a green and white flower by David Morrison
“Iceland Poppy,” colored pencil on paper, 18 x 16.5 inches
a detail of pink flowers by David Morrison
Detail of “Botanical Series No.4 Drawing”
a detail image of a green and white flower by David Morrison
Detail of “Iceland Poppy”
a drawing of a dried seed pod by David Morrison
“Chinese Lantern No. 2” (2025), colored pencil on paper, 18 x 16.5 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article David Morrison’s Alluring Drawings Spring from the Blank Page appeared first on Colossal.

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Restrained Emotions Simmer in Shinsuke Inoue’s Tender Wood Sculptures

Restrained Emotions Simmer in Shinsuke Inoue’s Tender Wood Sculptures

Around a decade ago, Shinsuke Inoue sourced a piece of Japanese wood and carved a depiction of his child, “wanting to preserve their likeness in three dimensions,” the artist tells Colossal. The affectionate expression of a loved one in sculptural form spurred a new passion for woodcarving, specifically with an emphasis on the human figure.

Inoue’s pieces possess a kind of elemental groundedness or gravity that makes their restrained, sometimes hard-to-read expressions remarkably alluring. The figures often look straight ahead, and at the right angle, they make powerful eye contact with the viewer. And not unlike the way a small, meaningful smile or tiny frown can emerge from the most minute twitch of facial muscles, the striking characters are physically diminutive, but their inner emotional worlds are infinite.

A figurative, painted wood sculpture of a seated young woman in three-quarter profile by Shinsuke Inoue

Inoue works intuitively, allowing the material’s natural qualities to guide his hand. “I have virtually no idea what the finished piece will look like until I actually begin working with the wood,” he says. “As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.” He always carves using hand tools and rarely titles the pieces.

The artist also references people he’s close to, along with strangers he passes on the street or sees photographs of, but his sculptures aren’t realistic depictions of specific individuals. Instead, Inoue concentrates on capturing a kind of universal expression of “the very essence of human existence… I hope that the inherent appeal of the wood, combined with its form and color, resonates to convey the essence of humanity itself.”

See more on Instagram.

A figurative, painted wood sculpture of a young man in three-quarter profile by Shinsuke Inoue
A figurative, painted wood sculpture by Shinsuke Inoue in profile
a collection of carved wooden figures and a large hand
A figurative, painted wood sculpture of a young woman in a green cloak, in three-quarter, profile by Shinsuke Inoue
A figurative, painted wood sculpture of a woman with a ponytail by Shinsuke Inoue in profile
A figurative, painted wood sculpture of a young man in three-quarter profile by Shinsuke Inoue
A detail of a figurative, painted wood sculpture of a young man by Shinsuke Inoue
A figurative, painted wood sculpture of a young man in three-quarter profile by Shinsuke Inoue

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Restrained Emotions Simmer in Shinsuke Inoue’s Tender Wood Sculptures appeared first on Colossal.

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Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio

Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio

The expression “wherever you go, there you are” is often wielded to describe futile attempts to escape hangups, anxieties, and a variety of unwanted emotions. Although this truism is typically offered as a negative, it can also be read as a positive that provides comfort and stability amid new environments.

In I Bring Home with Me, Ghanaian artist Amoako Boafo recreates his Accra studio in an architectural reproduction within Roberts Projects’ Los Angeles gallery. Boafo is known for his stylized portraiture of Black people, whose skin the artist renders in swirling gestures made with his fingers. This exhibition presents a collection of paintings embedded within the life-sized replica, created in collaboration with architect and designer Glenn DeRoche.

a portrait by Amoako Boafo of a Black woman with a floral shirt
“Floral Shirt” (2025), oil on canvas, 39.125 x 39.125 x 1 inches

According to a statement from the gallery, Boafo wanted to reflect both the “images, sounds, people, stories, and events that shape his sense of place” and how community gatherings in his studio are essential to his process. While some portraits depict imagined subjects, many portray friends, family, and public figures.

Monstera wallpaper, porous wall dividers, and floral seat covers add color and texture to the largely black, wooden structure and echo Boafo’s use of paper transfers, embroidered details, and thick impasto. Paired with his portraiture, these architectural details guide viewers through the space and capture how presence and memories shape our inner and outer environments.

I Bring Home with Me is on view through March 21. Find more on the artist’s Instagram.

a detail image of a floral garment in a portrait by Amoako Boafo
a portrait by Amoako Boafo of a Black woman in wedding dress
“Bouquet of White Roses” (2025), oil on canvas, 81 x 66 inches
an installation view of a dining table and chairs with a portrait by Amoako Boafo
Installation view of ‘I Bring Home with Me’
a portrait by Amoako Boafo of a Black man reclining on a chair
“Self Portrait – Ivy Leaf Sofa” (2025), oil and paper transfer on canvas, 65 x 59 inches
a portrait by Amoako Boafo of a Black man on a bike
“Black Cycle”
a portrait by Amoako Boafo of a Black woman with a white top
“Pink Dial” (2025), oil on canvas, 35.5 x 39.125 x 1 inches
a detail image of a portrait by Amoako Boafo of a Black man on a bike
Detail of “Black Cycle”
an installation view with portraits by Amoako Boafo
Installation view of ‘I Bring Home with Me’

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio appeared first on Colossal.

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