7Artisans has introduced its new Dream Cine Lens Series, a full-frame manual-focus lens lineup designed for creators stepping into filmmaking. Built around a unified cine workflow, the series aims to bring professional cinematic control into an accessible, lightweight system for independent filmmakers, content creators, and film students.
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7Artisans has introduced its new Dream Cine Lens Series, a full-frame manual-focus lens lineup designed for creators stepping into filmmaking. Built around a unified cine workflow, the series aims to bring professional cinematic control into an accessible, lightweight system for independent filmmakers, content creators, and film students.
bart_ posted a photo:
Chattermag planned to shoot their video in the cellar of an old school on the Waldeck Pyrmontkade in The Hague. The building is called 'De Grote Pyr' and the cellar is used for parties and known as 'Dystopia'. As the building is inhabited by former squatters, it has an anarchistic vibe. I was there shooting behind the scenes with Ilford HP5 and 3200 for that raw punk mood.
I brought my ETC Source Four 750w stage light to play with shadows.
Contax 167MT
Indirect flash
Chattermag planned to shoot their video in the cellar of an old school on the Waldeck Pyrmontkade in The Hague. The building is called 'De Grote Pyr' and the cellar is used for parties and known as 'Dystopia'. As the building is inhabited by former squatters, it has an anarchistic vibe. I was there shooting behind the scenes with Ilford HP5 and 3200 for that raw punk mood.
I brought my ETC Source Four 750w stage light to play with shadows.
Contax 167MT
Indirect flash 1/16th on 1/125
Yashica 50MM f/2 ML
Ilford HP5 Plus 400 [1600]
Andrew B. Barkhatov posted a photo:
Light splits the second,
two faces check themselves —
the world writes a formula.
The Bolshoi Theatre has stood for centuries, hosting operas about gods, tsars, and tragic lovers. Today, it hosts two girls checking if their hair looked good in the last photo. The fountain throws water into the air—a useless, beautiful gesture, not unlike the act of taking a selfie. They lean over the glowing rectangle, seeking validation from pixels, while the 1963 Zeiss
Light splits the second,
two faces check themselves —
the world writes a formula.
The Bolshoi Theatre has stood for centuries, hosting operas about gods, tsars, and tragic lovers. Today, it hosts two girls checking if their hair looked good in the last photo. The fountain throws water into the air—a useless, beautiful gesture, not unlike the act of taking a selfie. They lean over the glowing rectangle, seeking validation from pixels, while the 1963 Zeiss Ikon watches them through a layer of expired Soviet silver. The film doesn't care about their angles. The film only cares about the light. "Well, what pictures have we got?" we ask. The pictures we got are of people asking what pictures they got. A perfect, closed loop of modern existence, frozen in the grain of a dying factory's last breath. The theatre waits. The water falls. The screen scrolls.
⚙️ Technical credits:
Location: Russia. Moscow. Theatre Square (Fountain at the Bolshoi Theatre)
Camera: Zeiss Ikon Colora (1963)
Lens: Novicar 50mm f/2.8-f/22
Focus: Zone focusing (approximately 1.5m—the distance of self-reflection)
Film: Svema A-2Sh (expired 2003)
Date: 13.05.2017
Scanner: Epson Stylus Photo RX500
Philosophy: "The pictures we got are of people asking what pictures they got"
One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.
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One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.