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Received — 20 April 2026 People Art Movies
  • ✇Colossal
  • ‘Our Neighbors, the Peacocks’ Paints a Portrait of an Unusual Convergence of Populations Kate Mothes
    When we think of “invasive species,” perhaps zebra mussels or kudzu vine spring to mind. Both have flourished in their non-native environments and continue to threaten other native organisms. Invasive species aren’t inherently bad—they’re just trying to survive—but by definition, they’re likely to disrupt local ecosystems and even cause billions of dollars worth of damage each year. So, what does one California city have to say about its burgeoning population of… peacocks? Introduced by a
     

‘Our Neighbors, the Peacocks’ Paints a Portrait of an Unusual Convergence of Populations

20 April 2026 at 16:00
‘Our Neighbors, the Peacocks’ Paints a Portrait of an Unusual Convergence of Populations

When we think of “invasive species,” perhaps zebra mussels or kudzu vine spring to mind. Both have flourished in their non-native environments and continue to threaten other native organisms. Invasive species aren’t inherently bad—they’re just trying to survive—but by definition, they’re likely to disrupt local ecosystems and even cause billions of dollars worth of damage each year. So, what does one California city have to say about its burgeoning population of… peacocks?

Introduced by a businessman and land baron named Elias Lucky Baldwin more than a century ago, the avian population has long called the area home. Over the years, though, as the originally open area filled with homes and commercial strips, efforts by local residents end up at odds, as some would like to protect the birds and others would prefer to see them sent away altogether. In a short film titled “Our Neighbors, the Peacocks,” filmmaker Callie Barlow traces the unusual history of peafowl in Los Angeles County through the eyes of some of its current residents.

Arcadia, California, sits in the San Gabriel Valley about 45 minutes from downtown Los Angeles. Dozens of peacocks, which are carefully watched over by some and detested by others, meander through residents’ yards, traipse around on rooftops, peck at cars, call from trees, and of course, display their beautiful feathers—especially during mating season.

In her short documentary, Barlow invites locals to share their love—or loathing—for the vibrant birds as she highlights how Arcadia’s history of protecting the birds has perhaps led to something of an overpopulation problem. Nearby neighborhoods participate in relocation programs, while Arcadia’s birds are protected, and opinions about how to deal with growing numbers land all along the spectrum.

“‘Our Neighbors, the Peacocks’ resists the urge to resolve the tension it so clearly lays out,” says Jason Sondhi, who selected the film for Short of the Week. “Instead, it leans into a modest but resonant idea articulated by its director that living alongside these animals might require ‘putting aside your own discomforts to find a deeper meaning in nature.'”

See the film on YouTube.

a still from a short film showing peacocks walking through a suburban front yard
a still from a short film showing a woman seated in her living room, surrounding by eclectic decor and wearing peacock-feather leggings
a still from a short film showing a peacock with its feathers on full display

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Our Neighbors, the Peacocks’ Paints a Portrait of an Unusual Convergence of Populations appeared first on Colossal.

  • ✇Colossal
  • Amid Urban Spaces, Alex Senna’s Bold Murals Embrace Connection and Belonging Kate Mothes
    In the large-scale murals of Alex Senna, figures gather, greet one another, relax, and interact with their own shadows in bold compositions. The Brazilian artist is known for his black-and-white murals that emphasize community and emotional bonds. Togetherness, security, and positivity pervade the scenes, sometimes playful and other times more contemplative. Set against colorful backgrounds and amid urban structures, Senna’s pieces emphasize connection, support, reflection, and belonging.
     

Amid Urban Spaces, Alex Senna’s Bold Murals Embrace Connection and Belonging

20 April 2026 at 12:00
Amid Urban Spaces, Alex Senna’s Bold Murals Embrace Connection and Belonging

In the large-scale murals of Alex Senna, figures gather, greet one another, relax, and interact with their own shadows in bold compositions. The Brazilian artist is known for his black-and-white murals that emphasize community and emotional bonds. Togetherness, security, and positivity pervade the scenes, sometimes playful and other times more contemplative. Set against colorful backgrounds and amid urban structures, Senna’s pieces emphasize connection, support, reflection, and belonging.

At the end of May, Senna embarks on a tour across Italy, France, and Spain to participate in several festivals. Follow the artist’s Instagram for updates.

a mural by Alex Senna of a cartoonish, black-and-white composition of a person interacting with their shadow on a yellow building
Festival Monstar, Bosnia (2022). Photo by Ilda Kero
a mural by Alex Senna of a cartoonish, black-and-white composition of kneeling and standing figures against a blue background
“Acrobatas” (2022), Festival da Paz, Friedensstadt, Augsburg. Photo by Sebastian Buehler
a mural by Alex Senna of a cartoonish, black-and-white composition of a grandmother and her grandchild on a tall vertical wall
“A Estrela de Matusalém” (2022), Festival Gragnano, Italy. Photo by Noemi Verdoliva
a mural by Alex Senna of a cartoonish, black-and-white composition of a person standing with a long shadow in front of them
Festival Civita Street Fest, Italy. Photo by Alessia Di Risio
a mural by Alex Senna of a cartoonish, black-and-white composition of a young girl walking with a backpack
Festival Stadt Wand Kunst, Germany (2024). Photo by The Realness
a mural by Alex Senna of a cartoonish, black-and-white composition of tall figures against a maroon background on a very tall, narrow building
“Solitarios” (2024). Photo by Pedro Bayeux
a mural by Alex Senna of a cartoonish black-and-white seated figure
“Atento porém Disperso” (2024), Kansas City
a mural on a yellow wall of cartoonish black-and-white figures in procession
“Baile dos Mascarados” (2022). Photo by Erib

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Amid Urban Spaces, Alex Senna’s Bold Murals Embrace Connection and Belonging appeared first on Colossal.

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