Rumors about an American Psycho remake may persist, but until that classic film gets its official reboot treatment, there’s another Bret Easton Ellis project in the works. The author’s 2023 book, The Shards—his first novel in 13 years following 2010’s Imperial Bedrooms—has been adapted into an FX series by Ryan Murphy.
The highly metafictional novel, which imagines a fictionalized version of Ellis as a teenager in 1980s Los Angeles at the center of a series of disturbing murders, was originally released by Ellis as a serialized audiobook on his Patreon. Following the novel's publication, it was set to be adapted into an HBO series, with Luca Guadagnino directing (the Call Me By Your Name filmmaker is also reportedly attached to the American Psycho remake). But after Ellis had a falling out with the network over creative differences, Murphy signed on as Ellis’s new co-creator. Here’s everything we know so far:
Who is in the cast of The Shards?
The cast of the 10-episode series features some newer faces alongside recurring Ryan Murphy players. Igby Rigney will play Ellis, while Richard Gere’s son, Homer Gere—currently making his mark on another gritty teen drama with Euphoria—will play antagonist Robert. (It’s a fitting casting, given that Ellis has frequently spoken of the influence Gere’s American Gigolo character had on his work). The main cast is rounded out by Graham Campbell, Hayes Warner and Wes Bentley, with Kaia Gerber, Evan Rachel Wood, Jordan Roth, Owen Painter, and Daniel Dale in the supporting ensemble.
What will the plot of The Shards be?
Assuming the series sticks to the novel’s general structure, The Shards will tell the dark coming-of-age tale of a fictionalized, 17-year-old Ellis as he tries to determine the identity of a serial killer targeting classmates and families at his privileged prep school. The killer, known as “The Trawler,” plucks off members of Ellis’s elite inner circle one by one in increasingly disturbing ways. Set in 1981 Los Angeles among the children of Hollywood’s upper crust of directors, producers, and writers, The Shards is considered a thematic and tonal return to Ellis’s Less Than Zero and the nihilistic work that first made him a literary darling. With Murphy’s touch, the series is set up to be particularly gruesome.
How is Bret Easton Ellis involved?
Ellis is credited as a creator and writer on the series.
Is there a release date for The Shards?
The Shards wrapped production in March and is slated to premiere on FX in August 2026.
When Euphoria first debuted in 2019, it didn't just push boundaries and introduce a cast of fresh talent; it also introduced a new visual language for what teen dressing could look like—at least onscreen. From the moment Maddy (Alexa Demie) walked a high school hallway in vintage Versace, BluMarine, and an iconic I.AM.GIA double-denim set like the bad bitch she is, the show's costumes (designed by Heidi Bivens at the time) became as central to its identity as its cinematography and score. Now, in its third and final season, costume designer Natasha Newman-Thomas, who worked with Euphoria creator Sam Levinson on The Idol, has taken the helm. "They're all in these different places in their lives," she says, referring to the five-year time jump from the last season. "We really wanted to dive into who they'd become and who they are now, and let that speak to why they express themselves the way they do through wardrobe."
That influence has always extended beyond the screen, and this season, Newman-Thomas is making it official. To help fans get in on the fantasy, she partnered with Depop on a weekly Euphoria x Depop edit that drops alongside each episode, spotlighting pieces and styling cues from whichever characters are front and center that week. "Each week, our Depop drop is totally curated per the episode," she says.
Sourcing for a show like Euphoria is its own kind of sport. Aside from using contemporary brands and custom builds, Newman-Thomas leaned heavily on vintage, both from Warner Brothers' costume house and from Depop, which she calls a go-to resource for inspiration. "If I had all the time in the world, I would probably start shopping at Depop before most places," she says. The fast pace of a series shoot complicates things as you need pieces on demand, often in duplicate or triplicate for stunt doubles and multiple takes, but Depop came through in clutch moments. Case in point: a pink Balenciaga dress Cassie (Sydney Sweeney) wears later in the season, which Newman-Thomas tracked down in two matching versions on the platform. "We were in love with that look for her and wouldn't have been able to use it for that scene otherwise," she says. I guess you could call it Depop destiny.
Cassie's Emotionally Stunted Style
In terms of Cassie's look, she presents a different kind of challenge. As the least evolved of the group, she's still emotionally inhabiting that high-school suburban headspace. "Her wardrobe kind of reflects the lack of growth," Newman-Thomas says, at least at the beginning. The real transformation happens on screen this season as Cassie gets pulled deeper into Maddy's orbit and into what Newman-Thomas describes as her "side hustle."
Cassie's bridal look was a custom piece Newman-Thomas collaborated on with designer Jackson Wiederhoeft, built in multiple iterations—long skirt, short skirt, with gloves, without—so all eyes were on her throughout the reception. "We really wanted Cassie to keep everyone's interest," she says. And those nip slips? Totally intentional. They decided to forgo the fashion tape, make custom matching pasties, and let the wardrobe malfunctions happen naturally.
Maddy's Power Dressing
If there's one character Newman-Thomas clearly had the most fun dressing, it's Maddy, unsurprisingly. An assistant to a high-powered talent manager, she's always adjacent to glamour—even if her small apartment in a not-so-great neighborhood tells a different story. "Her whole expression through costume and wardrobe is meant to exude power and confidence and taste," Newman-Thomas says. The solution was to channel Maddy's vintage hunting process and PR access: vintage Gucci, Alaïa, McQueen, Moschino, and Prada shoes, as well as a Tom Ford–era YSL piece that originally walked the runway as a belt wrap, which Maddy simply wears as a shirt. The cherry on top was her signature rosary necklace, a custom Virgin Saints and Angels piece Newman-Thomas had made specifically for the character after the brand sent over an initial sample.
One of the season's most talked-about Maddy moments—the fur coat at the pool—wasn't scripted. "Sam just told me she needed to be incredible," Newman-Thomas recalls. Demie, she says, was equally collaborative, always asking in advance what her outfit for the week would be so she could plan her nails and hair accordingly. "I pitched that look to her and was like, I think Maddy would wear fur going to a pool because it is so powerful—her level of taste over function." It turned out to be a whole faux-fur Ernest W. Baker set, with a coat, skirt, and gloves, over a vintage Dolce & Gabbana bustier, chosen in part for the juxtaposition it would create against whatever Cassie was wearing.
Then there's Nate (Jacob Elordi) and Cassie's wedding, where Maddy arrives in a custom cutout, "revenge" dress (custom-made by Newman Thomas) with a different rosary-style necklace dancing around her lower back. "She's finding these pieces that she's able to make her own," Newman-Thomas says. "She needs to appear like she's in control at all times, and I think the way she expresses that is partially through her wardrobe."
Jules: Sartorial Sugar Baby
Jules (Hunter Schafer) perhaps has the most visually layered arc. When we see her in art school, in flashbacks with her roommate, she's somewhere between a natural evolution from high school and a full creative expansion. Newman-Thomas dressed her in vintage tees, pieces by Kiko Kostadinov, and distinctive jewelry from D'heygere, Presley Oldham, and Justine Clenquet. Then, as Jules starts going on paid dates with her "benefactors," her wardrobe shifts to designer pieces and dressing for the male gaze. "She can start affording different kinds of clothes, so her motivation is less self-expression from this artistic place and becomes, through the lens of, 'how can I be appealing to these benefactors? How can I get the most out of this?'" says Newman-Thomas.
By the wedding episode, the transformation is complete. Jules arrives in a pale blue satin and mesh Acne Studios gown—perfectly draped, utterly otherworldly, and, like Maddy's fit, miles away from being appropriate for somebody's nuptials. Paired with her waist-length hair, she looks less like a wedding guest and more like an ancient goddess who simply wandered in.
Rue's Wanderer Wardrobe
Rue's (Zendaya) wardrobe has always been a kind of armor. In seasons 1 and 2, that meant the maroon hoodie—her late father's, worn during his battle with cancer—was a security blanket she carried with her and is absent in this season. Newman-Thomas built Rue's new wardrobe around her nomadism. She's living out of a van, emotionally stagnant, and collecting things from wherever she lands, like a shirt from the lost and found at the Silver Slipper (the strip club she works at). "Her style should kind of reflect that," Newman-Thomas says. "She's becoming like a chameleon to fit into all these different scenarios."
At the wedding, Rue arrives with Jules in a men's 1950s suit paired with a vintage shirt and her signature Converse. But in the first episode, she wears a Saint MXXXXXX hoodie emblazoned with the words "Angel of Death." Whether it's costume foreshadowing is, of course, speculation, but when Rue later brings Angel (Priscilla Delgado) to what appears to be a very sus rehab facility, it's hard not to wonder if this was a very grim Easter egg.
Lexi's Vintage on a Budget
Finally, there's Lexi (Maude Apatow), now a writer's assistant on a soap opera who dresses "individualistic and quirky." She went to a liberal arts college and rejected fast fashion—that's the headcanon Newman-Thomas built her wardrobe around. "I feel like she realizes you can have a much more singular identity through vintage because not everyone can go buy the same thing," she says. The look is primarily vintage-driven, leaning heavily into '70s suits and shirts, with contemporary accessories mixed in and Levi's as a recurring staple. Newman-Thomas says Lexi found this way to express herself and look professional while on a budget.
Just don't ask Newman-Thomas to play favorites. She's passionate about all the costumes, from Harley wearing Affliction to Bishop's trench coat and Maddy's wedding look. "I couldn't have asked for more of a dream project because it has such broad expanses in the range of character," she says. "It was a lot of work. But fortunately for me, I absolutely love my work, so the more the merrier."
In the age of micro trends and going out tops, there are moments when the humble white t-shirt may begin to feel like a relic of the past. But here’s the thing about a wardrobe staple: sometimes they just need to be seen through a different lens to seem shiny again. Personally, a drawer full of blanks is all I really need in life, and a good white t-shirt can be the sexiest thing a person can wear (the same rule applies for the perfect pair of jeans). But for those who aren’t interested in relegating their basic tees to their most casual days, the past few seasons on the runway have made a case for a refreshed way to style our favorite staple: with eveningwear.
Emerging first at the Spring/Summer 2026 debuts of both Matthieu Blazy at Chanel and Pierpaolo Piccioli at Balenciaga respectively, both designers styled their own version of a blank with a ballgown skirt. At Chanel, a silk white t-shirt acted as the clothing look alongside a multicoloured textured skirt, while at Balenciaga, Piccioli offered a cropped, leather version paired with a satin emerald skirt.
Over in New York, Khaite’s Spring/Summer 2026 collection featured a backwards style gathered white tee, paired with a sleek black pencil skirt with oversized pockets, while at Marc Jacobs, his version of a white t-shirt was interpreted in neoprene, with raised shoulders and a cream pencil skirt featuring pale pink floral embroidery. The verdict, is that if you happen to own a dressed-up skirt, pare it back with a slightly off beat white t-shirt for the perfect understated look.
For those who are not into skirts, the sentiment of eveningwear still holds up. At Chanel’s Metiers d’Art 2026 show in New York late last year, Blazy once again reinterpreted the classic with a pair of light wash blue jeans and an intricately embellished sequin vest. Over at Demna’s Gucci Fall/Winter 2026 show in Milan earlier this year, the designer offered a few different takes on the white tee. There was a skin-tight baby tee worn with black leggings, a nylon v neck, and a viscosy lounge set, with a white t-shirt that was only half on, the rest was hiked up on the models shoulder to create a dramatic drape across the body. White t-shirt many ways!
I love lip gloss and lipstick as much as the next person, but you know what I find frustrating? Reapplying continuously throughout the day only to have that color vanish after a sip of water. Is it too much to ask for a lip product that’ll add some color to my lips without the constant touch-ups? Thankfully, lip stains have entered the chat. They don’t smudge, transfer, or bleed, and instead of fading immediately after you eat or drink something, they leave behind a tint that stays in place for hours.
Lip tints aren’t anything new, but recently, Korean lip tints have taken the Internet by storm. If you’re a regular in the K-beauty space, brands like Rom&nd and Etude House are household names. Their fans claim they do it all: look good, feel good, and stay on all day. My curiosity was piqued—how good could they really be? So, I prepped my lips with Cosrx Lip Scrub and Aquaphor Lip Repair and decided to put five popular Korean lip tints to the test to see if they lived up to their cult status.
This tint was probably the one I was most excited to try since I’m already in love with Rom&nd Glasting Melting Balm and Bare Water Cushion Foundation. I got the shade Bare Grape because of its natural pink hue, and it was perfect for an everyday natural lip.
It’s buildable and the tint has a bit of staying power, lasting well past the first sip of coffee.
The Bad:
The shiny gloss finish was one of the best I’ve seen, but it disappeared quickly.
Compared to the other tints, this one had a bit more slip to it, so it took a few minutes longer to dry.
Final Verdict:
If you’re looking for a simple wash of color, Rom&nd would be your best bet! Paired with a lip gloss, it would be a great lip combo option.
At an affordable price-point in available in 23 shades, including everything from deep browns to light purples, this product should be the go-to for anything seeking a glossy finish.
For those who appreciate aesthetically pleasing packaging, aren't forgetful about lip prep, and prefer a matte finish, this tint has a she for literally everyone.
Of the five tints I tried, this one was the easiest to apply.
The formula was thin and lightweight but pigmented—one swipe lasted the entire day, and I basically forgot I had anything on!
The pointed applicator was great—it was firmer than the others, making it easy to quickly line the lips sans lip liner.
The Bad:
While I love the color, this wasn't exactly what I thought mauve would be. With a name like Midnight Mauve, I assumed that it’d be a purplish-pink shade coming out of the tube. It was a rosier pink than I expected but still pretty on the lips.
Final Verdict:
This one was definitely the most comfortable to wear. It didn’t feel like the lip was slipping and sliding. I’d probably keep this one handy for summer since the formula is so lightweight.
For those seeking a product that sits on the lips without you even remembering it's there with easy and fool-proof application, this product is a no-brainer—especially at such a reasonable price-point.
Korean Lip Tint #4: TonyMoly Get it Tint Waterful Butter
The Good:
As the name suggests, this tint had a light buttery texture and the smoothest formula of the five.
Formulated with shea butter and ceramides, it felt hydrating like a fresh swipe of a lip balm.
After the initial vibrancy wore off, my lips were still stained a wash of red that lasted well throughout the day.
The Bad:
To be fair, the bad could be a positive for some, but I’m a little lazy. The staining power from this tint is absolutely insane. I typically use one full pump of the Beauty of Joseon Cleansing Oil, and that easily melts everything right off. Meanwhile, it took a couple of extra pumps and a silicone pad to fully get this tint off my lips.
Final Verdict:
Similar to the Etude House tint, this was super comfortable to wear without feeling drying, and the tint did not budge. The Get It Tint was pretty similar to the brand’s OG Delight Tint, just creamier and more hydrating than its counterpart.
Product Facts:
Available in a range of 17 colors.
Formulated with ceramides and shea butter for hydration.
This tint provides maximal hydration without sacrificing staying power. Featuring ceramides and shea butter for hydration and complete with a glossy finish, this tint treats your lips while coloring them.
A couple of dabs and blends is all it took for this tint to last past the giant Sweetgreen bowl I had for lunch.
Pro-tip: a dab dries faster and stains for much longer than an actual full swipe across the lip.
I also loved the shade—it didn't look heavy or dramatic. It works as an everyday color, and with a couple extra dabs, it definitely would have been perfect for a night out, too.
The Bad:
I tried a full swipe instead of small dabs of the product and that was my mistake. While the color was much more pigmented with a swipe, it bled past the lip line and smudged onto the chin by the first sip of coffee.
If you’re looking for more color payoff, I recommend layering bit by bit—a little goes a long way!
Final Verdict:
Hands down, my one true winner. It lasts and leaves behind a perfect wash of color. Plus, I’m a total sucker for an economical and practical product.
Oil-based products are key for removing any stubborn lip stain. While some brands make products specifically aimed to remove lip stains, oil facial cleaners and cleansing balms will also do the trick.
How do you prevent lip tints from bleeding?
There are a few tips and tricks to consider if you're looking to prevent a lip tint from bleeding. You could try using a clear lip liner around your lips, using a setting powder around your lips, and/or blotting the product after application to remove excess moisture.
Do you need to prep lips before using a tint?
Prepping your lips before using a tint is highly recommended. You can do this by gently exfoliating your lips to ensure a smooth, non-clumpy finish, as well as applying a lip balm or oil before the stain for the sake of hydration.
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