Critic Emma Jones tells us why North Macedonian production "DJ Ahmet", starring first-time actors, is a gem of an independent movie and proof that the small country punches well above its weight when it comes to cinema. We also discuss unsettling thriller "The Plague", starring Joel Edgerton, as a group of teenage boys at a swimming camp prompts comparisons with "Lord of The Flies"-style dynamics. Plus, body horror "Saccharine" explores contemporary obsessions with weight loss and body image, and the "Scary Movie" horror spoof franchise returns for a sixth outing, 26 years after its Y2K debut.

Nearly 20 years after his first Palme d’Or, Romanian auteur Cristian Mungiu once again takes the festival's top prize for “Fjord” – a film exploring the tensions between religious conservatism and social liberalism. It stars “Marvel” actor Sebastian Stan and Norwegian actress Renate Reinsve as parents accused of domestic abuse. Before the big win, Eve Jackson sat down with Mungiu and Reinsve in Cannes.

Premiering in the Directors' Fortnight section at the Cannes Film Festival, "I See Buildings Fall Like Lightning" is Clio Barnard's adaptation of Keiran Goddard's acclaimed novel about five childhood friends from working-class Birmingham whose lives have drifted far from the futures they once imagined. "Peaky Blinders" actor Joe Cole stars as Rian – the one who escaped, made money and seemingly "made it", only to discover that success cannot free him from the place he came from.

Superstar director Steven Spielberg has returned to his first love – aliens – for the blockbuster of the summer. Film critic Emma Jones tells us why "Disclosure Day" is a timely, entertaining and funny movie, starring Emily Blunt, Josh O’Connor and Colman Domingo.

A film about Iran's protest movement is making cinema history. "Dreams of Violets" is the first fully AI-generated feature film ever selected by a major international film festival. The 75-minute drama will premiere at New York's Tribeca Festival next week. Created by Iranian-British director Ash Koosha from his home in London, the film took just three months to produce and cost less than 2,000 euros. There were no actors, no cameras, no sets and no film crew. Koosha says the film simply could not have been made through conventional means. Living in exile and unable to safely film inside Iran, he turned to AI to recreate events linked to the country's deadly crackdown on anti-government protesters. The film is based on journalistic reports, photographs and eyewitness accounts, and explores themes of memory, censorship and resistance. But as Tribeca becomes the first major festival to embrace a fully AI-generated feature, the film is also reigniting a fierce debate. Can artificial intelligence tell deeply human stories? Does AI democratise filmmaking or threaten the future of the industry? Eve Jackson speaks to Ash Koosha about Iran, ethics and the future of cinema.

With a sensual voice that contrasts with the strength of her lyrics, Mélissa Laveaux creates music that blends her Haitian and Canadian heritage with themes of history, sexuality, and the dark humour she brings to questions of life and death. She joins us in the studio to discuss her latest album, “At My Softest, I Am Most Dangerous”, and her exploration of Voodoo traditions and beliefs surrounding mortality. We also look at her personal geography – the places and influences that have shaped her artistic journey. We also discuss Paris's first Pride Ball, a star-studded gala celebrating LGBTQ+ communities.

Ben Croll takes us through four films from the Cannes Film Festival which are being released in cinemas this week. One of France's biggest film events of the year is Antonin Baudry's "De Gaulle: Resistance", the first of a two-part WWII epic centred on French general Charles de Gaulle, from the fall of France in 1940 to the liberation in 1945. Ben tells us why this film is part of a new trend of French blockbusters focused on uniquely French stories.

Critic Dheepthika Laurent unpacks this month's TV releases, including the gripping Soviet space race drama told from the Russian side, "Star City", the return of the outrageously scandalous 1980s hit "Rivals" and Nicolas Cage stepping into his very first TV role in "Spider Noir".

One hundred years after the late Miles Davis was born, the revolutionary trumpet player remains one of the 20th century's most influential artists. We look back at the life and legacy of a complex, visionary figure with one of his collaborators, musician Jason Miles, who recorded the albums "Tutu", "Music for Siesta" and "Amandla" with Davis during his later years. Jason's latest record "100 Miles for Miles Davis" is a reflection on those recording sessions.

One hundred years after his death, Antoni Gaudí remains one of the world's most influential architects and the creator of Barcelona's most iconic landmarks. In this special edition of arts24, Eve Jackson travels to the Catalan capital to explore the extraordinary legacy of the visionary behind the Sagrada Família, Park Güell and Casa Batlló. Through exclusive access, interviews with the architects continuing his unfinished masterpiece and a journey through the buildings that shaped modern Barcelona, discover why Gaudí's imagination still captivates millions a century later. 

His career spanned London's swinging '60s, the counter-culture of 1970s Los Angeles and the bucolic calm of springtime in Normandy. David Hockney was a master painter of portraits and landscapes, injecting riotous colour into canvases that hang in collections from New York to Tokyo. We take a look back at the career of the British artist following his death at 88 years old. 

He's been described as a prodigy of African-American art. Khalif Tahir Thompson combines vibrant colours and family photos in portraits painted for his new exhibition, "Beautiful Land" at Paris' Zidoun-Bossuyt gallery. He talks to us about the two movements which inspired his work, Fauvism and the Harlem Renaissance and why Beauford Delaney inspired him artistically. He also talks about his upbringing and self-identity through his work.