Normal view

  • ✇David Revoy
  • Fast Travel David REVOY
    Sources and bonus timelapse: https://www.peppercarrot.com/en/miniFantasyTheater/050.html Transcript: A comic in four panels: Panel 1. In the jungle, late in the day, the adventurer and the pink fairy walk to a stone totem with an active portal. Skeletons are plenty around the little stair that lead to the device. They looted a treasure, they are enthusiasting and happy. Pink Fairy: "Where are we going?" Adventurer: "The capital! Let's use this Fast Travel Totem." Panel 2. Shot of an identica
     

Fast Travel

29 April 2026 at 16:29

Sources and bonus timelapse: https://www.peppercarrot.com/en/miniFantasyTheater/050.html

Transcript:

A comic in four panels:

Panel 1. In the jungle, late in the day, the adventurer and the pink fairy walk to a stone totem with an active portal. Skeletons are plenty around the little stair that lead to the device. They looted a treasure, they are enthusiasting and happy.

Pink Fairy: "Where are we going?"
Adventurer: "The capital! Let's use this Fast Travel Totem."

Panel 2. Shot of an identical totem in town. The pink fairy and adventurer jumps out of the Fast Travel totem's portal. She studies the device.

Pink Fairy: "Wait... you never wondered why those Totems had so many skeletons around?"
Adventurer: "Nope. Bad taste in decoration, I guess. Come on!"

Panel 3. A blonde mage with a pointy hat in violet runs to the portals. The pink fairy is happy.

Pink Fairy: "Oh neat! Someone will use it. I want to see how this actually works!"

  • Panel (insert): The elf becomes a skeleton in a big sparks of electricity on hitting the portal. The fairy is in shock.
    Sound effect: ZZZZZZZT!

Panel 4. The adventurer and fairy sit frozen in shock and horror, clutching their knees, the Fast Travel Totem visible in the background.

Pink Fairy: "...We've been dying each time, haven't we?"
Adventurer: "...Yeah."

  • ✇David Revoy
  • The Dungeon of Dark Patterns David REVOY
    Sources and bonus timelapse: https://www.peppercarrot.com/en/miniFantasyTheater/049.html Transcript: Panel 1. The adventurer and his fairy are in front of the door of a nightmarish dungeon, it's dark, foggy, and the inside the door we can't see anything except a deep red light. Dungeon: "Welcome adventurers, to the Dungeon of Dark Patterns!" Panel 2. In one room of the dungeon, a giant beautiful and inviting door with a red carpet, and on the side, in the shadow a too little door. Writing o
     

The Dungeon of Dark Patterns

22 April 2026 at 16:51

Sources and bonus timelapse: https://www.peppercarrot.com/en/miniFantasyTheater/049.html

Transcript:

Panel 1. The adventurer and his fairy are in front of the door of a nightmarish dungeon, it's dark, foggy, and the inside the door we can't see anything except a deep red light.

Dungeon: "Welcome adventurers, to the Dungeon of Dark Patterns!"

Panel 2. In one room of the dungeon, a giant beautiful and inviting door with a red carpet, and on the side, in the shadow a too little door. Writing on big door: Go to the trap, on small door: Go to the treasure. The adventurer crouch and do a little sign to the fairy to follow him to the little door.

Dungeon: "Ha ha, you're good!"

Panel 3. The aventurer is now putting some effort climbing on an old rope in the middle of a room with a beautiful luxuous stairway with a red carpet on the side. A sign tells "GO TO THE TREASURE but pass by the trap" in direction of the beautiful stairs; and "(other options)" in small and in the shadow in direction of the rope.

Dungeon: "Impressive!"

Panel 4. Top down view on the adventurers shrugging in front of the fairy, they reached a dead end. A short path on the right has on the ground the word "Now", and a longer path "Later". Both lead to a giant pool of green acid where bones and skulls are floating.

Dungeon: "So, when do you want to jump to the trap?"

  • ✇David Revoy
  • Quest item management David REVOY
    Full reader and bonus: https://www.peppercarrot.com/en/miniFantasyTheater/048.html Transcript: A comic in four panels: Panel 1. Side view on a old peasant woman, in front of her old house, giving a red music box, open, with a tiny ballerine dancer in the middle to the adventurer, a young warrior. He has his Pink Fairy on his shoulder. Both the adventurer and the Pink Fairy are trying to hide their deception about this reward. Some music notes, dissonant, escape the box. Old woman: "Oooh, than
     

Quest item management

15 April 2026 at 17:55

Full reader and bonus: https://www.peppercarrot.com/en/miniFantasyTheater/048.html

Transcript:

A comic in four panels:

Panel 1. Side view on a old peasant woman, in front of her old house, giving a red music box, open, with a tiny ballerine dancer in the middle to the adventurer, a young warrior. He has his Pink Fairy on his shoulder. Both the adventurer and the Pink Fairy are trying to hide their deception about this reward. Some music notes, dissonant, escape the box.

Old woman: "Oooh, thank you adventurer... As a reward, please accept this music box..."
Adventurer: "?..."

Panel 2. Now, far away (we can see the village in the background, near a cliff and the sea), front view on the adventurer as he throws to the sea the music box with blasé eyes. The pink fairy is in shock!

Adventurer: "That's the quest reward? Useless..."
Pink fairy: "Wait! What if it's actually useful?"
Adventurer (smaller): "Trust me, it won't be."

Panel 3. Later that week, the adventurer and the fairy are inside a dungeon room at night. In front of them, a giant ghost warrior with his sword posing dramatically, nostalgic, hand and eyes lost in the ceiling. Behind him, visible because he is partially transparent, a treasure with tons of gold.

Narrator: "Later that week..."
Ghost: "I'd trade all this gold to hear a music box's melody again..."
Adventurer: "..."

Panel 4. Later, on the path, the adventurer walks, crushed under the weight of a hundred small objects in a big improvised backpack made with a large bed sheet: books, flowers, a ladder, gardening tools, a cheese, a broom, etc... But he has determination in his eyes to carry on. The fairy tries to reason him.

Pink fairy: "Are you sure about this?"
Adventurer: "YES. WE'RE KEEPING EVERYTHING NOW!"

  • ✇David Revoy
  • Unified Vs Split-panels: experimenting with publishing digital comics on the Fediverse David REVOY
    Hey, the Fediverse is an incredible space for creators. I connect to it via the Mastodon instance of Framasoft, named Framapiaf, since 2017. As you might now know, this is my favorite social media for everyday use and also for posting my art. The reasons are multiple: post in chronological order (no algorythm), a true decentralization, an efficient filtering system, and much much more. The experiment and poll: After posting more than fourty comic strip on it weekly, I decided last week to exper
     

Unified Vs Split-panels: experimenting with publishing digital comics on the Fediverse

12 April 2026 at 18:47

Hey, the Fediverse is an incredible space for creators. I connect to it via the Mastodon instance of Framasoft, named Framapiaf, since 2017. As you might now know, this is my favorite social media for everyday use and also for posting my art. The reasons are multiple: post in chronological order (no algorythm), a true decentralization, an efficient filtering system, and much much more.

The experiment and poll:

After posting more than fourty comic strip on it weekly, I decided last week to experiment and I posted my episode 47 "The Golden Twenty Dice" in a unusual way: split in four pictures.

comparison of two screenshots: unified picture inside a post versus split-panels
Left (Unified) the format I used to post, Right (Split-panels) the format I tried last week.

Under the comic, I questioned the audience on a poll about their opinion about this new format.

screenshot of the poll, where I say what I test, and ask audience what they prefer: unified or split-panels, 82% for split panels, 18% for unified, 1384 participants
Result of the poll I posted.

A majority (82% on 1384 participants) clearly voted for four separate panels images (split-panels) to my surprise. Also, the comment section under it had a rich debate with over 190 comments about it. Thank you so much to everyone who participated: I could read all, I took notes, but I couldn't reply to all because I spent last part of my week deep in PHP, HTML, CSS and JS: you'll see why later.

So here is a sort of general reply, and what my notes revealed:

The single image (unified):

Pros

  • Looks and recognisable like a comic instantly.
  • Easy to download and re-share (a single file, easy to save, repost and transport).
  • Preserved frame around the panels, with titles, licence and credits.
  • Single click to open it.

Cons

  • Mobile users must zoom and pan extensively to read it.
  • Viewers can see the final panel immediately, potentially spoiling the joke/twist.
  • A single long alt text for all four panels, often too long for the field.
  • Less immersive, less details (resolution) and visual punch per panel.

All in all: the best format for preserving the artistic composition of the page, simplify sharing, and maintain this comic page aesthetics. But defintely not well adapted to the age of mobile and social media, especially for my detailed Mini Fantasy Theater comic.

A screenshot of episode 40 posted on Mastodon, with a unified layout
Example of unified, single picture: episode 40 posted on Mastodon .

The four separate panels images (split-panels):

Pros

  • Excellent mobile readibility, large text, details and resolution (more immersive).
  • Viewers see one panel at a time, avoiding accidental spoilers.
  • Each image gets its own concise alt text.
  • Easier for users with visual impairments.

Cons

  • Fediverse client inconsistency: different crop, reorder, or display. Unpredictable and buggy for narrative art (eg. Mastodon UI crop the thumbnails).
  • Requires more clicking/tapping/swiping each image individually.
  • Limited to four pictures on Mastodon.
  • No more surrounding frame, with title, series name, license info, and authorship context.
  • Cumbersome posting effort: four separate pictures, 4 copy/paste of alt text.
  • Heavier and more server resources and bandwidth.

All in all: the best format for mobile readers, accessibility, avoiding spoilers and having an immersive experience on the panel's artworks.

A screenshot of episode 47 posted on Mastodon's app, with four split panels: one panel is large, then three little, non are cropped
Example of split-panels: episode 47 posted on Mastodon's app, with four split panels: one panel is large, then three little, non are cropped

A screenshot of episode 47 posted on Mastodon's web interface, with four split panels, four panels are trimmed to 16/9
Example of split panels: episode 47 posted on Mastodon's web interface, with four split panels, four panels are trimmed to 16/9

Solution: Both. (Both is good.)

The most frequently mentioned solution was posting both versions, and I agree. But first, Mastodon limits to four pictures per post, so I can't post the four split-panels and the unified result. I would have been too simple. Also, posting the unified version as my main post and then adding the split-panels as a reply in a new post (or vice versa) just doubles my posting effort and polluate your timeline...

That's why I knew I had to come up with an extra something on my own to try to solve that, because I'm sure the Fediverse will remain unconsistent, with many cropping policy about image thumbnails, layout, and no garantee of ordering the pictures or even delivering them (eg. I had feeback that Misskey user could post more than four pictures per post, and user on Mastodon only see four of them, trimmed.)

Six screenshots of the same episodes with variations of user interface, theme, and cropping policy depending the client
Example of the same post, with many screenshot under various UI: (A) Mastodon web bright/dark theming, (B) Mastodon app VS Tusky, (C) other Fediverse clients having rich emoticon reaction I never saw on my side of the Fediverse...

A KISS comic reader

My first reflex was to do something on my website, and propose a link to that on my post.

But what? So, my first thought was to just continue to post the unified picture, as I already did for very long, and paste an external link for mobile user to a sort of copy of the horizontal carroussel/swipe interface of Mastodon.

I'll spare you the dozens of hours of despair, testing horizontal swiping carroussels techniques in Javascript, loosing braincell and my sanity on concept like swiping threshold, sensitivity and screen resolution. Because, you see, I wanted to do all from scratch, without using any frameworks or library.


A video of my horizontal proof of concept, with bugs

But then someone reminded me of the KISS principle: 'Keep It Simple, Stupid'. The web is well designed; it's web developers who break it by using too much JavaScript. The obvious solution appeared to me: a simple vertical layout of pictures. It's great for scrolling on any device and users can zoom, and manipulate the pictures. It was such a joy to remove a lot of code and create a simple HTML layout with CSS.

A video of my vertical proof of concept, WIP

I then incorporated this into the PHP of my website (see git commits tagged with the [mft-cv] prefix).

On the side of the content itself, I also refactored many transcripts to ease their parsing and auto-split, and also refactor the episode 30 that had a composition that conflicted with the auto-split in four format.

Features of my comic reader:

  • Anchor links to individual panels (bottom right of panels).
  • Alt & transcript per panel (bottom left of panels).
  • Share button to copy the URL on mobile.
  • Bonus Timelapse video because too many still accuse my style of looking like AI, even removed by moderators on Reddit... it's depressing.
  • Full Sources, including Krita files, Inkscape files, and ready made exported version for print.
  • Full credits
  • Keyboard shortcut:
    • Previous panel: ↑ or Page-up
    • Next panel: ↓ or Page-down or Spacebar
    • Previous episode: ← p j
    • Next episode: → n k

... and you can browse it already, because my result is online since yesterday on:

https://www.peppercarrot.com/en/miniFantasyTheater/047__Geek-Fantasy.html

Update

Thanks to your comments and suggestions, here is what was implemented after the release of this article:

A new button under the unified panels
A new button under the unified panels

  • Both, really: A user preference button, (under the unified panel, see picture above) for choosing by default "unified" or "split panel".
  • Back to the top: a tiny low opacity button on bottom right (on desktop only).
  • Tag indicator: While browsing a tag (eg. Geek Fantasy), display a pill on the top of the comic reader (can be closed).
  • Keyboard shortcut hint: Add a little picture of arrow keys on the bottom to give a hint they can be used.
  • Split-panel label Added a subtle A, B, C, D letter on the split panels, to save the order.
  • Footer on last panel Recover a footer with the branding, the name, author, and license on split-panel D.
  • i18n ready Addition of a language selection on top.

When the webcomic "War and Peas" replicates the experiment

A major update: on 25 april 2026, the authors duo Elizabeth Pich and Jonathan Kunz inspired by the experiment I ran here, decided to replicate it on their Fediverse account for their successful webcomic War and Peas.

And their end result is ... totally inverted compare to mine!

I tend to interpret these results because of their graphic style and large font: they are really already optimised and adapted to be easy to read on mobile, even in a 2x2 panel grid without zooming. The facial expressions are often simplified to symbolic emojis, flat colours and gradients, and a thick line-art. That's why you can't miss out any details while reading their comics without zooming in: a big advantage. It's also certainly something that must take them a lot of work: on one hand, to keep the artwork that effective with few lines and shapes, but also to simplify their storytelling and layout each time to the essential.

In comparison, my more complex layouts, facial expressions, backgrounds, concept art and painterly brush work propose an immersion in each panel for a more cinematic effect. I can understand this difference of result under this prism of thinking.

Thank you War and Peas for the very interesting replication!

(Note: more interpretations are continuing in the comments here)

Screenshot of the Poll by War and Peas: 75% for unified, 25% for split
Screenshot of the Poll by War and Peas: 75% for unified, 25% for split

End note

So, what's the "best" format about publishing digital comics on the Fediverse?

As a creator, I can't guarantee how my comics will display on your device when posting on the Fediverse. That's a bit sad. However, one of the advantages of most Fediverse instances is that they don't have a "deboost" system, which means I can still include an external links in my posts without worrying about them being downplayed. This is in contrast to proprietary social media platforms, which often use such systems to keep users engaged within their own ecosystem...

Given this flexibility, my plan is to listen to the poll results and continue to post with the new four-split panel format, as I find it convenient and visually appealing; especially on Mastodon's mobile App, where a large Panel 1 invites readers in, followed by three smaller panels that don't spoil the ending. I really wish the Mastodon Web user interface had the same layout instead of the four cropped thumbnails.

To further enhance the reading experience, I'll include to this post an external link to the episode on my website, which will offer an optimal reading experience, a timelapse, full license, and sources... regardless of the client being used.

You'll see it in action on wednesday, when I'll post the next episode, but it will be a format looking like that:

Title of the comic

Full reader and bonus: <link to the episode on my website>

#webcomic #krita #miniFantasyTheater

(pictures/attachments: the four split panels)

What's your thoughts about it? Let me know in the comments.

  • ✇David Revoy
  • The Golden Twenty Dice David REVOY
    Question: would you roll it? Transcript: A comic in four panels: Panel 1. While walking on a path in nature, a young fantasy adventurer with a fairy with pink hair, suddenly looks at the floor at a golden shiny detail crossing their way: Pink-fairy: "Stop! A Golden Twenty Dice!" Adventurer: "A what?..." Panel 2. Shot on the fairy landing on the grass near to a golden scarab pushing a d20 golden dice. Pink-fairy: "A scarab rolling fate! We could take his dice and roll our own fortune. Last
     

The Golden Twenty Dice

8 April 2026 at 18:01

Question: would you roll it?

Transcript:

A comic in four panels:

Panel 1. While walking on a path in nature, a young fantasy adventurer with a fairy with pink hair, suddenly looks at the floor at a golden shiny detail crossing their way:

Pink-fairy: "Stop! A Golden Twenty Dice!"
Adventurer: "A what?..."

Panel 2. Shot on the fairy landing on the grass near to a golden scarab pushing a d20 golden dice.

Pink-fairy: "A scarab rolling fate! We could take his dice and roll our own fortune. Last time a twenty turned a farmer into a lord!"

Panel 3. The adventurer kneels down near the fairy and scarab, really curious now. The fairy is super happy and exited.

Pink-fairy: "A moment like this comes only once in a lifetime! Please, please, please, let me try!"
Adventurer: "Mmm.. Ok. Why not."

Panel 4. The adventurer runs for his life while the pink fairy is grabbing him to follow his motion. She is very embarassed, and him feels anger and frustration in this emergency run. A lightning strike near them and burns the floor, a crack on the floor appears, a furious dragon runs after them and try to bite them, and a meteor is about to fall on them.

Adventurer: "Of course you rolled a one!"
Pink-fairy: (in small) "Sorry..."

Comic sources here

  • ✇David Revoy
  • Rubber Ducking David REVOY
    Update on 2 April: Yesterday's comic was published, but the prank part for 1st April wasn't... (not ready, and too tired to finish it) A bit sad. So, I finished it this morning. Discover my new online service, Rubber Ducking Avian Intelligence! https://www.peppercarrot.com/extras/html/2026_Rubber-Ducking-Avian-Intelligence/ Transcript: A comic in four panels: Panel 1. Cepper, the Gothic Sorceress, is at her iconic desk with a quill, she was writing in her big personal project: her book of incan
     

Rubber Ducking

1 April 2026 at 18:49

Update on 2 April: Yesterday's comic was published, but the prank part for 1st April wasn't... (not ready, and too tired to finish it) A bit sad. So, I finished it this morning.

Discover my new online service, Rubber Ducking Avian Intelligence!
https://www.peppercarrot.com/extras/html/2026_Rubber-Ducking-Avian-Intelligence/

Transcript:

A comic in four panels:

Panel 1. Cepper, the Gothic Sorceress, is at her iconic desk with a quill, she was writing in her big personal project: her book of incantation at university. She is thinking with intensity bringing the quill to her mouth, looking up and frowning. On a stack of book, nearby, stands a yellow static rubber duck.

Cepper: "Avian Intelligence, what is the correct incantation for a fireball? Hmm... You know, something Pyro... Ball..."

Panel 2. Cepper is now excited, the rubber duck is still silent, staring happily in the void.

Cepper: "PyroBolus! Perfect."

Panel 3. Amall, the small blond elf sorceress appears in the frame from one side, she is puzzled at what she probably saw before. Cepper is laughing a bit of embarrassement.

Amall: "A rubber duck!? But it can't answer you! Are you okay, Cepper?"
Cepper: "Haha, don't worry Amall, I'm fine."

Panel 4. Cepper is happy and proud of her invention, Amall scratch her head but with a smile, considering the discovery of her friend.

Cepper: "I just figured that formulating my questions out loud helps me to solve them, and finally that's all I needed."

  • ✇David Revoy
  • The Matchbox Kingdom David REVOY
    This entire piece was drawn freehand with a ballpoint pen (no pencil pre-sketch underneath). I started with the fairy sleeping on the matchbox and just... let the story unfold as I drew. Each detail, the mice soldiers, the shaman, the priest with her servants, the lizard with its tiny belt and gears, the bird with its rider... they all appeared naturally as I went. It's like the world built itself around her. There's something magical about working that way; you're discovering the story at the
     

The Matchbox Kingdom

30 March 2026 at 14:34

This entire piece was drawn freehand with a ballpoint pen (no pencil pre-sketch underneath). I started with the fairy sleeping on the matchbox and just... let the story unfold as I drew.

Each detail, the mice soldiers, the shaman, the priest with her servants, the lizard with its tiny belt and gears, the bird with its rider... they all appeared naturally as I went. It's like the world built itself around her. There's something magical about working that way; you're discovering the story at the same time your hand is creating it.

But... four hours!

That's how long I was stuck at the train station of Montpelier Saint-Roch (France) yesterday because of a massive fire near the railway in Sète city. I was coming back from the workshops and signing sessions at Monistrol sur Loire (It was nice!).

So, nothing to do but sit and sketch, especially because I wanted to economize my phone battery in case the duration expanded further. That's when this piece came to life, and it felt to me like a good reminder that all I need to live my passion is a cheap sketchbook, a ballpoint pen, and time.

Three travelers in the same situation as me yesterday also stuck at the train station came to chat a bit about what I was drawing, and they started to follow my work. I told them I'll post the result. Now you know why I scanned this one and wrote this blog post!

If you want to know more about the details of this improvisation, here is my reading of the final picture: the fairy came with her cherry dinner and curled up to sleep under a cozy blanket in a matchbox, her clothes scattered on the floor beside the box. But while she slept, an entire mouse kingdom and army discovered her. There's a shaman observing this unusual creature carefully, is it a bad omen? I liked the contrast between weird design for the mouse expression and the more classic 'sleeping beauty' design for the fairy. Many mice are uncertain how to react to this strange intruder in their territory, a female priest mouse (near the shaman) with her servants who seems to recognize something prophetic about this arrival (they hold tiny frame with the silhouette of a fairy on it) looks like alerting all of them to not wake up her. One soldier has a lizard familiar wearing a belt and carrying stuff, and another rides atop a small bird...

Well, there is even more, but I let you discover it. Every character has a reaction, a role, a story. That's part of the fun of making this type of artwork!

Authenticity disclaimer: the picture is a montage, not a 'real photo', it was made from the compositing of a high resolution scanner of my sketchbook, on the top of a photo of an empty double page of my sketchbook. Check the layered source file if you want to see how it is done. This is a common practice on social media for artists since decades. Why not taking directly a photo? That's because taking a good one with so many details (texture and subtle grayscales, etc...) is near to impossible for my cheap camera. The irony: this compositing looks exactly like the real thing, but you'll have to take my words for it.

Artwork source and full resolution here

  • ✇David Revoy
  • The Local Alternative David REVOY
    Transcript: A comic in four panels: Panel 1. Cepper, the Gothic Sorceress, sits at her workbench in the basement of the university with her iconic clothes and glasses on her head. She is surrounded by steampunk cogs, wires, circuits, and code snippets written on parchments. She's determined in front of her masterpiece, her own local AI Parrot looking like a big pigeon. Cepper: "I did it! Running 100% locally now. My own machine, my own terms! hehe." Panel 2. She excitedly asks it a questio
     

The Local Alternative

25 March 2026 at 18:47

Transcript:

A comic in four panels:

Panel 1. Cepper, the Gothic Sorceress, sits at her workbench in the basement of the university with her iconic clothes and glasses on her head. She is surrounded by steampunk cogs, wires, circuits, and code snippets written on parchments. She's determined in front of her masterpiece, her own local AI Parrot looking like a big pigeon.

Cepper: "I did it! Running 100% locally now. My own machine, my own terms! hehe."

Panel 2. She excitedly asks it a question, but it takes an eternity to respond.

Cepper: "Avian Intelligence, what's the airspeed velocity of an unladen swallow?"
Local AI Parrot: "1... 1... m... e... t... e... r... s... loading 2%"

Panel 3. Cepper starts to realize the immense computational power required to run AI models remotely. She looks at her local AI Parrot and starts to wonder.

Cepper: "Ouch. That's painfully slow, even with the largest magical stone I had!"
Local AI Parrot: "p...e...r... s...e...c...o...n...d... loading 4%"

Panel 4. A shot late at night, she sleeps deeply on a big armchair, while the local AI Parrot still finish to output.

Local AI Parrot: "a...n...d... t...h...a...t...s... a...l...l... loading 100%"

sources: https://www.peppercarrot.com/en/miniFantasyTheater/045.html

  • ✇David Revoy
  • Discover Krita 5.3/6.0: 10 new features explained to get you started David REVOY
    Join me (and my french accent 😁 ) as I take you through my top 10 favorite new features in Krita. A walkthrough/tutorial of my top 10 new feature! Peertube: https://peertube.touhoppai.moe/w/4LhZDTx3G5VpfSovUWveTm Youtube: https://youtu.be/DNhf_WLfSaE Also, check the release notes (link under), I contributed to make the short video trailer for this release: Full release notes: https://krita.org/en/release-notes/krita-5-3-release-notes/ Get Krita 5.3/6.0: https://krita.org/en/posts/2026/krit
     

Discover Krita 5.3/6.0: 10 new features explained to get you started

24 March 2026 at 21:20

Join me (and my french accent 😁 ) as I take you through my top 10 favorite new features in Krita. A walkthrough/tutorial of my top 10 new feature!

Also, check the release notes (link under), I contributed to make the short video trailer for this release:

And again, congratulation to the Krita team for this big big release 🎉. Krita 6.0 is finally my ticket to adopt a more recent GNU/Linux distro with Wayland. I was stuck on the Debian 12 X11 documented here and published back in May 2024. Now I'm experimenting with Debian Testing, Plasma 6 on Wayland and Krita 6.0 appimage and so far, it works: a new guide coming soon.

  • ✇David Revoy
  • Fête de la BD comic festival, Monistrol sur Loire David REVOY
    Hey! As the Spring season is finally here, I'm taking a break from my digital canvas to meet some of you in person this week-end! I'm honored this year to be a guest at "Fête de la BD" in Monistrol sur Loire. An event from 24 to 28 Mars 2026. I'll be around on the last two days: Friday 27 March I'll share my passion with the young ones with two workshops "A comic in three panels" where we learn the basic mechanic for writing comic strips. It's for the local school, drawing club, and association
     

Fête de la BD comic festival, Monistrol sur Loire

23 March 2026 at 13:14

Hey! As the Spring season is finally here, I'm taking a break from my digital canvas to meet some of you in person this week-end! I'm honored this year to be a guest at "Fête de la BD" in Monistrol sur Loire. An event from 24 to 28 Mars 2026. I'll be around on the last two days:

Friday 27 March

I'll share my passion with the young ones with two workshops "A comic in three panels" where we learn the basic mechanic for writing comic strips. It's for the local school, drawing club, and association for young people (MJC). I'm curious to see all the comics (penciled, black and white) we'll create together that day!

Saturday 28 March

I'll be part of the festival (public, free entrance). Here's my schedule:

  • 10h - 13h: Signing session at "Fête de la BD"
  • 15h - 16h: Conference at the Médiathèque, where I'll be talking about my special approach of comic: the software I use, the license I use, and more.

Hope to see you there, and I apologize for sharing the news a bit late: organizing all of this isn't easy! If you want to learn more about the event, check out the links below:.

Link:

  • ✇David Revoy
  • The first dose is free... David REVOY
    Transcript: Panel 1. The Gothic Sorceress paces back and forth on the foundation of her house: all that remains are the floor tiles and the outlines of the walls. The Avian Intelligence (AI) flies while watching her. In the distance, a storm is approaching: lightning streaks across the sky. Gothic Sorceress: “Let’s think about this. Given your powers, you can probably build me a brand-new house, right?” Panel 2. Close-up: the stoic Avian Intelligence and the Gothic Sorceress, cheerful and
     

The first dose is free...

17 March 2026 at 18:53

Transcript:

Panel 1. The Gothic Sorceress paces back and forth on the foundation of her house: all that remains are the floor tiles and the outlines of the walls. The Avian Intelligence (AI) flies while watching her. In the distance, a storm is approaching: lightning streaks across the sky.

Gothic Sorceress: “Let’s think about this. Given your powers, you can probably build me a brand-new house, right?”

Panel 2. Close-up: the stoic Avian Intelligence and the Gothic Sorceress, cheerful and excited by the good news, as a few raindrops fall.

Avian Intelligence: “That is indeed a task I can handle. Shall I make it just like the one before?”
Gothic Sorceress: “Yes!”

Panel 3. Same shot, Avian Intelligence seems to have shifted into a different mode. The Gothic Sorceress is shocked and protests, exclaiming.

Avian Intelligence: “Oops, I can't. You have exceeded your request quota for this month.”
Gothic Sorceress: “WHAT?!”

Panel 4. Under now heavy rain, the Gothic Sorceress has turned her back and is trying to contain her intense anger, clenching her fists. Avian Intelligence continues its sales pitch:

Avian Intelligence: “Subscribe now to Avian Intelligence Premium for unlimited requests!”
Gothic Sorceress: “Grrr!!!!”

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