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  • βœ‡David Revoy
  • New RSS Feeds Landing David REVOY
    I've set up three new RSS feeds for the webcomics! You can find them at https://www.peppercarrot.com/en/rss-feeds/index.html. There's one for Pepper&Carrot (new episodes a couple times a year), one for MiniFantasyTheater (weekly episodes), and one for Misc (one-shots and experiments). Before this, I only had the blog feeds. These new RSS feeds for the peppercarrot.com website are also connected to the translation system: if you select a different language, the feed will notify you when episo
     

New RSS Feeds Landing

1 March 2026 at 18:36

I've set up three new RSS feeds for the webcomics!
You can find them at https://www.peppercarrot.com/en/rss-feeds/index.html.

There's one for Pepper&Carrot (new episodes a couple times a year), one for MiniFantasyTheater (weekly episodes), and one for Misc (one-shots and experiments). Before this, I only had the blog feeds. These new RSS feeds for the peppercarrot.com website are also connected to the translation system: if you select a different language, the feed will notify you when episodes are translated into that language.

The MiniFantasyTheater feed also includes tags in the episode descriptions, so you can filter by series if you want.

This took a while to set up because the website's wasn't built with publish this type of XML in mind and I did it from scratch (check the commits here! It started 10 days ago), but it should make now things easier for anyone wanting to integrate the comics into aggregators, widgets, or other tools.

  • βœ‡David Revoy
  • FΓͺte de la BD comic festival, Monistrol sur Loire David REVOY
    Hey! As the Spring season is finally here, I'm taking a break from my digital canvas to meet some of you in person this week-end! I'm honored this year to be a guest at "FΓͺte de la BD" in Monistrol sur Loire. An event from 24 to 28 Mars 2026. I'll be around on the last two days: Friday 27 March I'll share my passion with the young ones with two workshops "A comic in three panels" where we learn the basic mechanic for writing comic strips. It's for the local school, drawing club, and association
     

FΓͺte de la BD comic festival, Monistrol sur Loire

23 March 2026 at 13:14

Hey! As the Spring season is finally here, I'm taking a break from my digital canvas to meet some of you in person this week-end! I'm honored this year to be a guest at "FΓͺte de la BD" in Monistrol sur Loire. An event from 24 to 28 Mars 2026. I'll be around on the last two days:

Friday 27 March

I'll share my passion with the young ones with two workshops "A comic in three panels" where we learn the basic mechanic for writing comic strips. It's for the local school, drawing club, and association for young people (MJC). I'm curious to see all the comics (penciled, black and white) we'll create together that day!

Saturday 28 March

I'll be part of the festival (public, free entrance). Here's my schedule:

  • 10h - 13h: Signing session at "FΓͺte de la BD"
  • 15h - 16h: Conference at the MΓ©diathΓ¨que, where I'll be talking about my special approach of comic: the software I use, the license I use, and more.

Hope to see you there, and I apologize for sharing the news a bit late: organizing all of this isn't easy! If you want to learn more about the event, check out the links below:.

Link:

  • βœ‡David Revoy
  • The Matchbox Kingdom David REVOY
    This entire piece was drawn freehand with a ballpoint pen (no pencil pre-sketch underneath). I started with the fairy sleeping on the matchbox and just... let the story unfold as I drew. Each detail, the mice soldiers, the shaman, the priest with her servants, the lizard with its tiny belt and gears, the bird with its rider... they all appeared naturally as I went. It's like the world built itself around her. There's something magical about working that way; you're discovering the story at the
     

The Matchbox Kingdom

30 March 2026 at 14:34

This entire piece was drawn freehand with a ballpoint pen (no pencil pre-sketch underneath). I started with the fairy sleeping on the matchbox and just... let the story unfold as I drew.

Each detail, the mice soldiers, the shaman, the priest with her servants, the lizard with its tiny belt and gears, the bird with its rider... they all appeared naturally as I went. It's like the world built itself around her. There's something magical about working that way; you're discovering the story at the same time your hand is creating it.

But... four hours!

That's how long I was stuck at the train station of Montpelier Saint-Roch (France) yesterday because of a massive fire near the railway in Sète city. I was coming back from the workshops and signing sessions at Monistrol sur Loire (It was nice!).

So, nothing to do but sit and sketch, especially because I wanted to economize my phone battery in case the duration expanded further. That's when this piece came to life, and it felt to me like a good reminder that all I need to live my passion is a cheap sketchbook, a ballpoint pen, and time.

Three travelers in the same situation as me yesterday also stuck at the train station came to chat a bit about what I was drawing, and they started to follow my work. I told them I'll post the result. Now you know why I scanned this one and wrote this blog post!

If you want to know more about the details of this improvisation, here is my reading of the final picture: the fairy came with her cherry dinner and curled up to sleep under a cozy blanket in a matchbox, her clothes scattered on the floor beside the box. But while she slept, an entire mouse kingdom and army discovered her. There's a shaman observing this unusual creature carefully, is it a bad omen? I liked the contrast between weird design for the mouse expression and the more classic 'sleeping beauty' design for the fairy. Many mice are uncertain how to react to this strange intruder in their territory, a female priest mouse (near the shaman) with her servants who seems to recognize something prophetic about this arrival (they hold tiny frame with the silhouette of a fairy on it) looks like alerting all of them to not wake up her. One soldier has a lizard familiar wearing a belt and carrying stuff, and another rides atop a small bird...

Well, there is even more, but I let you discover it. Every character has a reaction, a role, a story. That's part of the fun of making this type of artwork!

Authenticity disclaimer: the picture is a montage, not a 'real photo', it was made from the compositing of a high resolution scanner of my sketchbook, on the top of a photo of an empty double page of my sketchbook. Check the layered source file if you want to see how it is done. This is a common practice on social media for artists since decades. Why not taking directly a photo? That's because taking a good one with so many details (texture and subtle grayscales, etc...) is near to impossible for my cheap camera. The irony: this compositing looks exactly like the real thing, but you'll have to take my words for it.

Artwork source and full resolution here

  • βœ‡David Revoy
  • Literal Translations David REVOY
    Transcript: A comic in four panels: Panel 1. The Gothic Sorceress with an umbrella, under an heavy rain is delicately plucking the Avian Intelligence from the trashbin of the school, taking it by the back of his colar, and rising it to the level of her face to get a serious talk to it. She frown, while staring intensively at the filthy creature. Gothic Sorceress: "You're in luck, I found a group of magical creatures and need your translation skills." Panel 2. A few moment later, in the midst
     

Literal Translations

25 February 2026 at 17:56

Transcript:

A comic in four panels:

Panel 1. The Gothic Sorceress with an umbrella, under an heavy rain is delicately plucking the Avian Intelligence from the trashbin of the school, taking it by the back of his colar, and rising it to the level of her face to get a serious talk to it. She frown, while staring intensively at the filthy creature.

Gothic Sorceress: "You're in luck, I found a group of magical creatures and need your translation skills."

Panel 2. A few moment later, in the midst of a luxurious forest, a group of small glowing tree spirits gazes at the AI Parrot and the Gothic Sorceress. Their expressions are innocent and curious, they are cold, and protecting themselves under two improvised umbrellas made with large leaves. The Gothic Sorceress point her finger at the small group while talking to the Avian Intelligence Parrot.

Gothic Sorceress: "Tell these tree spirits I invite them home because it's raining cats and dogs."

Panel 3. Dialog between the AI Parrot, speaking in ancient runes to the puzzled tree spirits, who respond in the same dialect.

Panel 4. The AI Parrot translates back to the Gothic Sorceress while the tiny tree spirits look on, still perplexed. The Gothic Sorceress appears unimpressed by the AI Parrot's inaccurate translation.

AI Parrot: "The tree spirits say there are no cats or dogs, are worried about your mental health, but accept your invitation."
Gothic Sorceress: "Next time, don't translate me that literally..."

Source here

  • βœ‡David Revoy
  • Rubber Ducking David REVOY
    Update on 2 April: Yesterday's comic was published, but the prank part for 1st April wasn't... (not ready, and too tired to finish it) A bit sad. So, I finished it this morning. Discover my new online service, Rubber Ducking Avian Intelligence! https://www.peppercarrot.com/extras/html/2026_Rubber-Ducking-Avian-Intelligence/ Transcript: A comic in four panels: Panel 1. Cepper, the Gothic Sorceress, is at her iconic desk with a quill, she was writing in her big personal project: her book of incan
     

Rubber Ducking

1 April 2026 at 18:49

Update on 2 April: Yesterday's comic was published, but the prank part for 1st April wasn't... (not ready, and too tired to finish it) A bit sad. So, I finished it this morning.

Discover my new online service, Rubber Ducking Avian Intelligence!
https://www.peppercarrot.com/extras/html/2026_Rubber-Ducking-Avian-Intelligence/

Transcript:

A comic in four panels:

Panel 1. Cepper, the Gothic Sorceress, is at her iconic desk with a quill, she was writing in her big personal project: her book of incantation at university. She is thinking with intensity bringing the quill to her mouth, looking up and frowning. On a stack of book, nearby, stands a yellow static rubber duck.

Cepper: "Avian Intelligence, what is the correct incantation for a fireball? Hmm... You know, something Pyro... Ball..."

Panel 2. Cepper is now excited, the rubber duck is still silent, staring happily in the void.

Cepper: "PyroBolus! Perfect."

Panel 3. Amall, the small blond elf sorceress appears in the frame from one side, she is puzzled at what she probably saw before. Cepper is laughing a bit of embarrassement.

Amall: "A rubber duck!? But it can't answer you! Are you okay, Cepper?"
Cepper: "Haha, don't worry Amall, I'm fine."

Panel 4. Cepper is happy and proud of her invention, Amall scratch her head but with a smile, considering the discovery of her friend.

Cepper: "I just figured that formulating my questions out loud helps me to solve them, and finally that's all I needed."

❌
David Revoy