Artists Christian Rebecchi and Pablo Togni, who work as NEVERCREW, have a knack for bringing the immensity of nature to developed urban spaces. Their colorful, large-scale murals take a playful tack when it comes to portraying animals, often merging them with other objects such as instant photos or, most recently, a plastic punch-out toy. “Souvenir,” completed this year in Vienna, combines motifs of a large bear with other Arctic components, such as icebergs, a seabird, and a steamship.

“The natural environment appears transformed, filtered, made artificial: it is no longer a space experienced through relationship, but a distant construction,” the artists say in a statement. The work is “almost a simulation reflecting a perception of nature progressively emptied of empathy…Nature becomes something to observe, arrange, organize, as if it were a separate object rather than a system of which we are an integral part.”

Over the past few years, NEVERCREW has completed numerous architectonic paintings that depict the fragile balance between humanity and nature—specifically wildlife. Whales, bears, and elephants are depicted inside of terrariums or bundled into fabrics.

The animals’ very presence on the side of buildings, where they are contained within the bounds of the architecture, is a reminder of the tensions between—one might even say the incongruousness of—daily human activities and city infrastructure. For Rebbechi and Togni, bringing nature into these spaces highlights the importance of sustaining the relationship between humankind and nature.

See more on the artists’ Instagram.

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Where the blue sky breaks through the tree canopy or light reflects onto the surface of a pond, illustrator Masha Foya summons moments of joy and surprise. The Kyiv-based artist’s dreamlike illustrations often portray spaces and individuals in emotional or experiential states, as if the entire environment morphs into a single living being. Hands clasp over the arc of a foliage tunnel, for example, and a plane sails through an aperture shaped like a bird in flight. Seemingly enclosed spaces often converge with the sky or the cosmos, alluding to the boundlessness of imagination and feeling.

The work shown here comprises both personal and commissioned projects. Foya is currently working on developing a number of book covers for Ukrainian publishing houses, and she is also collaborating with Scientific American and the German newspaper DIE ZEIT. Her work is also included in two exhibitions, Illustroteka and Everything Is Translation, organized by Pictoric. See more on Foya’s Behance and Instagram.

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