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Somebody check on the millennials: F✦FOREVER (F4) set for two-night KL concert this August

Malay Mail

KUALA LUMPUR, June 12 — For fans who spent the early 2000s swooning over Meteor Garden and singing along to Meteor Rain, the wait is almost over.

Asian supergroup F FOREVER (F4) is bringing its highly anticipated F FOREVER 1st World Tour to Kuala Lumpur for a two-night stand this August.

Organised by Live Nation Malaysia, the group will perform at the Unifi Arena on August 7 and 8, 2026, with both shows scheduled to begin at 8pm.

Members Jerry Yan, Van Ness Wu and Vic Chou — joined by Ashin from Taiwanese rock band Mayday — will take the stage on a 360-degree, four-directional star-shaped extending platform designed to maximise fan interaction.

Ken Chu is absent from the F FOREVER line-up, with Taiwanese media reports linking his non-participation to an alleged disagreement with B’in Music.

Ashin, who has been widely credited as the driving force behind F4’s reunion, was included in the touring line-up to complete the quartet.

The F FOREVER tour kicked off with four shows in Shanghai last December before continuing in Chengdu in January, and later in Shenzhen and Wuhan in March.

The South-east Asian leg of the tour was unveiled in April, with Kuala Lumpur joining Manila, Bangkok and Singapore on the itinerary.

Originally comprising Yan, Wu, Chou and Chu, F4 was formed in 2001 following the runaway success of Taiwanese idol drama Meteor Garden (2001–2002), in which the quartet portrayed a clique of wealthy, privileged students known collectively as F4.

For many across Asia, the group became synonymous with the Mandopop boom of the early 2000s, with heartfelt ballads and infectious pop anthems that continue to resonate with fans decades later.

Newer releases, including Forever Forever and Always Be My Bro, have also found an audience, bridging generations of listeners who grew up during Mandopop’s golden era.

Although the group officially disbanded in 2009, they delighted fans with a surprise reunion performance during Mayday’s concert at the Taipei Dome in July 2025.

General ticket sales will begin on June 25, 2026, at 12pm, via BookMyShow Malaysia.

For the latest updates, fans can follow Live Nation Malaysia’s official social media channels.

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Malay Mail’s Top 10 Picks: Three weeks on, ‘Colony’ still reigns as ‘Polong’ hits RM12m

Malay Mail

KUALA LUMPUR, June 12 — South Korean thriller Colony continues its box-office reign, holding on to the No. 1 spot for a third consecutive week, while local horror hit Polong has climbed to second after grossing RM12 million in just 11 days of release.

Meanwhile, buzzy Hollywood titles Backrooms and Masters of the Universe are drawing positive reviews, giving Malaysian cinemagoers even more reason to head back to theatres.

On the streaming front, K-dramas are once again dominating viewing charts, with Teach You a Lesson leading Netflix rankings while Reborn Rookie tops the list on Viu.

Over on Disney+, audiences are showing strong interest in series including Alice & Steve and Best of the World with Antoni Porowski.

From binge-worthy series and blockbuster films to fresh music releases and page-turning reads, there’s plenty to keep you entertained this weekend.

As always, Malay Mail rounds up the standout entertainment picks worth adding to your watchlist, playlist and reading pile.

Top 10 films in local cinemas (Domestic & International) (June 4 to 7)

  1. Colony
  2. Polong
  3. Backrooms
  4. Masters Of The Universe
  5. 5 Bomoh
  6. The Furious: Pertaruhan Maruah
  7. Tarung: Unforgiven
  8. The Sheep Detectives
  9. Parimala And Co
  10. The Amazing Digital Circus: The Last Act

Source: Cinema.com and GSC

Top 10 streaming (June 1 to 7)

Netflix (Top 10 TV)

TV Series

  1. Teach You a Lesson: Limited Series
  2. Bapa Mentuaku Mafia: Season 1
  3. Good Boys Go to Heaven: Season 1
  4. Griya: Season 1
  5. My Royal Nemesis: Limited Series
  6. Jae-seok’s B&B Rules!: Season 1
  7. The WONDERfools: Limited Series
  8. Michael Jackson: The Verdict: Season 1
  9. Ashes to Crown: Season 1
  10. Gokusen: Season 1

Source: Netflix Top 10

Viu (Top 10 shows)

  1. Reborn Rookie
  2. Running Man (2026)
  3. Zhan Zhao Adventures
  4. Aku Pilih Pelangi
  5. The Scarecrow
  6. Seadanya Kita
  7. Unplanned Trip: Limited Edition
  8. Taxi Driver 3
  9. Study Group
  10. Lovely Runner

Source: Viu Frontpage

Disney+ (Top 10 shows)

  1. Alice & Steve
  2. Best of the World with Antoni Porowski
  3. Doctor on the Edge
  4. Not Suitable for Work
  5. Tracker: Season 3
  6. Celebrity Wheel of Fortune: Season 6
  7. Get Real
  8. The Flowers of Evil
  9. Welcome to Wrexham: Season 5
  10. Criminal Minds: Evolution: Season 19

Source: Disney+

Top 10 songs of the week (Spotify) (June 3 to 6)

  1. Ariana Grande — hate that i made you love me
  2. Piche Kota — Bahagia Lagi
  3. Raim Laode — Iqro’
  4. Bruno Mars — Risk It All
  5. Katy Perry — The One That Got Away
  6. Justin Bieber — Beauty And A Beat (w/ Nicki Minaj)
  7. Sal Priadi — Ada titik-titik di ujung doa
  8. Ifan Seventeen — Jangan Paksa Rindu — Beda
  9. Nadhif Basalamah — kota ini tak sama tanpamu
  10. Nadhif Basalamah — bergema sampai selamanya

Top 10 Malay songs of the week (Spotify) (June 3 to 6)

  1. Adira Suhaimi — Sayang Orang Sama
  2. Aufahanie — Butterfly
  3. Datuk Seri Siti Nurhaliza, Ade Govinda — Menamakanmu Cinta
  4. Alpha — P Ramlee Saloma
  5. Zynakal, Zamir Harith, Mojack Hafiz, Bel Janni — Dalam Diam
  6. Mojo — Romancinta
  7. Hael Husaini, Nadeera — Peluk
  8. Nadhif Basalamah, Aziz Harun, Aisha Retno — Kota ini tak sama tanpamu
  9. Reedzwann — Suarasi Sering Salah
  10. Ifan Seventeen — Jangan Paksa Rindu — Beda

Source: Kworb and Spotify

Top 10 books of the week (May 29 to June 4)

Fiction

  1. The Ocean Would Paint Me Blue by Zoulfa Katouh (Little, Brown Books for Young Readers)
  2. Strange Buildings by Uketsu (Pushkin Vertigo)
  3. Project Hail Mary by Andy Weir (HarperCollins)
  4. Strange Pictures by Uketsu (HarperVia)
  5. As Long as the Lemon Trees Grow by Zoulfa Katouh (Little, Brown Books for Young Readers)
  6. Strange Houses by Uketsu (HarperVia)
  7. Before the Coffee Gets Cold #6: Before I Knew I Loved You by Toshikazu Kawaguchi (HANOVER SQUARE PRESS US)
  8. Meet Me at the Convenience Store by the Sea by Sonoko Machida (G.P. Putnam’s Sons)
  9. The Divorce by Freida McFadden (Poisoned Pen Press)
  10. King of Gluttony by Ana Huang (Piatkus)

Non-Fiction

  1. Atomic Habits by James Clear (Avery)
  2. Surrounded by Idiots (10th Anniversary Edition) by Thomas Erikson (Macmillan Audio)
  3. I Want to Die but I Want to Eat Tteokbokki by Baek Sehee (Penerbit Haru)
  4. How to Win Friends & Influence People by Dale Carnegie (Gallery Books)
  5. Everything I Know About Love by Dolly Alderton (Harper)
  6. Murdle #4: The School of Mystery by GT Karber (Souvenir Press Ltd)
  7. The Let Them Theory by Mel Robbins & Sawyer Robbins (Hay House LLC)
  8. The Subtle Art of Not Giving a F*ck by Mark Manson (HarperOne)
  9. The Art of Letting Go by Nick Trenton (NTCS Inc)
  10. It’s Okay Not to Get Along with Everyone by Dancing Snail (Blink Publishing)

Mutiara Minda (Malay Novels)

  1. Badass Wife Ungku Jabbar by Mia Azwari (Hash Novels Publication)
  2. Thariq Ridzuwan Commando’s: His Treasure by Hudanajwa (Idea Kreatif)
  3. Kaisar by Jiwa (Nukilan Biruni Publication)
  4. Rubah Putih by Ramlee Awang Murshid (Buku Prima)
  5. Mi Linda by Hudanajwa (Idea Kreatif)
  6. Yes! Captain Zul Aaryan by Wnfhanna (Idea Kreatif)
  7. Kaisar: Secret Chapter by Jiwa (Nukilan Biruni)
  8. Mi Carino by Hudanajwa (Idea Kreatif)
  9. Empayar: Hikayat Putera Tanpa Nama by Teme Abdullah (Iman Publication)
  10. Rahsia Danny by Teme Abdullah (Iman Publication)

Source: MPH

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South Korean zombie thriller ‘Colony’ storms past RM20m in Malaysia, director Yeon Sang-ho and cast thank local fans (VIDEO)

Malay Mail

KUALA LUMPUR, June 3 — South Korean director Yeon Sang-ho’s zombie thriller Colony has officially crossed RM20 million at the Malaysian box office, following weeks of strong word-of-mouth and widespread discussion among local moviegoers.

It was only a matter of time, as the reputation of Yeon Sang-ho — the director behind what many consider one of the greatest Korean zombie films ever made, Train to Busan — had helped generate strong anticipation for his latest take on the genre.

This milestone was acknowledged by director Yeon and the cast in a special video message posted recently on GSC’s Instagram account, before being widely shared across social media platforms.

The video features Yeon alongside the cast Jun Ji-hyun, Koo Kyo-hwan, Ji Chang-wook, Kim Shin-rok, and Shin Hyun-been expressing their appreciation to Malaysian audiences.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“We are so thankful for the overwhelming love and support that you have shown Colony,” said Jun.

Koo added, “Thanks to you, the movie has officially surpassed RM20 million.”

“It means so much to us to see everyone enjoying the film together,” said Ji.

Kim also encouraged moviegoers who have yet to watch the film, saying, “If you haven’t seen Colony yet, please don’t miss the chance to watch it in theatres.”

“Thank you once again for this impressive milestone,” added Shin.

The video concluded with the director and cast saying, “Kamsahamnida! (thank you)”

Colony has enjoyed a strong run in Malaysia since its nationwide release on May 22.

Its box office journey began with RM1.4 million and quickly gathered momentum, surpassing RM10 million within its first week before eventually crossing the RM20 million mark.

It was also recently reported that Colony had surpassed 1 million admissions in Malaysia, further demonstrating the scale of its popularity.

The film continues to screen nationwide, with audiences still heading to cinemas to catch the latest zombie thriller.

The story follows a group of survivors trapped inside a sealed skyscraper after a mysterious infection spirals out of control.

Cut off from the outside world, they are forced into a brutal fight against infected humans who continuously mutate into increasingly dangerous forms. 

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Malaysian films continue strong box office run as ‘The Furious: Pertaruhan Maruah’ crosses RM1 million and ‘Polong’ hits RM5.5 million

Malay Mail

 

KUALA LUMPUR, June 1 — Malaysian cinema in 2026 has seen releases across genres ranging from rempits, cyber thrillers, boxing dramas and traditional horror.

Despite ongoing conversations around certain films, most local titles continue to receive steady public support and achieve consistent commercial performance.

Tarung: Unforgiven has emerged as the biggest success so far, having already crossed RM20 million at the Malaysian box office since its nationwide release on May 7.

Now joining this wave are two films that premiered nationwide on May 28: The Furious: Pertaruhan Maruah and Polong.

The Furious, a boxing-driven family drama, has surpassed RM1 million in box office earnings, while horror thriller Polong has already reached RM5.5 million.

Both films continue to generate strong audience interest, with sustained turnout at screenings and promotional meet-and-greet events nationwide.

The Furious, directed by Heng Aik Siong, centres on two brothers who reunite after their family honour is tarnished when their late father’s name is publicly insulted, setting them on a tense journey driven by dignity, revenge and loyalty.

The film blends realistic boxing action with heartfelt family drama and emotionally charged storytelling, resulting in a grounded and intense sports narrative.

The cast is led by Zul Ariffin, Sky Iskandar, Ikmal Amry, Sandra Lim, Zamarul Hisham and Marisa Yasmin.

Meanwhile, Polong, directed by Zulkarnain Azhar, follows an ambitious journalist, Fatima, who unintentionally uncovers the dark past of Maria Hadi, a notorious female shaman who sought redemption near the end of her life.

Fatima’s search for the truth not only exposes long-buried crimes but also unleashes something far more dangerous — an entity once nurtured and controlled by Maria herself.

The cast features Mimi Lana, Fad Anuar, June Lojong, Namron, Nadiya Nisaa, Riezman Khuzaimi, Amir Nafis, Nesa Idrus and Elizad Sharifuddin.

Amid international releases, local cinema continues to hold its ground against films such as Karuppu (India) and the South Korean film Colony, which continues its run with over RM17 million at the box office.

At the same time, Hollywood titles such as The Mandalorian and Grogu and Backrooms are also generating buzz among nationwide audiences, but local productions continue to maintain their momentum.

More Malaysian films are set to hit cinemas as June begins, including 5 Bomoh, Kata Hati and Khadam.

 

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Japanese tokusatsu legend Masahiro Inoue reveals why Malaysian fans keep him coming back

Malay Mail

KUALA LUMPUR, June 10 — For most actors, a role is simply a chapter in a career—a costume worn for a season and then tucked away. But for Japanese star Masahiro Inoue, one particular genre became more than a job; it became a lifelong creative compass.

Long before streaming services redefined global entertainment, Inoue was thrust into the heart of one of tokusatsu’s most ambitious undertakings. In 2009, he donned the mantle of Tsukasa Kadoya, the enigmatic protagonist of Kamen Rider Decade.

As the face of the Heisei series' 10th anniversary, Inoue didn't just play a hero; he portrayed an unconventional anti-hero—a traveller between parallel worlds whose motives remained as elusive as the dimensions he traversed.

“I was able to play the role of Decade, and it was a great honour,” Inoue told Malay Mail.

“Through that experience, I learned how wonderful the tokusatsu genre is and cultivated a deeper appreciation for the craft.”

While many stars use tokusatsu as a springboard to mainstream fame before distancing themselves from their "masked" beginnings, Inoue’s bond with the genre has only deepened.

He transitioned from the heroism of Decade to the darker complexities of Garo, portraying the character Jinga in Gold Storm Sho (2015) and later serving as the primary antagonist in Garo: Kami no Kiba (2018). The character's magnetic pull was so strong it spawned its own spin-off, Kami no Kiba: Jinga, further cementing Inoue's status as a titan of the genre.

By 2023, Inoue decided to move from performer to pioneer. He launched Sentika F8ABA6 Jisariz, an independent tokusatsu series on YouTube where he stars as the titular hero. Mirroring the "world-hopper" essence of Decade and the aesthetic grit of Garo, Jisariz was a personal gamble.

Tokusatsu star Masahiro Inoue poses on a motorcycle during his third visit to Malaysia. — Picture via Facebook/Let's Anime Cosplay Event
Tokusatsu star Masahiro Inoue poses on a motorcycle during his third visit to Malaysia. — Picture via Facebook/Let's Anime Cosplay Event

“I wanted to create a tokusatsu production that people around the world could watch,” he explained, citing YouTube’s accessibility as the primary driver.

“After my experiences with Kamen Rider Decade and GARO, I wanted to try creating a project entirely on my own. It was very difficult, but it was also a lot of fun.”

For Inoue, the enduring relevance of tokusatsu lies in its tactile nature. While anime offers a stylized escape, tokusatsu provides a visceral connection.

“With anime, there can sometimes be a sense of unreality,” he notes. “But in tokusatsu, real people transform into heroes. Fans and cosplayers can imitate those characters in real life. That realism is one of its biggest attractions.”

Malaysian bond

This belief in the "tangible hero" is perhaps why Inoue has developed such a profound bond with his Malaysian fans. Over the last few years, Malaysia has become a recurring destination in his own journey between worlds, with visits to Penang in 2022 and the Klang Valley in 2023.

Masahiro Inoue poses with fans during his third visit to Malaysia at the Klang Commercial Convention Centre. — Picture via Facebook/Let's Anime Cosplay Event
Masahiro Inoue poses with fans during his third visit to Malaysia at the Klang Commercial Convention Centre. — Picture via Facebook/Let's Anime Cosplay Event

Most recently, he returned as a special guest at the ‘Let's Anime Cosplay Event × Tourism Selangor: Welcome to Parallel World’ at the Klang Commercial Convention Centre (KCCC) on June 6 and 7.

Despite previous logistical hurdles with past organisers that had made returning difficult, this latest visit felt like a homecoming. “I love Malaysia,” he shared. “Through social media, I often see comments from Malaysian fans. Their support makes me very happy.”

As he reflects on nearly two decades in the industry, Inoue remains a rare breed of artist, one who champions the genre that first gave him a voice. Whether as the dimension-hopping Decade, the formidable Jinga, or the independent Jisariz, he continues to bridge the gap between fantasy and reality.

Much like the characters he portrays, Masahiro Inoue continues to travel across borders, ensuring that the spirit of tokusatsu evolves for a new generation of dreamers.

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From Roblox to the big screen: Thai horror ‘Ghost Board’ hits Malaysia

Malay Mail

KUALA LUMPUR, June 13 — Thai horror sensation Ghost Board hit local screens on June 11, riding a wave of viral success from its digital counterpart.

Directed by Chanathip Wongpoltree, the franchise first found its footing on the Roblox platform in May.

Roblox has solidified its position as a global entertainment titan, boasting more than 85 million daily active users.

Capitalising on this reach, Pall's Studio developed Ghost Board: Before Dawn following the film’s initial announcement, a move that quickly found favour with the platform’s massive player base.

Mirroring its cinematic counterpart, the game pits a group of teenagers against supernatural forces. Players must confront ghosts and survive until daybreak after a mysterious board game goes wrong. The digital experience clocked over 700,000 plays within its first two weeks, even catching the eye of major gaming influencers.

The game offers various endings based on player choices. Current statistics from Roblox reveal a high stakes environment: 70.8 per cent of players successfully survive until dawn, while 11.9 per cent meet a grim “Game Over” conclusion.

Produced by M Studio, Ghost Board taps into the dread of meddling with the unknown. Executive producer Visoot Poolvoralaks noted that the film challenges the belief that “some things should not be played with.”

“The key challenge is turning a board game — now a popular form of entertainment — into a medium that delivers truly immersive horror,” he said.

“We focus on creating an unpredictable horror atmosphere combined with the rules of a cursed board game that imposes a time constraint: the game must be completed before dawn. This creates intense pressure for both the characters and the audience,” he said in a statement.

The film features a talented ensemble including Ongart Jeamcharoenpornkul, Panisara Rikulsurakan, Win Sakulsangprapha, Nattawat Sumploy, Neenara Boonnitipaisit, and Pawat Ketsrisakda.

After its initial release in Thailand on March 12, the movie grossed THB40 million (RM4.9 million).

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Emmy‑winning, Oscar‑nominated Malaysian filmmaker Cheyenne Tan says Malaysia must invest in its storytellers (VIDEO)

Malay Mail

KUALA LUMPUR, June 15 — In Malaysia, it remains a point of pride when homegrown talent makes its mark on the international stage.

For Cheyenne Tan, that recognition has been built through years of dedication to documentary storytelling, a world often shaped by uncertainty, long hours and constant challenges. Yet for those who persist, it can also be deeply rewarding.

Tan is a two-time Academy Award nominee, having co-produced St. Louis Superman, which was nominated for Best Documentary Short Subject at the 92nd Academy Awards, and I Am Ready, Warden, which received a similar nomination at the 97th Academy Awards.

Most recently, she won the Emmy Award for Outstanding Research for her work as associate producer on Turning Point: The Vietnam War.

Behind these milestones lies a long journey marked by persistence, learning and a commitment to telling meaningful stories.

Tan’s career reflects how sustained dedication to the craft can open doors to some of the industry’s highest honours.

Early life and upbringing

As the eldest of three siblings — and a twin — Tan said her upbringing played a significant role in shaping how she saw the world from an early age.

Growing up, she often observed and questioned the different ways boys and girls were treated in society.

Naturally drawn to creative pursuits, she described herself as a child who gravitated toward storytelling and the arts.

A turning point came when her family moved to the United Kingdom for about a year when she was around eight years old.

The experience broadened her worldview and changed how she engaged with ideas and people.

“I became more vocal, started reading more and developed interests in history, philosophy and discussing larger social issues,” she said in a Zoom interview with Malay Mail.

“Looking back, those experiences played a significant role in shaping how I approach storytelling today.”

Growing interest in storytelling

After returning to Malaysia, Tan spent her formative years in Kuching until Form Five, where her interest in films, television and books gradually deepened.

She began to recognise the power of visual storytelling.

“Within an hour and a half, a film can completely change how people see themselves and the world around them,” she stated.

She briefly considered traditional career paths such as journalism and law, but repeatedly returned to filmmaking.

Her interest was not sparked by a single defining film, but developed over years of watching and analysing stories across different mediums.

When asked whether she watched Malaysian films growing up, Tan said she did enjoy timeless classics by Yasmin Ahmad and P. Ramlee.

Eventually, Tan realised that if she wanted to pursue filmmaking seriously, Los Angeles would offer the opportunities she needed.

After her family relocated to Putrajaya for several years, she later moved to the United States to begin her professional journey. 

With humble beginnings and a passion for film, Malaysian filmmaker Cheyenne Tan has risen to become one of the country’s international creative talents, making her mark on the global stage. — Picture via Instagram/itscheyennetan
With humble beginnings and a passion for film, Malaysian filmmaker Cheyenne Tan has risen to become one of the country’s international creative talents, making her mark on the global stage. — Picture via Instagram/itscheyennetan

Building a career in Los Angeles

Like many emerging filmmakers, Tan faced significant challenges upon arriving in Los Angeles.

She knew no one, and the absence of friends or family made the early years especially isolating.

Beyond adapting to a new environment, she also had to navigate the pressures of working under a specialised visa that required her to consistently demonstrate professional achievement in order to remain in the United States.

“That pressure made me a workaholic,” she said.

“In my first few years in the industry, I worked almost constantly.”

While the demanding schedule helped her establish herself professionally, it also taught her the importance of eventually finding balance between work and personal well-being.

Support and reflections on Malaysian storytelling

Today, the work has clearly paid off and despite her success abroad, Tan credits much of her journey to her parents’ unwavering support.

“I’m very aware that I was fortunate.

“My parents, especially my mother, were incredibly supportive of my dreams and helped finance my education in the United States.

“That’s a privilege I never take for granted.”

Although she has spent the past decade building a career in Los Angeles, Tan has not forgotten her Malaysian roots.

She said she hopes to revisit many of the local films she enjoyed growing up, noting that access to Malaysian films in Los Angeles can be limited.

When asked what advice she would give young Malaysians hoping to pursue careers in similar fields, Tan first encouraged stronger support for local filmmakers.

“Many talented filmmakers in Malaysia face challenges such as limited funding, fewer resources and difficulties getting their work seen.

“We readily support Korean dramas, Indonesian films and productions from around the region.

“There’s no reason we can’t show the same enthusiasm for Malaysian stories and Malaysian filmmakers.”

At the same time, she encouraged aspiring filmmakers to start telling stories about their own communities and the people around them.

Tan added that many stories about places such as Sarawak are still being told by non-Malaysians, and local storytellers deserve the opportunity, resources and support to tell those stories themselves.

“Most importantly, we need to create an environment where filmmakers have room to learn, experiment, fail and grow.

“That’s how stronger creative industries are built,” she concluded.

While Tan’s list of achievements continues to grow, she believes there is still much more to accomplish.

She is building a career that reflects her personal ambitions and highlights the global potential of Malaysian creative talent. 

 

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One take, 1.9km: Adrian Teh’s ‘Chelot’ enters Malaysia Book of Records for longest action sequence

Malay Mail

KUALA LUMPUR, June 13 — Even before its arrival on local screens, the action film Chelot has already clinched its place in the Malaysia Book of Records.

The production has officially set the record for the longest single-take action sequence in Malaysian cinematic history. This technical feat traversed 1.9 kilometres, unfolding continuously for 5 minutes and 19 seconds using a single camera.

The scale of the sequence required immense logistics: a 300-strong crew, 150 days of meticulous preparation, and 60 hours of gruelling rehearsals. To bring the vision to life, the production utilised a total of 50 prop cars throughout the shoot.

Chelot marks the return of director Adrian Teh, a filmmaker who has built a reputation for delivering the most ambitious spectacles in Malaysian cinema.

After the massive box office success of PASKAL: The Movie and MALBATT: Misi Bakara, Teh briefly stepped away from the action genre to explore different narrative styles. Chelot represents his high-octane homecoming.

Reflecting on his return, Teh said: “After directing MALBATT: Misi Bakara in 2022, I took a step back from action to explore different genres and storytelling approaches.

“But this return isn’t about revisiting the familiar — it’s about pushing boundaries and delivering something truly fresh, something Malaysian audiences have never experienced before.”

The director noted that the ambitious single-take sequence demanded months of flawless coordination to ensure perfect execution on the day of filming.

“This achievement is not mine alone — it’s the result of an incredible collective effort by the entire production team, made possible with the unwavering support of the Royal Malaysia Police (PDRM) and Kuala Lumpur City Hall (DBKL).”

A powerhouse collaboration between ACT 2 Pictures, Golden Screen Cinemas (GSC), Astro Shaw, SunStrong Entertainment, and Marvelous Culture & Film, Chelot is already generating anticipation.

The recently released teaser poster features local favorites Beto Kusyairy and Shukri Yahaya, signalling a high-stakes drama. While many details remain under wraps, the film also features a stellar ensemble cast including Nadhir Nasar, Alicia Amin, Mustaqim Bahadon, and Theebaan G.

Chelot is slated for release this August.

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Zombie thriller ‘Colony’ overtakes ‘Train to Busan’ to become Malaysia’s top‑grossing S. Korean film with RM23.8m box‑office haul

Malay Mail

KUALA LUMPUR, June 6 — South Korean director Yeon Sang‑ho’s film Colony has officially become Malaysia’s highest‑grossing South Korean title and is currently the country’s top‑grossing film of 2026.

According to a post on GSC’s Instagram account, the film has now earned RM23.8 million at the Malaysian box office, with figures still climbing as it continues its strong run.

It has now surpassed previous record holder Train to Busan, also directed by Yeon, which earned approximately RM21 million locally.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Despite a wave of new releases from Hollywood and other international markets in recent weeks, the zombie thriller continues to hold its ground and achieve new milestones.

Strong audience turnout continues nationwide, with many viewers sharing positive reviews.

The reception for Colony in Malaysia has also been acknowledged by the director and cast, who expressed their appreciation for Malaysian support through a video released earlier this week.

Starring Jun Ji-hyun, Koo Kyo-hwan, Ji Chang-wook, Shin Hyun-been, Kim Shin-rock and Go Soo, Colony follows a group of survivors trapped inside a building after an unknown infection spreads rapidly.

Cut off from the outside world, they must fight to survive as the infected mutate into increasingly dangerous forms.

The film presents a different take on zombies typically seen on screen, with director Yeon’s unique approach inspired by the hive-mind behaviour of ant colonies and the concept of artificial intelligence (AI).  

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