“It’s Essential, Charlie Brown!”

Sure, Peppermint Patty went into a swivet when Charlie Brown’s Thanksgiving dinner consisted of popcorn, pretzels, jellybeans and toast (and Linus had seen him make toast). But she wouldn’t complain about what Abrams and Lee Mendelson Film Productions have served up in book and recorded form, respectively.
The Essential Peanuts by Charles M. Schulz: The Greatest Comic Strip of All Time by Mark Evanier (Abrams Comic Arts) is a lavish coffee-table book packaged with collectible bonus materials. It is stunning visually from cover to cover, from the iconic “warm puppy” image on the slipcase and “cloud dreams” scene from the Sunday strip (and later in the first feature, 1969’s A Boy Named Charlie Brown) on the book cover itself.
Mark Evanier, a person whom everyone reading this should already know about (and if not, visit his venerable daily blog, newsfromme.com), wrote the detailed text. Mark is quick to point out his discomfort having sole author credit, as so many people were involved, even before he was brought into the project.
“Up front here,” he said, “This book was really a team effort, and I don’t say that to sound humble.” By calculated coincidence, a new interview with Mark can be heard in an episode of POP Culture Classics Podcast with Greg Ehrbar called “A Celebration of Charles M. Schulz and Peanuts” (Please subscribe and “like” it on your favorite streaming service.)
The book is organized by era, providing a chronological context of Schulz’s life, art, and characters, as well as the world around him. To newer Peanuts fans or those interested in comics, animation, art, and all things that connect it, it is a valuable series of revelations. To those of us who see Peanuts as an organic part of their lives, it is both reaffirming and fascinating.
Several people adroitly offer their perceptions of Charlie Brown and the gang within their own lives and careers, but again, Mark Evanier eloquently express the scope and attachment we enthusiasts have for Schulz’s one-of-a-kind accomplishments. Of course, the genuine author is really Schulz himself, still astonishing us with his gift for combining character-driven writing that is infinitely quotable with an ability to convey humor and emotion in a manner so extraordinary, he is the real-life superhero of all comicdom.
IT’S ARBOR DAY, CHARLIE BROWN / CHARLIE BROWN’S ALL-STARS
Original Television Soundtracks
50th Anniversary Extended Edition
Music by Vince Guaraldi
Lee Mendelson Film Productions LM26ADAS01 (stereo/mono) 12” LP (also download and CD).
Released in 2026. Producers: Sean Mendelson, Jason Mendelson. Musicians: Vince Guaraldi, Frank Snow, John Coppola, Eugene “Fuzzy” Firth, Eddie Duran. Liner Notes: Derrick Bang, Sean Mendelson, Jason Mendelson. Mastering: Vinson Hudson. Mixer; Clark Germain. Running Time: 33 minutes.
“It’s Arbor Day, Charlie Brown” Music: “Rerun’s Lament,” “Rerun’s Lament (Reprise),” “Ships Sail Into Arbor,” “Laughter In The Library,” “Flatten Patten (Baseball Theme),” “Young Man’s Fancy,” “Jay Sterling Morton Jazz,” “We’re The Visiting Team,” “Seeds For Thought (Joe Cool),” “Don’t Forget The Shovel,” “Sprinkle Your Bird,” “Snoopy At Bat,” “Lucy’s Home Run,” “Rain, Rain, Go Away (Rain, Gentle Rain),” “Happy Arbor Day, Charlie Brown,” “Jay Sterling Morton Jazz (Bonus Alternate Take),” “Happy Arbor Day, Charlie Brown (Bonus Alternate Take),” by Vince Guaraldi.
By the time It’s Arbor Day, Charlie Brown aired on CBS in 1976, there were those who said, “Charlie Brown has officially run out of holidays.” How wrong they were. Happy New Year, Charlie Brown was still to come (that was in 1986), as well as shows related to events like It’s the Super Bowl, Charlie Brown (1994) and even some that revisited holidays, like 1992’s It’s Christmas Time Again, Charlie Brown (the original VHS of which was sold at Shell gas stations).“Charlie Brown’s All-Stars” Music: “Charlie’s Run,” “Charlie Brown’s All Stars!” “Baseball Theme (Medley),” “Oh, Good Grief!” “Surfin’ Snoopy,” “Pebble Beach,” “Rain, Rain, Go Away,” by Vince Guaraldi.
Arbor Day, which occurs on the last Friday of April has been around for well over a hundred years, observed by planting trees to make the earth a better place, certainly an accessible way for people, especially kids, to do something positive. Admittedly, it’s not as “big” as some other holiday, especially in retail terms, but it’s to the credit of Schulz, Mendelson, Melendez, and CBS that it was given due attention on a Peanuts TV special.
Now Lee Mendelson Film Productions, in their ongoing effort to release these treasured soundtracks on vinyl, CD, and streaming, have combined Vince Guaraldi’s superb music for Arbor Day with the soundtrack from the 1966 special, Charlie Brown’s All-Stars (which is explored by our colleague Mike Lyons in this fine Animation Cel-abration feature on Cartoon Research.
Charlie Brown’s All-Stars was only the second Peanuts animated special, and one of the more forgotten ones among the early classics. One reason is that it isn’t connected to a holiday, and another might be that it did not “score” as highly in the ratings over the years.
It’s also uniquely dated for a Peanuts special, because an offer to put Charlie Brown’s team in a real league with uniforms is withdrawn because of females on the team (in addition to a very highly unique dog).
Peppermint Patty, who had not made her indomitable debut in a special, would have surely confronted Mr. Hennessy himself. A remake of sorts was produced for video in 1996. It’s Spring Training, Charlie Brown, in which the team again loses its chance for uniforms but for a different (and amusing) reason.
Because Charlie Brown’s All-Stars contains less than ten minutes of music, and the special has become less evergreen (sorry) than It’s Arbor Day, Charlie Brown, the latter soundtrack is featured on the front cover with All-Stars on the back. They complement each other perfectly, both in story and music, with baseball being the main connector.
Like planting trees for a better tomorrow, get a copy of this new soundtrack, as sales dictate the reoccurrence of the kind of media we really want.
“Charlie Brown’s All-Stars” on Charlie Brown Records
Covered in an earlier Animation Spin, Disneyland/Vista’s Charlie Brown label offered the story with dialogue as well as music, but not the music on its own. Here is the read-along seven-inch LLP/cassette, which is an edited version of the full album with page turning signals.




So begins this Peanuts adventure, which actually opens on the first day of school and “flashes back” to summer vacation, as Charlie Brown (Peter Robbins), Linus (Glen Gilger), Lucy (Pamelyn Ferdin), and the gang write their essays about summer vacation when they were all together at camp.
Charlie Brown is on the pitcher’s mound. He pitches the ball, and the batter hits it. In an attempt to catch the ball, Charlie Brown runs into the outfield, has to hop a fence, runs up and down the bleachers, through someone’s backyard, past some of the girls playing jump rope (he stops and jumps rope himself), he runs into a house, up to the second floor, then finally winds up running out to the backyard and when he finally tries to catch the ball, it drops onto the grass and he misses it. 

Directed by Bill Melendez and written by Charles M. Schulz, with animation by Ed Love, Bill Littlejohn, and others, Charlie Brown’s All-Stars!, like the Christmas special that preceded it, does perfect work of melding Schulz’s comic strip panels with the world of animation.
