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Eye Candy for Today: Jasper Cropsey’s Autumn – On the Hudson River

Autumn - On the Hudson River, Jasper Francis Cropsey, Hudson River School, oil on canvas, National Gallery DC
Autumn - On the Hudson River, Jasper Francis Cropsey, Hudson River School, oil on canvas, National Gallery DC (details)

Autumn – On the Hudson River, Jasper Francis Cropsey, oil on canvas, 60 x 108 in. (152 x 275 cm), in the collection of the National Gallery of Aart, DC, which has both a zoomable image and a downloadable high res file available.

Cropsey was a 19th century American architecht and first generation Hudson River painter known for his colorful and dramatic views of mountains and valleys, particularly when arrayed in bright fall foliage.

This painting is considered his landmark work, painted in the studio from memory, notes and sketches. It’s common to talk of landscape paintings as haveing a morefgound, middleground and background, but Cropsey’s composition appears to have six or seven levels of distance, reinforced by his deft handling of atmospheric parspective.

I love the little details that lend the image scale; the family picnicing on the hillside in the foreground (images above, second down), the horse and rider on tha path between the trees in the middleground, a bit to the right of center (images above, third down) and the cows drinking from a stream at the lower right (images abvoe, bottom).

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Oliver Bonhomme

Oliver Bonhomme illustrations
Oliver Bonhomme illustrations

Oliver Bonhomme is a French illustrator and art director with a long client list that inludes le Monde, the New York Times Magazine, The Washington Post, Apple and numerous others.

His illustrations look at first to be high in chroma, but then you realize the colors are not actually that intense, but are made to appear so by the artful juxtapositon of complimentary colors.

His subjects are often imaginative and surreal, but sharply delineated and graphically strong.

[Via Richard Solomon, Artist Representative]

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Eye Candy for Today: Martin Heade orchid

Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade
Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade (details)

Cattleya Orchid and Three Hummingbirds, Martin Johnson Heade, oil on wood, 14 x 18 in. (35 x 46 cm), in the collection of the National Gallery of art, DC. which has a large downloadable image.

Though he also painted wonderful landscapes, Martin Heade’s standout subjects are his portrayals of exotic flowers and birds. Here, he sets a striking pink orchid against a mist enshrouded forest, and includes three rare hummingbirds and a nest with eggs.

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Angela Hao

Angela Hao
Angela Hao

Angela Hao lives and works in the U.S., but makes virtual visits to Japan via Google Street view, capturing the charm of small, quirky storefronts in digital ink and watercolor style illustrations she creates in Procreate.

These are delightlfully whimsical and take note of the small details that give each little store its own personality.

She has prints available on inPrint.

Via My Modern Met

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Eye Candy for Today: Edward Seago scene of Rome

Ponte Sant'Angelo, Rom, Edward Seago
Ponte Sant'Angelo, Rom, Edward Seago

Ponte Sant’Angelo, Rome, Edward Seago; 20 x 30 in. (51 x 77), link is to Bonham’s auction from 2019. I assume it’s currently in a private collection.

Edward Seago, a British painter active in the early to mid 20th century, is one of my favorite landscape painters. I particularly love his brushy, painterly application of paint, as is evident in this view of the famous bridge in Rome.

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Emilio Ocón y Rivas

Paintings by Spanish marine artist Emilio Ocon y Rivas
Paintings by Spanish marine artist Emilio Ocon y Rivas

Emilio Ocón y Rivas was a 19th century Spanish artist specializing marine subjects, perhaps unsurprisingly as he lived in Malaga, the bustling port city on Spain’s Medterranean coast. He is considered responsible for founding the School of Marine Artists there.

He had a particular touch for atmosphere and his paintings show the moods of the sea, sunny and tranquil, stormy and dark.

Cautionary note to contemporary painters: Ocón died of lever disease brought on by the ingestion of paint – due to his habit of bringing his brushes to a point in his mouth.

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