With summer in full swing, we're once again having fun with fashion. With a personal commitment to keep the all black outfits to a minimum and to try incorporating more color and patterns into my rotation, I'm looking to celebrities for inspiration. This week, our favorite looks come from street style and press days. Olivia Rodrigo has been out and about in outfits both dainty and edgy and has been playing with the combination of colors and patterns. On evening out in New York City, Tessa Thompson reminded us of the power of pattern clashing in draped patchwork dress. And, on a press run in France, Colman Domingo reminded us that men's fashion can and should be fun, too.
Oh, and Kylie Jenner is back in Turks & Caicos and, in between the slew of bikini inspiration she fed us, there were some fashion moments too—an ultra deep side plunge caught our eyes in particular.
Ahead, the celebrity looks from the past week inspiring our summer wardrobes.
Week of June 1st:
Olivia Rodrigo
Leaving BBC Studios, Olivia Rodrigo paired polka dots with a neon green for a look that was vintage-inspired and ultra feminine.
There is something about a leather mini skirt and graphic tee that just works—it's edgy and tows the line between dressed up and casual. This week, out and about in London, Olivia Rodrigo reminded us of this tried and true outfit formula.
Tessa Thompson
Tessa Thompson was spotted leaving ABC Studios in New York City in a look that reminded us of the power of pattern clashing—especially as the weather heats up. Her dress featured patches of different prints that together made a dress both bold and chic.
Chase Infiniti
For an appearance on The Daily Show, actress Chase Infiniti wore a full burgundy look from Oude Waag's Fall 2026 collection: a cropped jacket, a draped skirt, and a blouse with a dramatic tie detail.
Colman Domingo
Colman Domingo is a fashion icon, plain and simple. In this case, his slightly flared cream pants, long gray quote, and oversized plum tie for a day of press in France reminded us that men's fashion can be fun, too.
Kylie Jenner
On a Turks & Caicos beach, Kylie Jenner tested the limits of a side plunge in a white racer-back maxi dress.
Week of May 25th:
Kaia Gerber
When we want to look laid-back and cool but chic at the same time, we often find ourselves turning to Kaia Gerber for inspiration. On a stroll through New York City this week, Gerber paired a black t-shirt with three quarter length sleeves and a flattering hem with classic blue jeans and black ballet flats.
Over in Los Angeles, Kaia Gerber had us realizing that trench coats work for summer, too—especially in white. She paired her white trench coat with the it-girl shoe of the season (thong heels), a black midi skirt, and a red shoulder bag.
Dua Lipa
For a DUA by Augustinus Bader pop-up event in Paris, Lipa wore a two-toned embellished mini dress from Isabel Marant's Fall/Winter 2026 collection.
With a book as her best accessory, Dua Lipa paired a red top with a deep plunge and neck tie detail with mid-rise blue jeans and a black belt.
Chloe Fineman
Something about Chloe Fineman's straight from the hair salon look just speaks to me. The white tank with the button up wrapped around her waist paired with the oversized black trousers and black flip-flops are effortlessly chic on their own, but the clips still in her hair really make the look.
Mindy Kaling
For the New York City premiere of her new series Not Suitable For Work, Mindy Kaling was golden in an intricately embroidered midi dress by Australian designer Rachel Gilbert.
Ayo Edebiri
We didn't really need to be reminded that Ayo Edebiri is a cool girl, but we were nonetheless. Edebiri paired oversized black pinstriped trousers with classic black Tabi flats, a baggy white graphic t-shirt, a denim jacket, and a baseball cap.
Hilary Duff
For her first appearance at the American Music Awards in decades, forever icon Hilary Duff wore a shimmery silver chainmail dress by Rabanne.
Teyana Taylor
For the 2026 American Music Awards, fashion icon Teyana Taylor wore a radiant purple semi-sheer dress by Balenciaga. The show-stopping element? The ultra high thigh slit.
Week Of May 18th:
Daisy Edgar-Jones
Out and about at the Cannes Film Festival, Daisy Edgar-Jones once again taught us something about transitional dressing. She wore white jeans, black flats, and a gray knit short sleeve top with a matching cardigan tied over her shoulders. Plus, she completed her look with the highly coveted Balenciaga Rodeo Bag in a brown suede.
Out and about at the Cannes Film Festival, Daisy Edgar-Jones wore the black coated metallic cotton Joey Dress and Winslow Jacket from FFORME's Spring/Summer 2026 collection.
Natalia Dyer
For a Stranger Things Netflix event in Los Angeles, Natalia Dyer wore a long sleeved lace mini dress with a burnt orange overlay and matching tie details on the cuffs and neck.
Kaia Gerber
Leaving an event for her book club Library Science, Kaia Gerber presented us with an easy to execute yet chic spring and summer outfit formula: cropped lacey top, mid to low rise blue jeans, and black ballet flats. Her greatest accessory? The stack of books in her hand.
Tilda Swinton
We didn't necessarily need to be reminded of this, but Tilda Swinton is a fashion icon through and through. For the premiere of La Bola Negra at the Cannes Film Festival, Swinton wore a two piece set from Chanel's Spring 2026 Haute Couture collection featuring a burnout velvet finish.
Dua Lipa
For another day in Cannes, Dua Lipa wore a textured dress by Jacquemus.
To celebrate her skincare line DUA by Augustinus Bader launching in Selfridges, Lipa wore Kim Shui's classic v-neck butterfly print silk chiffon dress, styled by Lorenzo Posocco.
Iris Law
For the Louis Vuitton Cruise show, Iris Law embraced pattern clashing in a black and white patterned crop top and bronzey beige patterned long shorts.
Zendaya
Zendaya attended the Louis Vuitton Cruise 2027 show in a silky, shiny gray slouchy, off-the-shoulder mini dress and pumps that perfectly matched.
Bella Hadid
Bella Hadid brought crochet to the Cannes Film Festival, and in the most sultry way imaginable. The custom Schiaparelli gown was slightly sheer, featured a deep plunge and long sleeves, and reportedly required over 22,000 hours of embroidery work.
Week Of May 11th:
Cara Delevingne
At the Cannes Film Festival, model and actress Cara Delevigne debuted a French girl fringe hairdo and wore a perfectly tailored navy pinstriped suit by Tom Ford by Haider Ackermann.
Natasha Lyonne
Natasha Lyonne reminded us that Valentino's Rockstud heels are so back. Ahead of the Met Gala, Lyonne paired her white heels with white lacey tights, a floral embellished jacket, a denim mini skirt, and blueish gray lace top. Her look was complete with Valentino's Panthea bag.
Florence Pugh
For the 2026 Netflix Upfront event, Florence Pugh wore an ivory silk dress with long sleeves, slightly puffy shoulders, and a poppy motif from Simone Rocha's Spring/Summer 2026 collection.
Lady Gaga
At the premiere of Apple Music Live: Lady Gaga MAYHEM Requiem, Lady Gaga reminded us why exactly she's a fashion icon. Gaga pulled a red and black gothic dress from Givenchy's Fall/Winter 1997 Haute Couture collection.
Isabelle Huppert
At the Cannes Film Festival, Isabelle Huppert said goodbye to Balenciaga and hello to Gucci. She paired a pleated red gown with matching red opera gloves and Chopard jewelry.
Julia Fox
I think it's time that we crown Julia Fox the queen of pattern clashing—in the most fun, positive, and chic way imaginable. For the "Voyage Through the Diamond Realm" event in New York City in a dress from Viktor & Rolf's Fall/Winter 2021 Couture collection consisting of patchwork tapestry materials and mismatched bows.
Simone Ashley
Simone Ashley reminded us that the day-to-day, off-duty looks at Cannes are equally as important as the red carpet looks. And, she reminded us of the power of a simple, floral-printed midi dress for spring and summer.
Dua Lipa
Dua Lipa simmered in silver sequins from head-to-toe: a zip up mini dress and zip up boots to match.
Dua Lipa is one of our naked dress queens—and she has just reminded us of why. Recently, Lipa posed in a sheer black lace GCDS mini dress with tall, lace-up Christian Louboutin boots.
Lipa lounged in a white two piece set: a halter bra top dripping in sequins and fringe, and a sheer lace skirt.
Week Of May 4th:
Daisy Edgar-Jones
Daisy Edgar-Jones reminded us that we are still (somehow) in a transitional period seasonally—not that we necessarily needed that reminder. She did, however, give us the perfect, tried and true outfit inspo for this trying time: classic jeans, black boots, a trench coat, plus a sweater wrapped around her shoulders.
Bella Hadid
For a launch event for a her brand Orebella, Bella Hadid wore Chloé from to head to toe: a dainty white lingerie inspired mini dress with puffy leaves and precious lace detailing, and chunky chestnut brown clogs.
Kylie Jenner
Kylie Jenner would pair a $38 basic white tank top with a $63,000 Birkin bag for a Knicks game. That dichotomy aside, what really caught our eyes (aside from her perfectly fitting bootcut jeans) were her Miu Miu Mules in Knicks orange.
Billie Eilish
Speaking of Miu Miu Mules! For the premiere of her concert film, Billie Eilish: Hit Me Hard And Soft, Billie Eilish paired gray Miu Miu mules with a full Prada look: a baggy polo over an oversized white button up top, a black pleated skirt, and red and navy blue knee high socks.
Chase Infiniti
In a colorful, tasseled dress featuring sequins in the form of the female body, Chase Infiniti was 2026 Met Gala MVP.
Eileen Gu
Okay, I have two Met Gala MVPs. I would be remiss if I didn't mention Eileen Gu in Iris Van Herpen: a mini dress constructed of clear glass bubbles with a bubble machine built in.
Dua Lipa
Dua Lipa walked the stone streets of Copenhagen in denim cutoffs (accessorized with a black belt), a black and white striped long-sleeve shirt, and thong heels.
Week Of April 27th:
Billie Eilish
For the London premiere of Hit Me Hard And Soft: The Tour, Billie Eilish wore Celine from head to toe: a perfectly oversized a perfectly oversized wool suit jacket, royal blue button up top that peeked through, pleated trousers, a neck-tie, and black and white low-profile sneakers.
Sarah Pidgeon
Out and about in NYC, Sarah Pidgeon served much needed pops of color and pattern. She wore a strawberry red button up top with a slight peplum, classic light wash jeans, Chanel pumps with strawberries on the heels and, to complete the look, an oversized leopard print Chanel flap bag.
Hailey Bieber
Hailey Bieber might just have us trading in our baby tees for oversized tees. Bieber made a strong case with casual dressing and minimalism in a slightly oversized long sleeve white tee shirt, classic blue jeans, and the it girl shoe of the moment: her heeled Toteme flip flops.
Laufey
Laufey brought the naked dress trend to the 2026 Billboard Women In Music event—and in the most coquette way imaginable. She wore a vintage-inspired sheer Chloe dress featuring frills, lace details, and black neck tie detail.
Anne Hathaway
If I was Anne Hathaway, I would be wearing this leopard print Michael Kors coat on repeat, too. This time she paired the coat with a bright red dress, red Manolo Blahnik pumps, and a croc Aspinal of London bag.
Janelle Monáe
As we patiently await Janelle Monae's Met Gal 2026 look, her "Is God Is" premiere look will do in the meantime. For the NYC premiere, she wore Abdoi Transylvania Fall 2026 look featuring a dramatic white ruff collar, black velvety and sheer satin and ribbon fabrics, and tiers of volume.
A$AP Rocky
Full disclosure: A$AP Rocky is team Coveteur's communal celebrity crush. Can you really blame us? For Chanel's 2027 cruise show in Biarritz, France, Rocky wore a tan suede jacket, a red button up shirt, gray pants, reddish brown shoes, and a bubble-gum pink Chanel flap bag.
Audrey Nuna
For the 2026 Billboard Women In Music event, Audrey Nuna was a vision in two shades of ballerina pink. Her Raf Simons look consisted of a slouchy, cowl-necked knit top and skirt featuring a bubble silhouette layered over tulle.
Twenty-twenty-six is a big year for those who like their art with a side of pop culture. Many of the world’s major museums and galleries are banking on big names for their first shows. Take Ghosts by Eliza Douglas at Gagosian, which celebrates the artist’s first solo New York exhibition with a body of work that nods to the iconography of advertising. In London, Tate Modern showcases stunning Tracey Emin work that And Just Like That... fans might recognize, while the V&A is going all in on Schiaparelli. Finally, the National Gallery of Iceland is celebrating Björk’s upcoming album with a three-work installation from the artist (plus an accompanying show from her frequent collaborator). Whether you’re fashion, music, or TV-minded, there’s something for you—and we’re still less than halfway through the ever-growing art calendar. More will come both in the U.S. and abroad, so if you’re planning some cultural stops for your next trip or just looking to see what’s on view in your neighborhood, consider this your all-encompassing guide to the can’t-miss art shows of the year.
After two decades spent developing a highly influential, distinctive artistic practice centered on the depiction of Black womanhood, Mickalene Thomas has, for the first time, turned her creative eye toward Black masculinity. An entirely new body of work, Beneath the Moonlight, will be on display at the Shepherd in Detroit from June 6 through August 23, 2026, presented by Library Street Collective. The exhibition includes large-scale paintings, collages, and photography, as well as Thomas’s trademark staged settings. “The representation of masculinity spoke to me more, and using the Black male body as a vehicle, as a conduit to express those ideas that are resonant and paralleled to my concepts that I’m already working within with the female body,” Thomas said in a release. She worked with models beyond the gender binary to create her works, exploring themes of representation, stereotypes, and self-agency. She was inspired, in part, by the work of photographers like Quil Lemons and John Edmonds, who represent a new generation of artists grappling with themes of identity. To accompany the show, a catalog featuring original essays and interviews, designed by artist Bob Faust, will also be available for visitors to read. Beneath the Moonlight follows Thomas’s first major touring solo exhibition, All About Love, which debuted at The Broad in 2024.
Mickalene Thomas, Perfectly Purple Standing, 2026 | Courtesy of the Artist and Library Street Collective
Ghosts is filled with firsts. It is Eliza Douglas’s first solo exhibition in New York, her first at Gagosian, and the first in a new program at the gallery consisting of solo presentations by different artists curated by Francesco Bonami. “The unique and historic character of the Park Avenue and 75th Street location is an ideal space for a laboratory of fresh perspectives that will complement the gallery’s existing programming,” Bonami says of the series, which kicks off on May 12 with a display of Douglas’s “meta-paintings.”
The works in Ghosts borrow from the iconographies of advertising and popular culture, blending them with gestural abstraction. Through this practice, Douglas emphasizes art’s status as a consumable good. Those familiar with the artist’s work may recognize some of the pieces in Ghosts because they are reworkings of paintings she exhibited over the past decade at her gallery, Air de Paris. In this new show, she combines the existing compositions with selfies taken by her aunt, Leslie Kean, an investigative journalist who has long been reporting on UFOs and “otherworldly phenomena.” Douglas also pulls from a 2022 group exhibition at Gagosian London titled Haunted Realism, which explored the idea that the past continually haunts the present. Douglas has always toyed with the idea of hijacking, but Ghosts marks the first time she has incorporated such a practice into her production. The use of an existing body of work acknowledges the constant repackaging of cultural products. As theorist Mark Fisher says, “Those who can’t remember the past are condemned to have it resold to them forever.”
Ghosts is on view at Gagosian Park and 75th location through July 31.
Studio2M has opened in SoHo as a workshop and exhibition space—and for its inaugural exhibition, founder Abby Caulkins has asked French artist Marie Hazard and Portuguese designer Constança Entrudo to collaborate on a body of work. The result is Ad Hoc, an exhibition that provokes a dialogue between art and fashion while deconstructing the usual hierarchies found within both disciplines. Hazard provides tactile compositions with poetic narrative qualities and installations combining weaving, beading, and crochet. Similarly, Entrudo uses digitally layered textiles to explore the ideas of weaving as a language and the intersection of craft and technology. Together, they push the limits of traditional weaving practices, blurring the boundaries between fashion show and performance, and taking into consideration the connections between fabric, space, and the body.
Ad Hoc will be on view at Studio2M from May 7 to June 13.
Intrinsically tied with music and sound, dance and movement have always played an integral role in spaces of collective organizing for liberation across the globe. On view at MCA Chicago through September 20, 2026, Dancing the Revolution: From Dancehall to Reggaetón underscores the histories and lasting impact of dancehall and reggaetón across visual, political, and spiritual registers. The major exhibition looks at how these musical genres have expanded beyond their “grassroots origins” and now serve as major shapers of culture on a global scale.
Spanning painting, sound sculpture, installation, photography, and video, Dancing the Revolution features the work of over forty contemporary artists, including Isaac Julien, Edra Soto, and Alberta Whittle, to name a few. The works in the show meditate on the revolutionary power of dance, particularly within the realms of dancehall and reggaetón, and how the practice functions not only as a source of joy but also of resistance. From sexual liberation to political protest, Dancing the Revolution positions dance and music as pillars of Black Atlantic history and culture, in the Caribbean and beyond. —Daria Simone Harper
Comité Colbert presents “the most exclusive exhibition on French luxury held in New York,” at The Shed from May 26 to 31. Hidden Treasures, 250 Years of Franco-American Luxury Stories brings together over 65 French luxury maisons and cultural institutions, along with their never-before-seen American archives. Together, these pieces illustrate two-and-a-half centuries of friendship between France and the United States, and the role luxury has played in that relationship.
Each luxury brand is represented by one singular artifact, and together, a story is told about two countries and their cultural dialogue. Hidden Treasures explores the diplomacy, identity, and popular culture shared across the Atlantic. Jewelry, hotels, fragrance, liquor, and more are all represented in the exhibition, which attempts to portray the universal language of beauty. Christofle tableware from the Normandie collection and a Louis Vuitton trunk represent the luxury of cross-Atlantic travel. A 1933 gown designed by Cristóbal Balenciaga and worn by American socialite Mona von Bismarck exemplifies the influence of French couture on American style. Pieces from Berluti, Hermès, Chanel, and more luxury brands add to the narrative. A Celine scarf printed with U.S. Mail iconography and a Christian Louboutin heel inspired by Cinderella’s glass slipper, meanwhile, proves that inspiration flows both ways.
French ceramist Emmanuel Boos is bringing his glazed porcelain practice to NYC with his first solo show in the United States. A “glaze consultant” for Hermès and the recipient of the “Special Mention” award at the 2024 Loewe Foundation Craft Prize, Boos has long boasted a transatlantic career. But this show, Noir C’est Noir, takes border-jumping to a new level. From April 9, Raisonné will host over 70 of Boos’s unique works, including coffee tables, side tables, stools, vases, and other objects. Together, these pieces illustrate Boos’s distinct style and exploration of fragile beauty and humorous practicality.
Boos’s porcelain practice allows him to embrace imperfection and welcome the unexpected, which he calls “happy accidents.” Also important to the process is Boos’s arrangement of his work within a space. There’s a modular aspect to this practice, with pieces grouped into various unfixed cohorts. This provides a reflection of the artist’s own nomadic life, and his closely held belief that meaning always exceeds function. “My practice of glaze does not aim for mastery nor domination,” the artist said in a statement. “I wish to slip into the glaze and develop a friendly relationship with chaos and eventually trust chance. It is emotion, sensuality, poetry.”
A piece from Emmanuel Boos’s show, Noir C’est Noir. | Raisonné/Zach Pontz
In his debut solo show, Hard Feelings, Palestinian-American photographer Dean Majd chronicles a decade of brotherhood, grief, gore, and glory. As a young boy, the Queens, New York-born artist was often left alone, with only a camera in his hand to document his loved ones. But the sudden passing of a childhood friend in 2015 thrust him back into the nocturnal and hypermasculine graffiti and skate scenes, where the odyssey of Hard Feelings begins.
Driven by devastating loss and a desire to record truth, Majd captures deeply intimate portraits, demanding reflection and healing. In early imagery like geri on the hellgate bridge or bohemian rhapsody, risk and bliss alike appear in ritual and full force, from a young man undergoing a rite of passage, to friends sharing a hotel tub. The trust between Majd and his community is palpable, offering his sitters and viewers the opportunity to confront self-destruction head on. Brutality and tenderness unfolds as Majd’s community allows him to lens aftermaths of self-harm, abuse, and death. As both participant and observer, the artist’s visual language is unflinching and profoundly empathetic. Notably, Hard Feelings begins and ends with celebrations of life. —Ayesha Le Breton
Dean Majd, Mohamed (Prayer), 2020. | Courtesy of the Artist
The worlds of sporting and art combine in a series of works on display now at Gagosian’s Beverly Hills gallery. Over the past two decades, American artist Jonas Wood has turned prominent tennis matches into works of art, depicting these on-court battles in oil and acrylic paintings. The works are uniform in their vantage point, with each placing the viewer behind the baseline. Players and officials are nowhere to be seen, while spectators make an infrequent appearance in the form of abstract brushstrokes or dots.
Wood’s paintings blur the line between abstraction and Pop Art. A painted wood pattern surrounds Wimbledon with Wood Grain (2025), while the dotted audience of Mexican Open (2025) places the court in a star-filled galaxy. Homages to Roy Lichtenstein come in the form of works like Paris Olympics with Crying Girl (2025) and Dubai with Nude with Blue Hair (2026), where the late artist’s iconic Crying Girl (1963) and Nude with Blue Hair (1994) frame the courts. There is a standard followed with each painting: saturated colors, similar dimensions, and repeated elements. This uniformity allows the differences to come alive, making you ponder—and rethink—each piece.
Since her first solo show in New York in 1986, Lorna Simpson has explored concepts of race, gender, identity, and subjectivity, archiving Black lives and experiences in vivid, boundary-breaking form. She changed the language of photography, turning the media on itself as she framed Black women with their faces just out of view, text collaged on the images that hinted at and asked the viewer to question how the women were seen. In the decades since, Simpson brought her renowned conceptual experimentation to collage, film, sculpture, and—beginning at the 2015 Venice Biennale—painting. Now, the legendary artist is opening her first major European exhibition at Pinault Collection’s Punta della Dogana in partnership with the Metropolitan Museum of Art. Third Person, running March 29 through November 22 at the Venice museum, features over 50 of Simpson’s paintings, spanning 20 years. There’s a special focus on the aforementioned large-scale works from Okwui Enwezor’s Biennale, never-before-seen offerings from Simpson’s personal archive, and new paintings made especially for this exhibition. —Ashley Simpson
Lorna Simpson, Woman on Snowball, 2020 | Courtesy of the Artist and Punta della Dogana
Ever since Arts and Letters NYC got a curatorial team (including Jenny Jaskey and curator Kristin Poor) two years ago, the uptown establishment has been increasingly showing up on downtown feeds. Rotated on the half year, a new suite of exhibitions has recently taken over Arts and Letters’s enviable rooms, including a mutation of Jessi Reaves’s first institutional solo show, which opened at the Walker Art Center earlier this year, and now has been reconstituted in a new configuration for Arts and Letters.
Cushions for tetris-like banquets welcome visitors into Art and Letters’s right wing; sitting atop these hand-painted perches, as you are encouraged to do, one can pivot in place and survey the show’s topography—namely, an archipelago of free-standing sculptures populated by a flock of reusable water bottles. Each water bottle bears a different paper cut-out of a bird, and these flightless creatures are like everything in Reaves’s world—a recombination. Reaves first made a name for herself in sculpture by dressing down modernist icons, Marcel Breuer seats and Le Corbusier lounges—until only their vulnerable essentials were left. Now more than a decade in, her attentions have turned elsewhere: to the empty promises of pure function and the transformative powers of accumulation. Here, a Nalgene bottle becomes a paper crane, a WPA mural becomes a bench, an art show in one city is something else entirely in a different location. By the time you’ve sat down, you’ve forgotten there is a painting underneath you. —Kat Herriman
Jessi Reaves, Big vanity with modesty flap, 2025 | Photo by GC Photography. Courtesy the artist and Bridget Donahue, New York.
For the next several months, tea will be served in the rotunda of the Solomon R. Guggenheim Museum. The occasion? Artist Carol Bove’s monumental new survey, which has taken on the Frank Lloyd Wright masterpiece as a co-conspirator rather than an obstacle. Bove—whose work has long explored the juxtaposition of geometries, both found and made—draws out the patterns and repetitions embedded in the architect’s design. In doing so, she reveals that the museum’s famous circle is in fact composed of countless rings and discs, to which she adds several of her own in metal, fabric, and paint.
As you ascend the building’s signature spiral, you travel in reverse chronology through Bove’s career. You might notice you are also moving from dark to light; Bove has applied a black-to-white ombré that unfurls floor by floor. It is a minimal intervention with maximum impact. It all comes into focus the higher you climb—Bove has consistently, and gently, adjusted the essential forms we think we know so well. By doing so, she renews them, revealing truths that were hidden in plain sight. The most glaring and delightful example? A diamond-shaped cut Bove has made in a false wall, which reveals a Joan Miró work that hasn’t been seen for decades.
It is an exhibition that insists you slow down and unwind time. It warms you up for the act of steeping by creating the conditions conducive for it: ample seating and something to sip. —K.H.
The Biblical narrative of creation is explored in a modern context in Beginnings: The Story of Creation in the Middle Ages. Paintings by American artist Harmonia Rosales are shown in dialogue with transcripts from the Getty’s collection, situating her work within the world of visual storytelling and placing her paintings in direct conversation with medieval representations of creation. Rosales has long been known to draw on artistic methods from the Renaissance and Baroque periods, combining them with African diasporic histories. She continues this practice with Beginnings by contributing a contemporary perspective shaped by West African spiritual traditions, adding to the ongoing conversation around creation. In addition to previous work, including Portrait of Eve (2021), Beginnings will feature a new piece, created in response to the significant illuminated manuscript, Stammheim Missal.
Beginnings: The Story of Creation in the Middle Ages is on view at the Getty Center in Los Angeles from January 27 to April 19.
Leonard Baby’s new show may have a quirky title, but don’t be fooled. Resting Babyface features work from the New York-based artist, which he created during a period of profound sadness. As a result, the paintings on display encapsulate the essence of vulnerability and the complexities of personal experience. This is nothing new for Baby, who often draws on his past and emotions in his work, transforming trauma into acts of resilience and self-acceptance. In Resting Babyface, Baby turns the focus to two very vulnerable settings: the bedroom and a therapist’s office. With this new set of work, Baby explores themes of aftermath and introspection, using the paintings as personal confessionals meant to leave viewers in a state of discomfort and ambiguity.
Resting Babyface is on view at Villa Carlotta in Los Angeles from February 26 to March 11.
Leonard Baby, Group Therapy. | Courtesy of Half Gallery
This February, the ICA Boston turns its attention to an artist-led institution that has shaped the fabric of New England’s art community since 1977. Founded by Dana C. Chandler Jr., the African American Master Artists-in-Residence Program (AAMARP) is one of the longest-running Black artist residency programs. Therefore, its story resonates not just on a local level but a national and international one. AAMARP’s influence can be felt far beyond Boston through its alumni network of artists, educators, and organizers. Conceived originally as a Black artist-led exhibition space, AAMARP evolved into a living ecosystem: part studio collective, part political area, and part cultural refuge, where new modes of working could take root even as institutional support shifted around it.
As the first exhibition devoted to AAMARP’s far-reaching legacy, it was essential for Mannion Family Curator Jeffrey De Blois to spend lots of time with members past and present. Developed in close dialogue with the founder Chandler before his passing in 2025, the show arrives less like a retrospective and more as a constellation of practices whose collective energy points outward. At the exhibition, the story of AAMARP’s community-driven approach is told through the work of five decades of participants. There are some folks you know. The rest are discoveries. Rather than closing a chapter, the exhibition feels like an opening gesture. —K.H.
Dana C. Chandler Jr., For the Children We Strive, 1991. | Photograph by Hakim Raquib
This new exhibition from photographer Ming Smith traces an artistic journey shaped by movement, experimentation, and freedom. The Detroit-born artist came of age at a time when Europe offered Black artists greater opportunity and receptivity. Smith’s travels abroad, specifically in the 1970s in Paris, proved formative; there, she encountered the evocative work of photographers like Brassaï and Henri Cartier-Bresson while developing a visual language of her own. This exhibition reflects on how those early experiences continue to inform Smith’s practice, highlighting photographs—many of which have been printed for the first time—that capture fleeting moments infused with rhythm, intuition, and motion. Smith’s work resists photography’s long-standing impulse to define, document, or objectify Black subjects. Rooted in the core principles of the Black Arts Movement, her photographs expand the medium beyond realism, often confronting and subverting the gaze itself. Her signature use of blur and abstraction is both poetic and political, mimicking the improvisational spirit of jazz while responding to the ways Black Americans are rendered simultaneously invisible and hypervisible. A pioneer for Black women in photography, Smith’s legacy lies in her innovation, her fearless experimentation, and her unwavering commitment to capturing the depth and richness of Black life. —Che Baez
Courtesy of the Ming Smith Studios and The Gund at Kenyon College
Ming Smith: Jazz Requiem–Notations in Blue is on view at the Portland Museum of Art in Portland, Maine from February 6th to June 7th 2026.
For the German artist Max Jahn, frames are just as important as the imagery inside of them. As part of his practice, Jahn painstakingly chooses each border for his painted works from his father’s antique shop. They are personal to him—as personal as the colorful portraits he creates, which will be on view in the new show, Time Spent Looking. The exhibition features both portraiture (like Self With Fan, a painting in which Jahn is depicted coyly holding a floral accordion fan to his face) and still life. Jahn paints what he knows; his subjects often come from within his social circle. His relationships with them—and by extension, his depictions of them—are shaped by time and prolonged observation. He paints his sitters for an hour at a time over the course of a week, in varying lights for each session. But his work in self-portraiture arguably features his most familiar subject of all.
Installation shot from Time Spent Looking at Gratin, New York. | Photograph by Jason Wyche; Courtesy of Gratin
Hailing from Berlin and growing up in the aftermath of German reunification in the ’90s, Jahn was raised with the ghosts of a different era. He spent time at his father’s antique store on Motzstrasse, in the heart of the Schöneberg neighborhood, where painters and poets ruled before the Second World War. Otto Dix, the Dutch Masters he studied at school, Balthus, and more combine to create Jahn’s own signature style, now on display in his first solo show in New York.
Time Spent Looking runs from January 29 to Match 2026 at Gratin New York.
Multidisciplinary artist and composer Samora Pinderhughes centers his work on one urgent question: “What if we built a world around healing rather than punishment?” In Call and Response, a new exhibition at MoMA on view through February 15, 2026, Pinderhughes beckons audiences to ponder this inquiry alongside him. The show comprises two core components including a two-channel film created with Christian Padron, REAL TALK,which examines the impact of absence on families whose loved ones are incarcerated. It also features a series of performances and programming developed in collaboration with community organizations in New York City.
Samora Pinderhughes and Christian Padron, still from REAL TALK, 2025. | Courtesy of the artist.
With Call and Response, Pinderhughes considers how narratives of criminalization are applied to groups of people to justify violence against them. “As a country, we’re willing to allow basically anything to happen if there’s this illusion that it will protect us from [who]ever is deemed criminal,” the artist said. The show is part of his stint as the 2025 Adobe Creative Resident at MoMA, and builds upon his work as a creator of The Healing Project, a community arts organization founded in the spirit of prison abolition. It also underscores Pinderhughes’s commitment to unearthing how art, particularly collective sonic practices, might contribute to collective healing and liberation. —D.H.
Sterling Ruby is an artist who, over the years, has become larger than life, a boldfaced name in both the art and fashion worlds. His work, moving across sculpture, textile, ceramics and video, explores themes of violence and the impacts of social norms while remaining autobiographical. His fashion line, S.R. Studio L.A.C.A., echoes his love of craft and feels very much due after years of lending inspiration for designers like his close friend Raf Simons. On January 30, the Los Angeles-based multihyphenate will present his first solo show in several years, running until March 28. Ruby’s new work, titled Atropa for the nightshade herb known for its deadly quality, is inspired by the duality of the deeply poisonous yet medicinal plant and the mythology that surrounds it. The Greeks associated the genus with the cutter of the thread of life. Ruby uses it as a launch pad for stirring watercolor collages, bronze flowers, and graphite pen-and-ink studies that switch between decay and vibrant bloom. As in all of Ruby’s work, material exploration is at the heart of the show. So are themes of mortality. An as usual, the exhibition is not to be missed.—A.S.
The American photographer Catherine Opie broke into art-world fame with portraiture of her early ’90s queer family, often friends from the Los Angeles S/M scene captured in the style of Baroque paintings. Early self-portraits, Self-Portrait/Cutting and Self-Potrait/Pervert display incredible tenderness, giving viewers the opportunity to lay down assumptions and connect with Opie’s community with equal depth. Over three decades later, the seminal artist will present the first major museum exhibition of her work in the U.K. at The National Portrait Gallery, from March 5 to May 31. Catherine Opie: To Be Seen will explore intimacy, home, and family—the personal and the political—through the photographer’s images of these communities, surfers, high school footballers, and more. Opie is directly involved in the curation of the show, which will speak in dialogue with the permanent collection of the museum. —A.S.
The French multidisciplinary artist Marguerite Humeau is known for reimagining and creating extinct worlds. One extensive land art project saw mystics and scientists lending expertise as Humeau brought to life 84 sculptures that could survive the climate apocalypse on land deemed unfarmable. Another gave Cleopatra a reborn voice as she sang in the nine extinct languages she was recorded to know. Now, Humeau will open a solo show for the first time at White Cube’s New York gallery. Open from January 16 to February 21, the exhibition blends stalactite-like and bat-shaped sculptures with works on paper, all inspired by a trip to a bat cave in West Papua. As in the case of previous work, the cave is not just a cave, but rather a metaphor for the unknown and the unnamable. Pastel drawings mimic prehistoric cave drawings. Stalagmite and stalactite sculptures help us navigate our precarious environment. The pieces reference John Koenig’s The Dictionary of Obscure Sorrows (2021): can Humeau’s sculptures give emotion to words we have yet to invent? Her new work certainly makes us feel.—A.S.
The public will experience a different side of the perennial musical enigma Björk when she returns to her native Iceland to stage a new art exhibition at the country’s National Gallery. Echolalia, as the show is called, is comprised of three immersive installations, the first of which will provide the public with a peek into the artist’s upcoming album. The two other works, Ancestress and Sorrowful Soil, both honor Björk’s mother, environmental activist Hildur Rúna Hauksdóttir, who passed away in 2018. While these pieces were originally released with Björk’s 2022 album, Fossora, their presentation at the museum will allow for a more theatrical experience. Ancestress, specifically, features a film set in a remote valley in Iceland where a ritualistic procession is taking place. Björk and her son, Sindri Eldon, star—with contributions from filmmaker Andrew Thomas Huang and James Merry, Björk’s co–creative director and the designer of the masks and ritual objects worn in the video.
Those especially interested in Merry’s work will have the opportunity to stop by his show, Metamorphlings, running simultaneously with Echolalia at the National Gallery. The first museum retrospective of Merry’s work, Metamorphlings features 80 pieces offering a look into his artistic output over the last decade. Heavily focused on the mask, the exhibition showcases Merry’s craftsmanship while exploring the piece as a catalyst for performance and transformation. Using embroidery, metalwork, 3-D printing, and jewelry, Merry has created masks for Tilda Swinton and Iris Van Herpen; they will be on display together for the first time.
Echolalia runs from May 30 to September 19, 2026, while Metamorphlings runs from May 30 to October 3, 2026.
James Merry, Greenman, 2017. | Photograph by Tim Walker
The V&A is staging a century-spanning exhibition on Schiaparelli, marking the first time the fashion house will be the sole subject of a museum show in the U.K. Opening March 28, Schiaparelli: Fashion Becomes Art will trace the brand from its birth in the 1920s to the present day, exploring Elsa Schiaparelli, the woman, as well as her role as an innovator and key figure in interwar fashion. The exhibition will follow Schiaparelli around the world, from Paris to New York and London, with a focus on the latter—specifically, Schiaparelli’s British clients and the founder’s relationship with the city.
Over 200 objects will make up the exhibition, including archival garments, accessories, jewelry, paintings, photographs, sculpture, furniture, and perfumes. Some of Schiaparelli’s most unique designs—including the “Tears” dress and the famous upside-down shoe hat—will be on display, placed alongside art by her contemporaries like Pablo Picasso and Man Ray. The V&A worked with Schiaparelli and the fashion house’s current creative director, Daniel Roseberry, whose designs will also be featured.
Schiaparelli: Fashion Becomes Art will run through November 8, 2026.
Those who sit in small Venn diagram of And Just Like That... viewers and fine art lovers were likely horrified to see Tracey Emin’s seminal work imitated, and then tossed aside in the Sex and the City reboot’s final season. Luckily, Tate Modern is stepping in to provide Dame Emin with deserved credit, by mounting an expansive exhibition tracing four decades of the artist’s work—showcasing her most influential pieces alongside those that have never been exhibited until now. Through painting, video, textiles, neons, writing, sculpture, and installation, Emin has long challenged society’s view of the female body, as well as the line between public and personal. She did this most notably with her 1998 piece, My Bed, using the conversation that sparked around this controversial piece to further challenge the definition of art at the turn of the 21st century. At Tate Modern, My Bed and more work will be on display in a celebration of Emin’s raw and personal approach to artistic expression.
Tracey Emin runs at Tate Modern from February 27 to August 31, 2026.
Dan Flavin’s grids take center stage for the first time at David Zwirner New York, in a new exhibition that explores the matrix-like vertical artist’s body of work, which first gained prominence in the mid 1970s. Like much of Flavin’s fluorescent lamp-based pieces, the grids simultaneously highlight and redefine every space in which they’re installed. This latest exhibition features Flavin’s first two grids: untitled (for Mary Ann and Hal with fondest regards)1 and 2. Both created in 1976, they will be installed at Zwirner identically to their debut at the Otis Art Institute Gallery, Los Angeles, where they sat kitty-corner to one another in a single room. Other pieces, including four-foot creations like untitled (for you, Leo, in long respect and affection) 3 and 4, illustrate Flavin’s exploration of scale within the format. They are contrasted by untitled (in honor of Leo at the 30th anniversary of his gallery), which spans 24 feet. Flavin’s dedications within the work provide a second narrative to the exhibition, one that follows the many people who helped support the artist’s career. Former gallery director of the Otis Art Institute Gallery, Hal Glicksman (and his wife Mary Ann), plus his longtime New York dealer Leo Castelli are just some of the figures represented through this set of work.
Dan Flavin’s Grids will run from January 15 to February 21, 2026, at David Zwirner New York.
Gloria Klein, a contemporary artist known for her bold, expressive work, is championed in a new lively exhibition of paintings, and her first solo show, at Anat Ebgi in New York. Featuring works from the late 1980s and early ’90s, the exhibition immerses viewers in Klein’s hypnotic, repeated diagonal hatch marks that stack and shimmer across the canvas. While her work nods to Minimalism and Conceptual art, it is joyfully rooted in the Pattern & Decoration movement and the feminist embrace of so-called “women’s work,” transforming repetition, ornament, and labor into something bold and eye-catching. Klein’s stitch-like marks echo the crowded streets of New York, visual noise, and the early digital pulses of the 1980s. Visually addictive and intellectually playful, Crisis Management is an irresistible invitation to step into Klein’s radiant world, and the feminist spirit that animates it, up close.
Gloria Klein: Crisis Management is on view at Anat Ebgi through February 28, 2026.
Gloria Klein, Bon Voyage/Semaphore, 1987 | Courtesy of the estate of Gloria Klein and Anat Ebgi
The international retailers continue their quest to make designer brands more accessible, and now, it’s time for Mango and Eckhaus Latta to team up. The two labels have released a summer collection that marries Eckhaus’s experimental nature with Mango’s universality, bringing the cult favorite New York brand to the masses. Denim shines with foil finishes while sheer fabric pops up in dresses, tops, and skirts. Paillettes dangle from the detachable belt of a diaphanous shirt, and braided leather is woven into totes and handbags. Eckhaus Latta’s ethos is absolutely there, guided by the hand of Mango, and the result is a wardrobe that will keep you cool (in both senses of the term) all summer long. Mango x Eckhaus Latta is available now on mango.com.
The budding relationship between Bad Bunny and Zara has finally reached its peak. After wearing custom looks by the retailer to both the Super Bowl and the Met Gala this year, Bad Bunny has switched from customer to designer, creating a 150-piece capsule with the brand. Inspired by Bad Bunny’s identity, the collection is named after the Puerto Rican performer, who was born Benito Antonio Martínez Ocasio. Ocasio worked with his longtime creative director, Janthony Oliveras, on clothes that fit distinctly within the musician’s point of view. Graphic tees in an array of colors, patchwork boxer shorts, zip-up hoodies, and baseball caps comprise the majority of the collection, which is just begging to be worn throughout summer. A double-breasted blazer and an array of more casual button-downs will make going into the office this July a little more bearable. Benito Antonio is comprised of everyday essentials, but with details that make it unique. Patterns clash, pinks shine bright, and the slogan, “The only thing more powerful than hate is love,” which he declared during his historic Grammy win, encapsulates the joy in these clothes. Benito Antonio is available now at zara.com and in select Zara stores worldwide.
Tiffany & Co.’s Sixteen Stone Solitaire Diamond Ring
When Raye wrote the lyrics, “I would like a diamond ring on my wedding finger,” we can only imagine she had Tiffany & Co.’s Sixteen Stone Solitaire Diamond Ring in mind. The piece is the newest expression of Tiffany’s storied Sixteen Stone collection, continuing an evolution started by Jean Schlumberger in 1959. The classic X motif is featured throughout the ring, creating the illusion of diamonds held together by metal threads. In the center sits a solitaire stone, available in 2 to 2.99 carat sizes, and set with a basket of X-shaped prongs. Crafted in platinum and 18k yellow gold, the design is perfect for everyday wear or saved for special occasions.
Courtesy of Tiffany & Co. Sixteen Stone Solitaire Diamond Ring
Louis Vuitton Nicolas Ghesquière Soho Pop-Up
Louis Vuitton is paying homage to its beloved artistic director, Nicolas Ghesquière, with a pop-up-store-slash-exhibition in New York City dedicated to him. Located in Soho, the space features a curated retrospective of Ghesquière’s iconic ready-to-wear looks from throughout the years, all available for purchase. In addition, a separate gallery spotlights various styles of Ghesquière’s Petite Malle, originally introduced in the fall/winter 2014 show. The mini-exhibition aspect is emphasized by large screens in the center of the main space that project archival footage from runway shows of the collections on view, ranging from spring/summer 2019 to fall/winter 2025. It is truly a celebration of Ghesquière’s Louis Vuitton, and it’s open to the public from now through early June.
Courtesy of Louis VuittonCourtesy of Louis Vuitton
Isabel Marant x Havaianas
Your summer footwear solution is here. Isabel Marant and Havaianas have come together as brands from distinct cultural universes to create a limited-edition capsule of two flip-flop styles. First, there’s a reinterpretation of Havaianas’s classic design, now finished in red and tan tie-dye. Those who want something a bit bolder will gravitate toward the all-new Havaianas Puffed, a bold flip-flop that emphasizes volume and comfort alongside style. Black and white designs are finished off with puffer-like straps, studded with metal embellishment for additional edge. Though flip-flops, these shoes will undoubtedly fit in just as well on the city streets as on the beach, allowing for a relaxed, yet elevated addition to your summer wardrobe. Havaianas x Isabel Marant launches on Friday, May 22, at select Havaianas and Isabel Marant stores around the world as well as on both isabelmarant.com and havaianas.com.
Courtesy of Havaianas and Isabel MarantCourtesy of Havaianas and Isabel Marant
Balenciaga x Manolo Blahnik
The heels featured in Balenciaga’s fall 2026 collection—a brainchild between the fashion house and Manolo Blahnik—can finally be yours. Three styles make up the capsule collection, inspired by pieces from the Manolo archives and chosen by Pierpaolo Piccioli. The silk-satin shoes are offered in both slingbacks and mules at 105mm and 55mm. The designs are all rendered in black with injections of butter yellow, emerald, and violet, hues that feel both quintessentially Balenciaga and Manolo Blahnik. A hand-embroidered, asymmetric crystal leaf ornament tops every pair, and negates the need for additional jewelry. “This collaboration came to life for very personal reasons,” Piccioli said in a statement, adding matter-of-factly: “I simply like Manolo. That’s it.” The collaboration is available online now at balenciaga.com and in select stores.
Louis Vuitton is continuing its expansion of the Color Blossom collection, officially adding timepieces to the fine jewelry line. The new watches capture the design signature and colorful expression of the house’s iconic monogram flower, placing the sun-shaped emblem at the center of the design. The pieces are offered in four versions, including one that boasts a mother-of-pearl dial, steel case, and light beige strap. Other varietals add color in the form of pink gold and yellow gold cases, amazonite dials, and the most glamorous option set with nearly a carat of diamonds. All offer an elegant, refined look, allowing the piece to sit at the crossroads of jewelry and watches.
“We wished to reinterpret an iconic jewelry collection, presenting a women’s timepiece with a jewelry spirit,” said artistic director at La Fabrique du Temps Louis Vuitton, Matthieu Hegi. “With the mother-of-pearl or hardstone dials, or a diamond-set case, there is also an inherently precious essence, which perfectly reflects the Color Blossom collection.”
Photograph by Inez & Vinoodh; Courtesy of Louis Vuitton
Audemars Piguet x Swatch Royal Pop Watch
Watch purists, look away. As more and more fashion brands continue to dip their toes in high/low collaborations, it only makes sense for the watch industry to follow suit. And based on the excitement and lines forming outside the Swatch store almost a week ahead of the release, the market is absolutely there for the new Audemars Piguet x Swatch Royal Pop Watch.
Fine watchmaker Audemars Piguet has teamed with Swatch on the Royal Pop, a new collection that combines AP’s iconic Royal Oak design with the modern and colorful Swatch Pop watch. The Royal Pop is a pocket watch, produced in eight eye-catching colors. The piece features design elements of the Royal Oak: an octagon shape and bezel with eight screws. The front of the watch is pretty sleek, but a flip over reveals an explosive back with the “Royal Pop” logo emblazoned in large letters. Three calfskin lanyards of varying length and a small removable strap allow the piece to be worn around your neck, on your wrist, in your pocket, or attached to your bag as another charm next to your decaying Labubu. Basically, however you dream of styling this piece, you can achieve it. That is, if you can get your hands on it. The Royal Pop will be available on May 16 in selected Swatch stores. Likely, they’ll be sold out not long after.
Courtesy of Audemars Piguet x SwatchCourtesy of Audemars Piguet x Swatch
Jacques Marie Mage by Haider Ackermann
Jacques Marie Mage’s commitment to artisanal precision meets Haider Ackermann’s singular vision to bring us a special collection of limited-edition eyewear. The three frames represent Ackermann’s fashion instinct, as well as the polish and sophistication for which he is known. Simple yet resonant, the pieces are made for standing out in the best way possible. Titanium and acetate options offer sleek accessorizing, while leather-wrapped versions of two of the designs add sumptuous texture. “We have a mutual passion for what we do, and a mutual appreciation for a non-compromising approach to design,” JMM founder and creative director Jérôme Mage said about himself and the Tom Ford designer. “We really bonded over that commonality, the idea that design is a presence in every part and phase of your life.” The collection is available now at JMM Galleries, jacquesmariemage.com, and select retailers worldwide.
There’s a new It bag on the horizon. Givenchy has released the Voyou bucket bag, which takes its name from French slang for a mischief-maker. The Voyou is chic yet practical, with biker-inspired finishes on a leather drawstring bag perfect for daily use. The piece is crafted in calf leather with a fine grain and glossy finish. A top handle as well as adjustable, over-the-shoulder and crossbody straps allow for versatility of wear, while a generous central compartment invites the wearer to toss in all their daily needs. With a pull of the drawstring, the bag’s shape transforms, creating a unique triangular silhouette that fits comfortably on the arm. The Voyou is offered in ivory, light pink, chocolate, or black leather with gold-finish hardware, and in cobalt blue leather with silver-finish hardware. It is available now in-store and online at givenchy.com.
Sarah Pidgeon carries Givenchy’s Voyou Bucket Bag | Jose Perez/Bauer-Griffin/GC Images/Getty Images
If you don’t consider yourself “Rock Royalty” enough for H&M x Stella McCartney and the Old Navy x Christopher John Rogers collab is a bit too bright for you, you’re in luck. These days, there’s a high-low designer collaboration for everyone, with Gap x Victoria Beckham rounding out the trio currently on the market. Posh is all set to release a 38-piece collection with Gap, the first of a multi-season partnership between the international retailer and British designer.
“To me, Gap is an all-American icon—a brand that has always created timeless pieces for everybody’s wardrobe, with a sharp attention to detail,” Beckham said in a statement. Timeless is definitely a keyword when describing the resulting collaboration. For this first foray, Beckham focused on the building blocks of a wardrobe: denim, khaki, tees, shirting, and fleeces. The designer makes her mark on the pieces with her signature subtly stitched in red, while classic Gap logo hoodies and tees boast the addition of her name. There is a clear vintage influence thanks to the inclusion of Gap silhouettes from the ’80s and ’90s and utilitarian themes round out the offerings. The Gap x Victoria Beckham collection launches April 24 on Gap.com and in select Gap stores globally.
Courtesy of GapCourtesy of Gap
Burberry x Hunza G
Burberry is doubling down on summer, following up its recent High Summer collection by collaborating with one of the biggest brands in swimwear: Hunza G. Launching just in time for beach weather, Burberry x Hunza G combines the latter’s signature silhouettes and Original Crinkle ultra-stretch fabric with iconic Burberry colors and patterns (yes, including the check). Hunza G’s Faye, Tyler, Domino, and Devyn styles are reimagined in a heritage-inspired color palette of black, white, metallic cocoa, and red. Each piece comes with a matching scrunchie to complete the look. Burberry x Hunza G is available now on burberry.com and hunzag.com, as well as in select stores worldwide.
Those who devoured every piece of content from Alexandra Leclerc’s wedding to Ferrari driver Charles Leclerc are in luck. Just in time for the Miami Grand Prix, Frame has released a new collaboration with the influencer and art curator. The 21-piece collection is inspired by the glamour of Monaco and designed as a complete wardrobe of European summer essentials. A new denim silhouette, The Leo, offers a relaxed, low-slung fit, while a leather option allows for a slightly more elevated look. The season’s hottest pattern, gingham, is represented in capris and a matching top, while a floral silk scarf makes for the perfect accessory. “This collection is really a reflection of my everyday life and wardrobe: what I wear, where I go, and how I move through Monaco,” Leclerc said in a statement. “It felt natural to bring Frame into that world and capture the city and collection through a personal, lived-in perspective.” The capsule collection will be available on May 1 in Frame stores, at frame-store.com, and at select retailers globally.
Photograph by Robin Galiegue Photograph by Robin Galiegue
Giorgio Armani’s Armani/Archivio
Giorgio Armani has launched the second iteration of Armani/Archivio, a project designed to preserve and enhance the brand’s heritage and legacy. The interactive platform was created in 2025 to mark the brand’s 50th anniversary and to collect and organize Armani’s archives in a publicly accessible online library. At this point, it has over 200 collections listed, featuring over 5,500 runway looks and more than 30,200 individual items. Now, Armani is taking findings from that archive and turning a handful of the best designs into reeditions. Thirteen men’s and women’s looks from Armani collections between 1979 and 1994 have been reproduced for sale. This first capsule focuses on the jacket and the many iterations on the outerwear designed by Armani in those fifteen years, with pieces specifically selected for their enduring relevance. The Armani/Archivio collection will be available on armani.com in early May as well as in select Giorgio Armani boutiques.
Photograph by Eli Russell LinnetzPhotograph by Eli Russell Linnetz
Zadig & Voltaire Jack Mini
Zadig & Voltaire’s best-selling Jack bag is shrinking down. The Jack Mini reimagines the brand’s signature silhouette in a scaled-down format perfect for everyday wear. Crafted in leather and featuring an adjustable handle and strap, the Jack Mini offers versatility, allowing you to carry it by hand, over the shoulder, or crossbody. The Jack Mini is available in three color and fabric variations. The brown suede offers a more classic look, while the hot-pink patent leather option is for those looking to make a statement. The last offering in black patent leather, meanwhile, transitions seamlessly from day to night. The Jack Mini is available now on zadig-et-voltaire.com and at Zadig & Voltaire flagship stores.
Monarch butterflies mid-flight, budding florals, bejeweled birds—the latest installment of Tiffany & Co.’s Blue Book high jewelry collection, titled Hidden Garden, captures the natural world in its most resplendent form. Designed by Chief Artistic Officer Nathalie Verdeille in collaboration with the Tiffany Design Studio, the offering draws inspiration from spring renewal and rebirth and builds on the legacy of legendary designer Jean Schlumberger and his famed Bird on a Rock. Themes of growth run throughout, expressed in hand-shaped gold vines, platinum leaves, and striking geometric compositions. As one of the house’s most storied traditions, the Blue Book continues to evolve—balancing heritage with modern innovation for a new generation of collectors.
Courtesy of Tiffany & Co.Courtesy of Tiffany & Co.Courtesy of Tiffany & Co.
Old Navy x Christopher John Rogers
Old Navy is continuing its championing of American designers with another collaboration—and this time, it’s all about color. What else should one expect when Christopher John Rogers is in the mix? The designer lent his expert eye for bright hues to the classic retailer for a collection of ready-to-wear and accessories, including bags and scarves. Rogers’s signature patterns and saturated colors appear throughout the collection: in a knit skirt set, cotton maxi shirt dress, and easy-to-wear denim. The playfulness that Rogers brings to his own work is also at play in the collaboration, and numerous matching sets offer the ability to mix and match with abandon.
“Old Navy has always represented an optimistic vision of American style—something joyful, expressive, and open to everyone,” Rogers says in a statement. “With this collection, we wanted to bring our love of color, shape, and statement dressing into a space where more people can experience it and make it their own.” Old Navy x Christopher John Rogers is available to shop now at oldnavy.com and in select Old Navy stores nationwide.
The high-low collaborations continue with a new partnership between H&M and Stella McCartney. Over twenty years after first working together, the two brands are joining forces again, and that history will come into play with these new and reinvented styles. Archival inspirations meet current signatures, including oversize shirting, sharp tailoring, and bejeweled prints and slogan tops. “I see this collection as a journey through my fashion history,” McCartney says. “It is a true mix of current classics and some of my old favorites that showcase my foray into fashion and the development of my signatures. It’s playful, strong, sparkling, joyful, refined.” Mesh dresses are perfect nighttime looks, while sleek sets were made for the office. And, of course, bags are on offer too, specifically six styles ranging from large totes to more compact clutches. The Falabella chain detail, a classic for Stella McCartney, pops up throughout the collection, decorating bags, loafers, and jewelry, while McCartney’s famous “Rock Royalty” shirt returns once again. Get it all for yourself beginning on May 7.
Photograph by Sam RockPhotograph by Sam Rock
Alaïa Denim
There are many changes underway at Alaïa. With Pieter Mulier’s departure from the brand, a new creative director will soon step in to fill the space. But in the meantime, Alaïa is hardly twiddling its thumbs. Instead, the brand is branching into a new lane, denim, with a line of jeans designed to sculpt and define women’s lower half.
To be clear, denim is hardly a new fabric for Alaïa, which has been showing jeans for decades. But now, Alaïa Denim will stand on its own as the brand becomes a go-to for the wardrobe staple. The styles were developed over the course of a year, and as a result, each piece is refined and exact. The brand will offer six shapes: Bootcut, Palazzo, Fit and Flare, Round, Skinny, and Straight. Each style comes in a different wash, with the Bootcut rendered in a deep-sea blue and the Fit-and-Flare offering a more sand-washed option. The denim itself was made in Japan, where it was rope-dyed and treated to perfection, just like one would a second skin. Alaïa Denim is available now on maison-alaia.com and across the brand’s retail network.
Mona Tougaard for Alaïa Denim. | Photograph by Sam Rock; Courtesy of Alaïa
While we must wait until September to see what John Galliano has in store for Zara, Willy Chavarria’s collection for the global retailer will be available much sooner. Vatísmo allows Chavarria’s creative perspective to reach a new, worldwide platform, without diluting the designer’s vision. The collection highlights Chavarria’s signature style, including his precise tailoring and strong silhouettes. Rendered in Italian fabrics, leather, cupro, denim, knits, and jerseys, the line references American workwear and Chavarria’s own Chicano cultural identity. The name of the collection is a colloquial term used in the Chicano community to refer to friends, partners, homies, and loved ones. With his collection, Chavarria is extending the boundaries of his community to include the masses. Vatísmo features ready-to-wear, jewelry, and accessories, and will be available in select Zara stores and online at zara.com beginning on March 26.
Photograph by Glen Luchford; Courtesy of ZaraPhotograph by Glen Luchford; Courtesy of Zara
John Hardy’s Icon Stud Collection
John Hardy zeroes in on its signature codes with the launch of Icon Stud, a sharp modernist collection that pairs architectural pyramid studs with the brand’s Balinese handwoven chain. Designed under Reed Krakoff, the line marks the second chapter of the house’s creative partnership with Billie Eilish and Finneas O’Connell; their influence is felt in a balance of edge and delicacy. Spanning earrings, necklaces, bracelets, and rings in silver, gold, and diamond pavé, the pieces are designed for daily wear with impact. As John Hardy celebrates 50 years, Icon Stud signals a sleeker, more directional evolution for the heritage brand. Shop the collection now at John Hardy boutiques and johnhardy.com.
Courtesy of John Hardy. Billie Eilish in John Hardy's Icon Stud collection. Photo courtesy of John Hardy. | Courtesy of John Hardy
Stetson & THE GREAT.
Fashion’s Western fixation continues, and if The Great’s latest collaboration is an indication, the trend isn’t slowing down anytime soon. The clothing brand has partnered with Stetson for a 25-piece collection that combines The Great’s classic Americana style with Stetson’s 160-year-old Western heritage.
Faded blues, calming neutrals, and gently worn reds make up the color palette for the collection. Floral embroidery and vintage-influenced prints appear on a wardrobe that impressively remains modern in spite of its classic Western details.
Ranging in price from $45 to $625, offerings include embroidered chambray tops and matching skirts to be topped with cozy belted cardigans. Of course, there are hats featuring Stetson’s signature craftsmanship, along with belts, bags, and a variety of cowboy boots. Stetson & The Great is available online now at www.stetson.com and www.thisisthegreat.com, as well as The Great’s retail locations and select stockists.
It seems like these days, every luxury brand is dipping its toes into the sneaker market—and now, Thom Browne is the latest designer to tap into his sporty side. Browne has partnered with Asics on a new shoe that reinterprets the Gel-Kayano 14 using luxury materials and finishes. Performance merges with Thom Browne’s signature tailoring to create a style that fits squarely into both brands’ codes. Red, white, and blue lace catchers incorporate his favorite patriotic colorway, while nodding to the designer’s past as a varsity swimmer and runner. Leather and suede heighten the design, while piping accents reference Browne’s tailoring prowess. The sneaker represents the perfect blend of both brands, combining the divergent styles to create a detail-driven, yet still wearable shoe. The Thom Browne x Asics Gel-Kayano 14 sneakers come in three colorways: black, gray, and white. The former two are available now at Thom Browne retail locations, on www.thombrowne.com, and in select retailers globally. Launch details for the white version will follow.
Models wearing sneakers from Thom Browne's Asics collaboration. | Courtesy of Thom Browne
Just in time for New York Fashion Week, J. Crew has tapped five emerging American designers to reinterpret the brand’s signature rollneck sweater. Bucci NYC, Collina Strada, Eckhaus Latta, Patrick Taylor, and Tanner Fletcher were all invited to bring the 40-year-old staple into their aesthetic universe. Each designer lent their own points of view to the project, resulting in five very different takes on the sweater. Hillary Taymour of Collina Strada—a brand known for its use of color and texture—incorporated both into her version, presenting a pink-and-green striped top with feminine lace. Tanner Fletcher designers, Tanner Richie and Fletcher Kasell, opted to go in a more retro direction and paid homage to J. Crew’s nautical roots with a whimsical, sailor-inspired flap-tie. Those looking to show a bit of skin while staying warm will no doubt gravitate toward Mishka Ivanovic’s design for Buci NYC, which features a low back that adds a touch of unexpected sex appeal. The five iterations mean there’s something for everyone in this collection, and you can shop it now on jcrew.com or in the store’s immersive pop-up experience on 75 Spring Street.
Gap has partnered with five designers of color through Harlem’s Fashion Row (HFR) on a 20-piece capsule collection reimagining iconic Gap denim into statement silhouettes and archive-inspired essentials. Daveed Baptiste of Daveed Baptiste, LaTouché of LaTouché, Igdaliah Pickering of Igdalyah, Waina Chancy of Atelier Ndigo, and Nicole Benefield of Nicole Benefield Portfolio were all tapped to create four pieces that reimagine denim through their respective lenses. Baptiste, a Brooklyn-based Haitian-American artist, was inspired by ocean waves, Caribbean shores, and blue sunsets, while Benefield looked to redefine the modern uniform by incorporating menswear-inspired utilitarian themes. Together, the individual capsules showcase the versatility of denim and the depth of Gap’s archives. The Gap × Harlem’s Fashion Row collection is available to shop now at gap.com and in select Gap store locations.
They say opposites attract, which was very much the case for the collaboration between Jimmy Choo and Noir Kei Ninomiya. Originally presented as part of Noir Kei Ninomiya’s spring 2026 show during Paris Fashion Week last fall, the collection merges the modern femininity and craftsmanship of Jimmy Choo with Kei Ninomiya’s avant-garde innovation. Inspired by the Noir Kei Ninomiya spring 2026 theme of “pure and playful,” the collaboration consists of four shoes, three harnesses, and a bag. Feminine and masculine converge in the form of the Maxi Loafer, which combines a classic men’s loafer with a delicate Jimmy Choo drop heel. For those seeking a simpler style, there’s the Star Shoe, a simple Oxford decorated with studded stars. The harnesses, similarly, are adorned with crystals and steel studs, as is the nappa leather backpack.
“I have always been fascinated by the design of the Comme des Garçons universe—an incredible and rich commitment to creativity without borders or boundaries, so to collaborate with Kei is the realization of a decades-long dream,” says Jimmy Choo creative director Sandra Choi. “Expanding Jimmy Choo beyond traditional concepts of luxury, this collection melds together both of our distinct aesthetics in a celebration of the power of pure imagination.” The Jimmy Choo x Noir Kei Ninomiya is available now on jimmychoo.com, through select retailers, and at Jimmy Choo and Dover Street Market boutiques.
Bulgari’s creative director of leather goods and accessories, Mary Katrantzou, introduces a new line of objets d’art, inspired by over 140 years of the high jewelry brand’s expertise and savoir-faire of jewelry-making. The collection reimagines five of Bulgari’s timeless symbols, including the Serpenti, transforming them into functional accessories. Each one is created from precious enamel, pavé settings, and various inlays of semiprecious color stones. The pieces are suspended from a delicate chain and offered in two sizes—the minaudière and the miniature vanity—making them functional, as well as beautiful.
In honor of the launch, Bulgari tapped photographer Ethan James Green to capture five women with their minaudières. Each person embodies the collection and its representation of strength, transformation, wisdom, allure, and identity. Models, actors, and more, these women are creators of culture. With this new collection, Katrantzou hopes to allow everyone to “carry culture” around with them, too. The Icons Minaudière Collection is available at 11 Bulgari boutiques worldwide.
Courtesy of BulgariCourtesy of Bulgari
Givenchy by Sarah Burton’s Snatch Bag
We’ve had the opportunity to sit with Sarah Burton’s Givenchy for almost a year now, through two collections and a lot of red carpet dressing, which makes it the perfect time for the designer to release her first official purse with the brand, the Snatch Bag.
Described as “a study in intimacy,” the bag complements Burton’s designs for Givenchy, with sculptural curves that mimic the shape of a woman’s body, specifically one adorned in a cinched jacket that shows off the waist, or a bra that curves downward to display décolletage. Crafted in supple, calf-grain leather, the bag features short handles that enable over-the-shoulder wear, as well as strips of leather that extend from the top. The bag is available in three sizes—including a small version that can be worn across the body—and in various colorways, both classics like black and dark brown and more eccentric options like baby pink and red. The hardware is also available in both gold and silver, making the piece customizable. The Snatch Bag will be available soon on givenchy.com and in Givenchy stores.
Courtesy of GivenchyCourtesy of Givenchy by Sarah Burton
Moncler x Rick Owens
Moncler is sealing its latest collaboration with a kiss. Or rather, multiple kisses. The outerwear brand is celebrating its first collaboration with Rick Owens with a campaign shot by Juergen Teller. In the set of six images, Owens, Teller, and their respective wives and creative partners, Michèle Lamy and Dovile Drizyte, trade smooches while dressed head-to-toe in the collection.
While Moncler is known mostly for its winterwear, this collaboration offers more lightweight, warm-weather options. The looks are inspired by Berlin’s brutalist architecture, as well as the city’s natural spaces, where those hulking buildings meet bucolic greenery. (Owens calls it “brucolic.”) Each garment, therefore, can take the wearer from the city streets straight to the great outdoors. An adjustable jersey skirt and nappa leather bomber may lean more toward a more cosmopolitan air, while Trailgrip Megalace sneakers and a cropped, funnel-neck down jacket are begging to be taken on a hike. With a refined color palette of black, dark dust, vintage olive, and bold carnelian red, these pieces can be worn anywhere and feel completely at home. The collection is available now on moncler.com, rickowens.eu, and in selected Moncler stores, Rick Owens flagship stores, and select retailers.
After a fashion month marked by an unprecedented wave of designer debuts, the resort and spring 2026 campaigns have landed, delivering a jolt of new energy as the world’s biggest houses unveil the visuals that will shape their next chapters. The aesthetic reset began early, with Jack McCollough and Lazaro Hernandez’s fresh-faced first teaser for Loewe, lensed by Talia Chetrit, introducing an intimate point of view. Sarah Burton’s sophomore “Portrait Series” followed, featuring legendary punk musician and artist Paul Simonon alongside longtime friend of the house, Rooney Mara, in a suite of striking, spare photos that spotlight personality over polish. At Celine, Michael Rider launched a full-on charm offensive with “Infinite Possibilities,” a joyful array of images and video celebrating the house’s Charms collection in a deliberately maximal, more-is-more spirit. Ahead, all of the must-see campaigns setting the tone for 2026.
Gucci
Courtesy of Gucci
The Gucci summer campaign is all about spontaneity. Playing out across Monte Carlo, plans and outfits change at the rate of the tides. A printed pussy-bow blouse is swapped for black mini shorts and a low-cut top as the cast moves from day to night.
Gucci
Courtesy of Gucci
Consistency comes from Gucci Flora, which is featured throughout the images. On its 60th birthday, we see the print on pleated skirts, the Venice handbag, and tucked under an arm on the Gossip bag. It’s right at home in Monte Carlo, just like Princess Grace of Monaco was when she initially inspired it back in 1966.
Jacquemus
Courtesy of Jacquemus
Mother’s Day may have passed, but it’s never too late to celebrate mom. Jacquemus knows that—so the French brand tapped Pamela Anderson to star in its latest campaign, alongside her sons, Brandon Thomas Lee and Dylan Jagger Lee.
Jacquemus
Courtesy of Jacquemus
The campaign is comprised of videos, which take on an almost voyeuristic feel. We observe Anderson and her sons as they spend a day in their lives: wrestling with the coffee machine, fighting over the radio, unwinding on the couch. Always adjacent to the trio is Jacquemus’s Le Valérie bag, fittingly named for creative director Simon Porte Jacquemus’s mother.
Giorgio Armani
Photograph by Franscisco Canton; Courtesy of Giorgio Armani
The Giorgio Armani Mare 2026 campaign is set at the Villa Cimbrone in Ravello, a resort town perched above Italy’s Amalfi Coast. Known for its centuries-old charm and artistic and intellectual history, it acts as the perfect choice for this collection, one defined by summer elegance.
Giorgio Armani
Photograph by Franscisco Canton; Courtesy of Giorgio Armani
The images, shot by Francisco Canton, tell the story of a summer holiday where relaxation is the main priority. The result is a refined and intimate tale, clothed in fluid silhouettes and weightless fabrics that represent Giorgio Armani’s effortless style.
Chloé
Photograph by David Sims; Courtesy of Chloé
Apple Martin is a modern-day Venus in the latest Chloé campaign—although this time, she’s depicted through the lens of David Sims as opposed to Sandro Botticelli’s paintbrush. The recent college grad (and daughter of Gwyneth Paltrow and Chris Martin) is the face of the second chapter of Chloé à la Plage. She lounges in front of a giant shell in just one of a series of images that celebrate the poetry and wardrobe of summer.
Chloé
Photograph by David Sims; Courtesy of Chloé
Clad in muted florals and eyelet lace, Martin embodies the natural and free-spirited allure of the collection. She cradles shells and places flowers in her hair, emitting a luminescence that now feels quintessential to Chemena Kamali’s Chloé.
Alaïa
Photograph by Tyrone Lebon; Courtesy of Alaïa
Minimalism is the driving force in Alaïa’s summer/fall 2026 campaign. Shot by Tyrone Lebon at the photographer’s London gallery, the images place Hailey Bieber in a near-monochrome space. She is presented there without artifice.
Alaïa
Photograph by Tyrone Lebon; Courtesy of Alaïa
The simplicity allows the clothes to shine. An architectural suede wrap top encircles Bieber’s torso while a skirt of sculpted layers pleads for a swing of the hips. The images are sensual and powerful, and altogether, quintessentially Alaïa.
Moncler Grenoble
Gus Kenworthy | Courtesy of Moncler
Moncler Grenoble heads to the Tucson, Arizona desert for its latest campaign, tapping Olympic freestyle skier Gus Kenworthy and British model and fashion-world favorite Mia Regan, among others, as its cast. Kenworthy, known both for his medal-winning ski career and outspoken LGBTQ+ advocacy, brings a seasoned outdoorsman energy to the cinematic images, while Regan (below) adds her signature cool-girl ease.
Moncler Grenoble
Mia Regan | Courtesy of Moncler
Regan, who loves hiking, trades London street style for Moncler’s elevated technical sportswear engineered for outdoor adventures.
Versace
Photograph by Steven Meisel; Courtesy of Versace
You’re going to be obsessed with Versace’s new campaign, Versace Obsessed. Shot by Steven Meisel, the images unfold in a series of vignettes set in various bedrooms. The past meets the present as iconic supermodels and Meisel-shot advertisements are represented on the room’s walls. Meanwhile, new talent sits in the foreground, outfitted in the La Vacanza collection.
Versace
Photograph by Steven Meisel; Courtesy of Versace
The conversation between the old and new illustrates the enduring legacy of Versace, as well as its bright future. It’s a fitting choice for La Vacanza, a collection that pulls from the house’s immense archives for inspiration. In these clothes lie the unmistakable marks of Versace, reimagined through a modern lens.
Prada
Photograph by David Sims; Courtesy of Prada
Instinctive collisions of attitude are at the center of Prada’s Days of Summer 2026 collection. Bella Hadid, Damson Idris, Louis Partridge, and Liu Wen lay on the pristine sand of an oasis. But all is not as it seems, and the chaos of the city sneaks in—it is inescapable.
Prada
Photograph by David Sims; Courtesy of Prada
The juxtaposition continues in the wardrobe. Tailored trousers gather sand, while elegant heels are tossed haphazardly aside. There is no room for preciousness here. These clothes were meant to be enjoyed and worn, however one pleases.
Calvin Klein
Photograph by Juergen Teller; Courtesy of Calvin Klein
Calvin Klein is pulling back the curtains on the backstage chaos of a runway show. The brand’s spring 2026 campaign, shot by Juergen Teller, captures the energy and motion of a fashion week presentation.
Calvin Klein
Photograph by Juergen Teller; Courtesy of Calvin Klein
Some of the photos are static, depicting a model who looks like they’re in a rare moment of quiet right before hitting the catwalk. Others display motion; models in the midst of the presentation. Their heads are out of frame, allowing the eye to focus on the collection's refined minimalism and bold colors.
Nonfiction
Photograph by Letty Schmiterlow
Nonfiction debuts two new chypre eau de parfums to celebrate the start of spring: Dew & Light and Tears in Rain. Created in collaboration with perfumer Yann Vasnier, the scents evoke the clarity of early morning air and a forest after rainfall, respectively.
Nonfiction
Photograph by Letty Schmiterlow
For the corresponding campaign, Nonfiction enlisted New York–based creative duo Commission, Jin Kay and Dylan Cao, for their first art direction project outside of their own brand. In the images, scents are paired with fresh faces from New York, a new territory for Nonfiction, which opened a store in the city—its first outside of Asia—last month.
The brand’s founder, Haeyoung Cha, said the campaign aims to explore “the contrasting moods” of the two different fragrances, adding that this project “introduces a bolder, more evocative approach to scent storytelling.”
“Commission has always lived in the space between restraint, desire, and longing, and that’s exactly the energy we brought to Nonfiction,” Kay and Cao said in a statement. “We wanted the campaign to feel like a moment you can’t quite place but can’t forget, almost like the feeling of a memory that hasn’t fully surfaced yet.”
Gucci
Courtesy of Gucci
Demna continues his exploration of the characters that reside within his Gucci universe. Generation Gucci focuses on a collective of individuals who, together, embody the new generation of the house.
Gucci
Courtesy of Gucci
Eighty-four images make up the campaign, each photo showing off one look. Elements from Gucci’s history are combined to create a new outlook for the brand. Equestrian prints reference archival scarves and the Jack 1961 is reimagined. There is a reverence for the past combined with a determination to push forward.
Marc Jacobs
Courtesy of Marc Jacobs
Marc Jacobs has enlisted Rachel Sennott to both write and star in its latest campaign. Titled “The Scene,” the project merges fashion, film, and entertainment to debut Marc Jacobs’s newest accessory: The Scene Bag.
Marc Jacobs
Courtesy of Marc Jacobs
Sennott is joined by an all-star cast of Francesca Scorsese, True Whitaker, and Sandra Bernhard. The famous faces make cameos throughout the video as Sennott races around NYC in an attempt to secure an invite to the Met Gala at any cost.
“This campaign is about all the chaotic, ridiculous, and funny moments that make you feel seen or completely invisible,” Sennott says. “I wanted to capture that energy through storytelling that feels true to how we live now. The collection reflects that same spirit with pieces that move with you and let you show up however you want.”
Chanel
Photograph by Craig McDean; Courtesy of Chanel
Nicole Kidman, Lily-Rose Depp, Pedro Pascal, and Ayo Edebiri make up the A-list cast of models who stepped in front of Craig McDean’s camera for Chanel’s latest eyewear campaign.
Chanel
Photograph by Craig McDean; Courtesy of Chanel
Each star dons a pair of eyeglasses and sunglasses. Kidman cheekily peeks over her shades, while the prescription frames lend the actor a sense of wisdom. Similarly, Edebiri is every bit the Hollywood star in her retro sunglasses; the square lenses lend a demure look.
Chanel
Photograph by Craig McDean; Courtesy of Chanel
A closer inspection of the new offerings reveals the stars’ dedication to Chanel house codes. Rose-Depp’s glasses feature a bold, two-toned arm, decorated with a rhinestone double C. Pascal’s, meanwhile, display the word “Chanel,” so there is no question of the brand he is sporting.
Saint Laurent
Photograph by Nadia Lee Cohen; Courtesy of Saint Laurent
Justin Bieber was the star of the show at Coachella last weekend, but now it’s time to let Hailey take center stage. The model is the face of Saint Laurent’s new campaign, “Tangerine Temptation”—and there’s not an oversize hoodie in sight.
Saint Laurent
Photograph by Nadia Lee Cohen; Courtesy of Saint Laurent
Bieber stands out in the shots by Nadia Lee Cohen. She is the queen of this Los Angeles home. Dressed in Anthony Vaccarello’s latest, Bieber takes us on a bit of a house tour.
Saint Laurent
Photograph by Nadia Lee Cohen; Courtesy of Saint Laurent
She shows off her sun-kissed backyard and pool, but really, all eyes are on her color-blocked, asymmetric bathing suit. And who is looking at the sorry state of the yard when Bieber is standing on it in a gorgeous, rust-hued trench?
Moncler
Courtesy of Moncler
Moncler doesn’t necessarily come to mind when one thinks of summer, but the brand is working to change that. Welcome Puffy Summer, a new collection that offers lighter takes on the brand’s signature puffers, perfect for seasonal weather shifts.
Moncler
Courtesy of Moncler
Actor Jamie Dornan stars in the Puffy Summer campaign, showing off the collection’s system of lightweight layers and eye-catching colors.
“There’s something really interesting about taking what Moncler’s known for and shifting it into summer,” Dornan says in a statement. “You still get that sense of warmth and puffiness, just in a lighter, more relaxed way. The whole campaign has this real sense of joy and playfulness.”
Loewe
Photograph by Jack Pierson; Courtesy of Loewe
Loewe’s collaboration with Paula’s Ibiza returns, once again celebrating the vibrancy of summer with easy and playful pieces that highlight the craft of basketry and crochet.
Loewe
Photograph by Jack Pierson; Courtesy of Loewe
Images shot by Jack Pierson illustrate the versatility of the collection, placing it both on the beach and in the city. There is an emphasis on the natural world and its influence on the collection, but also the unstaged seduction of a summer spent in town.
Gucci
Courtesy of Gucci
The “Art of Silk” is back as ten more archival Gucci scarves get a contemporary makeover. The character of the originals remains, while they’re simultaneously introduced to a more modern world.
Gucci
Courtesy of Gucci
Designs including Your Majesty, Double Trouble, Morso D’Oro, and two exclusive Flora looks created for the opening of LACMA’s new David Geffen Galleries are introduced (or reintroduced) with the project. Together, they represent some of Gucci’s most emblematic motifs.
Gucci
Courtesy of Gucci
Alongside the project comes a campaign. This time, a variety of characters show off their scarves and the many ways they can be implemented into an outfit. It highlights the immense versatility of the classic piece.
Burberry
Courtesy of Burberry
Simone Ashley and Tom Blyth take to the water for Burberry’s High Summer Campaign. The actors splash about in their finest checked swimwear while enjoying a day basking in the summer sun.
Burberry
Courtesy of Burberry
The classic Burberry motifs are at play, with the check covering everything from swim trunks and bucket hats to beach-friendly totes and slides. Ashley and Blyth lounge in their respective ensembles, beckoning us to join them for a dip.
Miu Miu
Photograph by Steven Meisel; Courtesy of Miu Miu
The spotlight is on Miu Miu’s leather goods in a new campaign for the brand—though Gigi Hadid is not to be ignored. The model stars in images shot by Steven Meisel, and she is a lone figure in a primary-color world.
Miu Miu
Photograph by Steven Meisel; Courtesy of Miu Miu
Hadid sits in a quintessential bourgeois apartment, flanked by doors loosely painted green, blue, and red. This conventional environment is transformed with the use of color, which is reflected in Hadid’s accessories. The Arcadie and Wander bags from the Italian brand are never far from the model. Also rendered in bright hues, they’re the perfect representation of Miu Miu’s technique and craft.
Gucci
Photograph by Mert & Marcus
They say you can tell a lot about a person from their shoes, but really, it’s one’s bag that provides a true peek into their psyche. Someone who carries around a petite top-handle is very different from the gal who always has a stuffed tote on hand. In Gucci’s latest campaign, the brand explores this relationship between a person and their bag, considering the accessory as more than just an object, but a form of personal representation.
Gucci
Photograph by Mert & Marcus
“Beauty and the Bag” stars Kate Moss and Emily Ratajkowski, with each woman toting their respective purse. Moss gets the Borsetto, in its range of colors and sizes, while Ratajkowski tosses the Giglio over her shoulder.
Gucci
Photograph by Mert & Marcus
In the images—captured by Mert and Marcus—the bag is not an afterthought, something you grab on your way out the door, but a choice as important as any.
Chanel
Photograph by Craig McDean; Courtesy of Chanel
Kylie Minogue fans, rejoice. Thanks to Chanel, the Australian pop star has reunited with French director Michel Gondry for the first time since 2002, when the pair worked on Minogue’s “Come Into My World” music video. And this time, fellow Aussie, Margot Robbie, is joining in on the fun.
Chanel
Photograph by Craig McDean; Courtesy of Chanel
It’s all in the name of the Chanel 25 bag, which has proven to be a fan favorite since its launch last year. Now, Chanel is focusing on the mini version of the purse and its many colorways and materials.
Chanel
Photograph by Craig McDean; Courtesy of Chanel
In the video, directed by Gondry and set to “Come Into My World,” multiple versions of Robbie bop around a Parisian neighborhood, each one toting their own Chanel 25 mini. Minogue makes a cameo in the video, which mimics the cloning effect of the original, featuring multiple Robbies, each holding their own Chanel 25.
Prada
Nicholas Hoult | Courtesy of Prada
Prada’s spring 2026 campaign takes a surreal turn with I, I, I, I am… Prada., a second chapter that enlists artist Jordan Wolfson to reimagine the house’s latest collection through his uncanny lens. Featuring a cast that includes Carey Mulligan, Damson Idris, Hunter Schafer, and Nicholas Hoult, the project introduces digitally rendered, dreamlike figures that hover between companion and alter ego—blurring the line between subject and projection.
Prada
Levon Hawke | Courtesy of Prada
Wolfson, a New York–born artist who rose to prominence in the 2010s, is known for his unsettling work across video, animatronics, and virtual reality, often probing the darker edges of technology, violence, and pop culture. His controversial VR piece Real Violence, shown at the 2017 Whitney Biennial, cemented his reputation as one of the art world’s most provocative voices but with Prada he gets a bit more playful.
Prada
Hunter Schafer | Courtesy of Prada
In a series of spare vignettes, the campaign’s stars repeat an almost bird-like call of “I, I, I, I am...” alongside Wolfson’s human-meet-avian creatures. Watch the full video below.
Prada
Tiffany & Co.
Photograph by Gordon von Steiner; Courtesy of Tiffany & Co.
Natalie Portman is the latest star to take on the role of a Tiffany & Co. global house ambassador, and the brand is celebrating the occasion with a new campaign featuring the Academy Award-winning actor.
Tiffany & Co.
Photograph by Gordon von Steiner; Courtesy of Tiffany & Co.
Gordon von Steiner captured Portman at Tiffany’s Fifth Avenue flagship, The Landmark. The images are simple, but alluring, with an inconspicuous black wardrobe keeping the attention on Portman and the jewels adorning her.
Tiffany & Co.
Photograph by Gordon von Steiner; Courtesy of Tiffany & Co.
Manhattan can be seen in the distance, but up close, there is Portman, showing off pieces from the Knot by Tiffany collection as she rests her hand elegantly on her shoulder.
Prada Re-Nylon
Benedict Cumberbatch | Courtesy of Prada
Prada continues to merge sustainability with storytelling in its latest Re-Nylon campaign, starring Benedict Cumberbatch and Letitia Wright. Set against coastal landscapes from Hawaii to Japan, the actors appear in a series of images and accompanying documentary films produced with National Geographic CreativeWorks, highlighting the brand’s Sea Beyond initiative.
Prada Re-Nylon
Letitia Wright | Courtesy of Prada
Launched in 2019, Prada Re-Nylon reimagines the house’s signature fabric using regenerated materials sourced from ocean plastics and textile waste, underscoring a broader shift toward circular design. A portion of proceeds supports ocean education programs in partnership with UNESCO, reinforcing Prada’s ongoing commitment to environmental responsibility and cultural impact.
Prada Re-Nylon
Rimowa
Courtesy of Rimowa
A new series from Rimowa highlights voices of the culture, giving them space to share personal stories while exploring the dedication and resilience required to master one’s craft. To kick off this new initiative, the luxury luggage brand has tapped Michelle Yeoh to star in episode one. There, we follow the Academy Award-winning actress as she receives the Honorary Golden Bear award at the 76th Berlin International Film Festival.
Rimowa
Courtesy of Rimowa
In addition to tagging along for this milestone moment, Rimowa has designed a bespoke case to house the Golden Bear. The meticulously crafted piece represents Rimowa’s dedication to craftsmanship as well as its celebration of extraordinary achievements.
Boss
Courtesy of Boss
Bosses take centerstage in Boss’s spring/summer 2026 campaign, and the brand’s newest ambassador, actor Meghann Fahy, is leading the pack.
Boss
Courtesy of Boss
Fahy—along with her campaign co-stars—embodies what it means to “Be the Next.” There are those who follow and those who inspire, lead, and light the way for others. The Boss campaign stars fall into the latter category. In their tailored vests and cropped trench coats, they’re ready to break through and turn their self-belief into strength.
Burberry
Photograph by Tim Walker; Courtesy of Burberry
How does one celebrate an icon like the Burberry trench? With the help of other icons, of course. In honor of the brand’s 170th anniversary—and Thomas Burberry’s invention of the weatherproof fabric gabardine in 1879—Daniel Lee has gathered icons of film, music, sport, and fashion to don iterations of the classic design.
Burberry
Photograph by Tim Walker; Courtesy of Burberry
Twenty-three global stars were selected, including Kendall Jenner, Jack Draper, Matthew Macfadyen, Kate Moss, Kid Cudi, and Teyana Taylor. The result is a cast that extends across generations and talent, with each person bringing a different perspective to the coat.
Burberry
Photograph by Tim Walker; Courtesy of Burberry
Despite the large cast, there is a consistency among the photos, which were all shot by Tim Walker. Each star is depicted in black and white. And, of course, each wears the trench—but the little details (a pop of Taylor’s collar, the styling of Moss in sheer black tights and black leather pumps) show the versatility of the garment.
Moncler
Courtesy of Moncler
The Eternal City of Rome acts as a backdrop for Moncler’s spring 2026 campaign. Steeped in history, yet still situated on the cutting edge of creativity, the city perfectly represents the timeless sophistication of Moncler.
Moncler
Courtesy of Moncler
Italian actors Celeste Dalla Porta and Francesco Scianna star in the campaign, moving through the city with an understated elegance that cannot be taught.
Chanel
Courtesy of Chanel
Chanel has updated its unisex sports watch, the J12. Along with unveiling a new signature style for the beloved classic, the brand has tapped two new faces for the accessory in Gisele Bündchen and Clément Chabernaud.
Chanel
Courtesy of Chanel
The J12 was first inspired by water and the element’s soothing and peaceful nature, combined with its capability for unlimited strength. In the new campaign, Bündchen highlights these features, navigating a sailboat through rough waters, while listening to the ocean and reflecting as she goes. She is at home in the South of France, gaining power from the water as she dives into the waves.
Coach
Courtesy of Coach
“Explore Your Story,” Coach’s spring campaign, is all about storytelling, and the communities that form around books and reading. The brand tapped six Gen Z icons and asked them to choose a book, turning each one into a mini charm to wear on their Tabby bags. Elle Fanning went with Sense & Sensibility by Jane Austen, while Storm Reid opted for I Know Why the Caged Bird Sings by Maya Angelou.
Coach
Courtesy of Coach
Fanning and Reid, along with the other global brand ambassadors, show off their choices in the spring campaign. Fanning enjoys some peaceful time in a wood-lined library, Sense & Sensibility in hand and the matching charm swinging off her bag. Reid, meanwhile, does her reading in the park, finding a nice patch of grass to engross herself in Angelou.
Acne Studios
Photograph by Nadia Lee Cohen; Courtesy of Acne Studios
Nadia Lee Cohen shot Robyn for Acne Studios’s spring 2026 campaign, turning the singer into a modern James Dean. Robyn is dressed in a cotton uniform shirt and high-waist slacks as she stares down the camera like she’s looking to fight it. Just like her upcoming album, Sexistential, the images capture the sensual experience of being alive.
Acne Studios
Photograph by Nadia Lee Cohen; Courtesy of Acne Studios
“I’ve always felt that when I wore long hair and dresses, it was like I was in drag—which of course can be both empowering and fun,” Robyn says in a statement about the campaign. “And this felt like another kind of drag. It was extremely satisfying to play around with—a way to project vulnerability and toughness at the same time, which is kind of my whole thing.”
Jimmy Choo
Courtesy of Jimmy Choo
Bride-to-be Gabriette is sharing her “Rules of Engagement” with Jimmy Choo. “Your ring should bling,” she says in the video that accompanies the campaign. “And if it doesn’t, upgrade.”
Jimmy Choo
Courtesy of Jimmy Choo
Dressed in Jimmy Choo’s 2026 bridal collection, as well as house signatures, Gabriette shares her requirements. “One pair of shoes is never enough.” She suggests at least four. Also, “Bags don’t have to be functional, just fun.”
Jimmy Choo
Courtesy of Jimmy Choo
She ends her slate of advice with a reminder. “This is about love,” she says. “And looking hot...but mainly about love.”
Calvin Klein
Photograph by Mert Alas; Courtesy of Calvin Klein
BTS is back, which means we’ll see the K-pop group and its members everywhere soon enough—especially in the world of fashion. It’s no surprise, then, that Calvin Klein nabbed Jung Kook to front its spring 2026 denim campaign.
Calvin Klein
Photograph by Mert Alas; Courtesy of Calvin Klein
Jung Kook’s Mert Alas-shot campaign plays out in a series of settings. We see the boyband singer soak up inspiration in a record store, enjoy a seaside view from a glass-walled home, and vamp it up in studio. Together, Jung Kook and Alas take us on a denim journey, guided by their points of view and anchored by timeless CK denim.
Alaïa
Photograph by Steven Meisel; Courtesy of Alaïa
Just like Pieter Mulier’s winter spring 2026 collection for Alaïa, the corresponding campaign, shot by Steven Meisel, is minimal, but still powerful. There is purity in the setting of the shots, allowing for the garments to hold the center of the image. The photos evoke a sense of nostalgia, but more significant is likely their ability to last.
Givenchy by Sarah Burton
Photograph by Collier Schorr; Courtesy of Givenchy by Sarah Burton
Annie Leibovitz steps out from behind the camera to star in Sarah Burton’s latest campaign for Givenchy, joined by Kaia Gerber, artist Isabelle Albuquerque, and an array of models.
Givenchy by Sarah Burton
Photograph by Collier Schorr; Courtesy of Givenchy by Sarah Burton
Collier Schorr is Burton’s chosen photographer once more, capturing images of women who represent the designer’s Givenchy. The shots are fairly simple, set in studio, and present these people as relaxed and comfortable in their garments. It’s a celebration of the clothing, of course, but also women’s joy.
Givenchy by Sarah Burton
Photograph by Collier Schorr; Courtesy of Givenchy by Sarah Burton
The choice to include Leibovitz in the group blurs the lines of traditional roles. Who is the photographer? The muse? The model? Burton proves one can be all of these things and more.
Celine
Courtesy of Celine
This might be Celine’s summer 2026 campaign, but in many ways, it feels timeless. Perhaps that’s thanks to the freshness of Zoë Ghertner’s photography, or the bold pops of primary colors that break up the otherwise simple palette.
Celine
Courtesy of Celine
Despite the lack of a distinct setting, the campaign manages to still invoke feelings of summer. Chalk it up to the clothing: draped dresses, silk scarves, and poplin tops that feel light and easy. Wear them on a warm day without sacrificing style.
Balenciaga
Photograph by David Sims; Courtesy of Balenciaga
Balenciaga’s Heart and Body campaign is all about the creation of a new community—a fitting theme, considering the recent arrival of Pierpaolo Piccioli as the label’s creative director. With new brand ambassadors and friends of the house entering the fold, Piccioli is creating a clan centered around his Balenciaga.
Balenciaga
Photograph by David Sims; Courtesy of Balenciaga
New brand ambassadors Harris Dickinson and Winona Ryder, plus friend of the house Hudson Williams star in David Sims’s images, which were shot against a white background, allowing the individuals and clothing to speak for themselves.
Balenciaga
Photograph by David Sims; Courtesy of Balenciaga
“I chose individuals, not characters,” Piccioli says in a statement. “Human beings with distinct stories, faces marked by experience, vulnerability, and nuance. I was not looking for constructed personas, but for real presence. At the center of summer 2026 is the creation of a new community—different, yet connected by shared values: respect, sensitivity, strength, freedom. Not sameness, but resonance.”
McQueen
Photograph by Harley Weir; Courtesy of McQueen
The worlds of music and fashion converge in McQueen’s spring 2026 campaign, which highlights the intensity and the innate fire within women.
McQueen
Photograph by Harley Weir; Courtesy of McQueen
Harley Weir’s images are dramatic, glowing orange with heat. The sun peeks through some shots, adding a sense of optimism—but a bare, twisted tree with gnarled branches haunts almost every image.
McQueen
Photograph by Harley Weir; Courtesy of McQueen
In front of this seemingly portentous tree, musicians Caroline Polachek, Celeste, and Amy Taylor and models Alex Consani and Sora Choi vamp for the camera. They stare down the lens, adding to the overall ominous effect.
Ferragamo
Courtesy of Ferragamo
Ferragamo’s spring 2026 collection is viewed through the eyes of award-winning director Antoneta Alamat Kusijanović. Inspired by the house’s cinematic heritage, Maximilian Davis tapped Kusijanović to tell the story of both the Ferragamo brand and family, while simultaneously showing off his latest collection.
Ferragamo
Courtesy of Ferragamo
Each person presents a different perspective of the same collection, allowing further insight into both Davis’ Ferragamo and the legacy of the label.
Ferragamo
Courtesy of Ferragamo
“When I’m creating a collection, I am always designing for a family of people,” Davis says. “The brand has always been built on the idea of family.”
Loewe
Photograph by Talia Chetrit; Courtesy of Loewe
Jack McCollough and Lazaro Hernandez present their first campaign for Loewe, an energetic and colorful set of images shot by Talia Chetrit.
Loewe
Photograph by Talia Chetrit; Courtesy of Loewe
The spring 2026 campaign stars a number of up-and-coming actors, including Isla Johnston, True Whitaker, and Talia Ryder. They don the graphic creations of McCollough and Hernandez’s Loewe, invoking a feeling of strength and whimsy.
Loewe
Photograph by Talia Chetrit; Courtesy of Loewe
“We’re building a visual language that feels personal: confident, playful, sun-drenched, optimistic,” the two creative directors explain. “It articulates an energy we recognize as intrinsic to Loewe—joy, sensuality, and a modernity that feels instinctive rather than imposed.”
7 For All Mankind
Photograph by Brianna Capozzi; Courtesy of 7 For All Mankind
Chloë Sevigny kicks off her tenure as 7 For All Mankind’s newest ambassador with a campaign. The actress showcases the brand’s spring 2026 offerings in a sunlit home, where photographer Brianna Capozzi’s lens captures Sevigny in her best denim.
7 For All Mankind
Photograph by Brianna Capozzi; Courtesy of 7 For All Mankind
Sevigny lounges on a pristine white rug in an animal print coat. Elsewhere, she shows off her legs in a variety of miniskirts and shorts. Classic jeans are on display in the form of straight-leg and distressed styles, while more unexpected pieces—including a two-toned, collarless jacket—illustrate 7 For All Mankind’s range.
DKNY
Courtesy of DKNY
For spring 2026, DKNY is expanding its ongoing exploration of fame as an art form. Fittingly, the brand has once again tapped one of the most famous faces of the moment, Hailey Bieber, to front the campaign.
DKNY
Courtesy of DKNY
Inspired by the art scene in 1960s downtown New York, the campaign finds Bieber in an artist’s loft effortlessly dressed in canvas coats, pinstripe blazers, and tailored pants. In some shots, she forgoes a top—in others, pants. But almost always present is a monotone New York Yankees hat created in collaboration with the team and DKNY.
Dior
Photograph of Alasdair McLellan; Courtesy of Dior
Yes, we are all focused on Jonathan Anderson’s Dior at the moment, but what about Victoire de Castellane’s Dior Joaillerie? The Parisian has been creating masterpieces as the artistic director of Dior jewelry since 1998, and she returns once again with another collection, this time defined by simplicity and grace.
Dior
Photograph of Alasdair McLellan; Courtesy of Dior
The latest collection was inspired by 18th-century France, a time dear to the house of Dior. Chains filled with mother-of-pearl medallions and double-layered earrings provide personal touches to each outfit. Dior ambassador Mia Goth, for example, layers up three necklaces of varying lengths, while Ever Anderson dons a bib of pendants. The pieces, with their pops of color and star motifs, are both whimsical and classic, perfect for the narrative of Anderson’s Dior.
Jil Sander
Photograph by Stef Mitchell; Courtesy of Jil Sander
Simone Bellotti follows up his debut collection for Jil Sander with its corresponding campaign, which asks the question, “Is it possible to take away while adding a personal signature?”
Jil Sander
Photograph by Stef Mitchell; Courtesy of Jil Sander
The photos act as a study of opposites—protection and exposure, strength and vulnerability. Set against stark blue and white backdrops in studio, there is a sense of intimacy, but also distance. We are invited in—to a point.
Jil Sander
Photograph by Stef Mitchell; Courtesy of Jil Sander
“A curiosity for the body is what I am after,” says Bellotti in a statement. “Posture and gesture as ways of communicating, clothes that invite to get close, that hide and reveal. Rationality and feelings.”
Chloé
Photograph by Sam Rock; Courtesy of Chloé
The Chloé summer 2026 campaign follows the path of the sun. The shifting light and mood of the day act as the backdrop for the Sam Rock-shot images, a journey that embarks amid the first glow of sunrise and ends in the golden warmth of the sunset.
Chloé
Photograph by Sam Rock; Courtesy of Chloé
The images feel inherently Chloé: feminine, light, carefree. The models stroll the beach in their ruffled skirts and draped dresses, the hem of trench coats dragging along the sand. They maneuver the boardwalk in heels and floral dresses and accessorize with oversized earrings and nothing else. One wants to join the group just as much as they want to sit back and observe. There is a sense of spontaneity that should not be disturbed.
Chloé
Photograph by Sam Rock; Courtesy of Chloé
“I wanted to capture the rhythm of a summer day, the changing light, the warmth of the sun, and the feeling of slipping into a natural flow,” says Chloé creative director, Chemena Kamali. “A day in nature where every sense sharpens revealing a radiance and spontaneity that have always been at the heart of Chloé.”
Louis Vuitton
Courtesy of Louis Vuitton
The French luxury house continues its yearlong celebration of the iconic Monogram with a new campaign. Shot by Glen Luchford and directed by Roman Coppola, the ads feature LV ambassadors and friends of the house Zendaya, Catherine Deneuve, Liu Yifei, and Hoyeon. The group pays tribute to 130 years of fine craftsmanship, style, and innovation. First up, Zendaya brings back the Speedy bag, a 1930s creation that received its Monogram stamp in 1959.
Tory Burch
Courtesy of Tory Burch
Free yourself of winter’s chill and bask in the warm Antiguan sun with models Alex Consani, Hejia Li, and Awar Odhiang. The trio enjoys the comfort of Tory Burch’s vacation home while dressed in the designer’s newest offerings for the brand.
Tory Burch
Courtesy of Tory Burch
American sportswear gets a romantic remix in the form of shredded silk and sheer polos decorated with beads. Ribbed halter-neck tops are paired with low-rise pleated skirts or trousers for comfort, and accessories are piled on for maximum effect.
Tory Burch
Courtesy of Tory Burch
While the sun sets on Burch’s dreamy property, the wrinkled lamé of a button-down catches the light and wrap-around sunglasses protect the models’ eyes. Tomorrow, they will wake up, put on their sequin-adorned low pumps, grab their Romy bucket bag, and do it all again.
Giorgio Armani
From left: Artwork by Gary; artwork depicting Mr. Giorgio Armani by Francesco Clemente; artwork by Antonio Lopez. | Photograph by Oliver Pearch. Courtesy of Giorgio Armani
The spring 2026 Giorgio Armani campaign invites viewers into the late designer’s Milan home, which is still inhabited by his right-hand man and business partner, Leo Dell’Orco. The images, taken by Oliver Pearch at the Via Borgonuovo residence, celebrate a return to brand origins and evoke a sense of continuity in the spirit of the designer’s legacy. Vittoria Ceretti and Clément Chabernaud star in the photos, which take place throughout the abode, both indoors and among the manicured gardens. The models showcase the brand’s newest offerings while surrounded by Armani’s personal objects, his favorite works of art, and his furniture—the pieces that inspired him every day. Portraits of Armani by Andy Warhol and Francesco Clemente act as backdrops for the models. The resulting images can be seen as a metaphor. While the Armani brand pushes forward, it will never forget its legacy, and the man who started it all.
Burberry
Courtesy of Burberry
Burberry’s summer 2026 campaign is all about the relationship between fashion and music. The images celebrate the spirit of live performance and music’s ability to transform and inspire all who come in contact with it.
Burberry
Courtesy of Burberry
The photos evoke the energy of the U.K. music scene. The models—including the legend herself, Twiggy—could easily be concertgoers, stage managers, or artists ready to hit the stage.
Burberry
Courtesy of Burberry
“Music pushes boundaries, blurs lines, and defines the codes of fashion,” says Burberry’s creative director Daniel Lee. “It is about self-expression, originality, and belonging.”
Proenza Schouler
Courtesy of Proenza Schouler
Proenza Schouler has revealed its first campaign under new creative director Rachel Scott. While Scott doesn’t make her debut until later in February during the New York Fashion Week fall 2026 season, the designer consulted on the brand’s spring 2026 collection and spearheaded its subsequent campaign.
Proenza Schouler
Courtesy of Proenza Schouler
Proenza Schouler is now a woman’s world, thanks to Scott. That fact is made clear in the campaign, which was actualized by a team of women. We enter model Caitlin Soetendal’s world as she laughs and broods, lounges and contemplates. There are contradictions in her demeanor, but that makes her portrayal of womanhood all the more realistic.
Versace
Photograph by Frank Lebon; Courtesy of Versace
Why have one photographer when you can have three? For its spring/summer 2026 campaign, Versace enlisted three creatives to capture Dario Vitale’s first and only collection for the brand.
Versace
Photograph by Steven Meisel; Courtesy of Versace
Tania Franco Klein, Frank Lebon, and Steven Meisel all shared their take on Vitale’s work, with Meisel opting for arguably the most confrontational, literally laying out the clothes for the viewers’ pleasure. There’s a sensuality to the images—which features models strewn on top of each other on the floor—that is native to Versace.
Versace
Photograph by Tania Franco Klein; Courtesy of Versace
Lebon’s depiction is more cinematic. The images feel like stills from a movie, a moment captured in time. Finally, Klein adds some mystery to the campaign, eschewing faces altogether, focusing instead on color, texture, and feeling.
Re/Done
Courtesy of Re/Done
Kaia Gerber has officially joined Re/Done as an investor and creative partner in a role where she will work closely with the leadership and design teams across the denim brand in shaping its strategy, collection development, and storytelling. Her first task under the new job was the creation of the brand’s spring 2026 campaign, starring Gerber alongside model Secret Snow.
Re/Done
Courtesy of Re/Done
Gerber has long been a fan of Re/Done, making the appointment a natural fit. “The brand represents a lifestyle rooted in authenticity, individuality, and timeless style,” she said in a statement. “I’ve loved being part of its journey.”
Re/Done
Courtesy of Re/Done
For the campaign starring Snow, Gerber actually did the casting. “I’m excited to help shape what comes next—creating products and stories that feel personal, intentional, and deeply connected to today’s generation,” Gerber added.
Miu Miu
Courtesy of Miu Miu
Miu Miu’s spring 2026 campaign takes place indoors, but nature still remains an integral part of every image. Shot throughout the day, from dawn until dusk, the photographs show moody shadows, or else a room awash with orange light.
Miu Miu
Courtesy of Miu Miu
Singer and songwriter Olivia Rodrigo stars in the campaign shot by Jamie Hawkesworth. And like the setting, which toes a line between the indoor and outdoor, the wardrobe represents an aesthetic that straddles industrial and feminine. A crocheted apron tops an oversize, wool quarter-zip, while a sturdy leather coat is layered over a sweater embroidered with jewels.
Miu Miu
Courtesy of Miu Miu
Rodrigo and the rest of the cast stoically stare down the camera in some shots, while letting emotion reign in others. The result is a set of images encompassing a space somewhere between the wild and civil—and frivolity and functionality.
Tiffany & Co.
Courtesy of Tiffany
Love is in the air at Tiffany & Co. this Valentine’s Day, specifically between house ambassador Adria Arjona and her adoring (faux) husband. The actress stars in Tiffany’s V-day short film, playing a wife getting showered in compliments (and diamonds) by her partner.
Tiffany & Co.
Courtesy of Tiffany
In the film, Arjona wears a HardWear by Tiffany graduated necklace and matching earrings and bracelet, as well as a Tiffany Setting engagement ring. The classic, wearable pieces play into the narrative of the campaign—sometimes, the greatest love stories are often the ones we live every day.
Gucci
Courtesy of Gucci
Gucci’s “The Gathering” celebrates chosen family and modern relationships. The images, shot around a shared table, feature those from different generations coming together to both exchange stories and create new memories.
Gucci
Courtesy of Gucci
Dressed in looks from the La Famiglia collection, various characters are represented, but there’s a connective through-line between all of them, especially when they come together in a shared, meaningful moment.
Calvin Klein
Courtesy of Calvin Klein
Forget about “My Calvins,” it’s time to share your favorite underwear—so Calvin Klein is upgrading its iconic campaign to “Our Calvins,” asking, “Who in your life do you share your Calvins with?”
Calvin Klein
Courtesy of Calvin Klein
And is there a more perfect opportunity to launch this new campaign than ahead of Valentine’s Day? The brand’s V-day collection takes center stage in the Our Calvins campaign, modeled by Tell Me Lies stars (and real-life couple) Grace Van Patten and Jackson White.
Calvin Klein
Courtesy of Calvin Klein
Images shot by Zora Sicher provide an inside look into Van Patten and White’s love, with an emphasis on those quiet, casual moments at home, when all you need is your coziest underwear and your favorite person by your side.
Self-Portrait
Courtesy of Self-Portrait
Apple Martin returns as the face of another Self-Portrait campaign, this time starring in images that are unquestionably rawer than anything we’ve seen from the brand in recent years.
Self-Portrait
Courtesy of Self-Portrait
While Self-Portrait is known for its feminine designs with a tilt toward sparkle and sequins, the dresses Martin models are minimal. She’s pictured in the water in upstate New York, dressed in soft laces and airy chiffons, all white and beige. It represents an evolution for the brand, but also for young Martin.
Bottega Veneta
Photo by Juergen Teller; Courtesy of Bottega Veneta
Bottega Veneta’s summer 2026 campaign is set among the streets and landmarks of Venice, Italy. The images both honor the house’s roots in the northeastern Italian city, and introduce a new chapter under creative director Louise Trotter.
Bottega Veneta
Photo by Juergen Teller; Courtesy of Bottega Veneta
Eye-catching details and luscious textures found in the various palazzos, gardens, and shops are mirrored in Trotter’s debut collection. The clothing is in conversation with these structures, as well as the art and culture housed in each one.
Loro Piana’s spring 2026 collection is on display in the brand’s latest campaign—and so is Saint-Paul-de-Vence, a village in the heart of Provence, France, where photographer Mario Sorrenti captured models parading around the town’s landmarks.
Loro Piana
Courtesy of Loro Piana
The Colombe d’Or and the Fondation Maeght act as backdrops, as models play cards by the hotel’s pool and take a break against the red brick of the museum. These establishments have long represented gathering places for friends, family, and artists, and in this campaign, they still hold that role.
The collection feels at home among the art, against a Marc Chagall fresco or the Joan Miró Labyrinth fountain. Vibrant hues and sophisticated patterns adorn the models, who complement the environment (and the Alberto Giacometti sculptures).
Dolce & Gabbana
Courtesy of Dolce & Gabbana
Many consider Madonna to be “the one”—the number-one pop diva, cultural icon, performer, and so much more. So it’s only fitting for Dolce & Gabbana to tap her to star in its new monumental campaign celebrating 20 years of The One perfume. In the images, the singer (who has a long history of working with D&G) lays atop Cuban actor Alberto Guerra on a bed with satin sheets. The shots, as well as a corresponding short film, are a celebration of tradition and reinvention, as the campaign coincides with the launch of new takes on the classic fragrance.
Gucci
Courtesy of Gucci
Gucci’s La Famiglia is back. After unveiling an array of well-dressed personalities for his first collection for the brand in September, Demna is returning to these opulent tropes for the Gucci: La Famiglia campaign.
Gucci
Courtesy of Gucci
Images captured by Catherine Opie depict the cast of characters residing in the House of Gucci, plus the brand’s history and many eras, in preparation for Demna’s future collection to be revealed at Milan Fashion Week in February.
Gucci
Courtesy of Gucci
Those who have been following Demna’s Gucci will recognize the group. Once again, there stands “Incazzata” in her ’60s-style coat and silk scarf-wrapped head. “The V.I.C.,” meanwhile (or Very Important Client) is logo’d-up, head-to-toe in the house’s double-G monogram. Each character is distinct, with a unique style and persona, but together, they embody the legacy of a brand entering a new era.
Saint Laurent
Courtesy of Saint Laurent
Over 20 years after its debut in the Saint Laurent spring 2002 collection, the Mombasa bag is back, this time in three sizes. Bella Hadid, who has been seen carrying the original in the past, is leading the campaign, introducing an updated version of the iconic accessory.
Saint Laurent
Courtesy of Saint Laurent
The new iteration includes all the elements we love about the original—the natural slouch, which allows for an effortless look, plus the perfectly designed leather shoulder strap for easy carrying. It already has Bella’s approval, and will no doubt show up on the shoulders of other It girls very soon.
Prada
Courtesy of Prada
While much of the world is being inundated with AI advertisements and digitally enhanced images, Prada is looking in a different direction. For the brand’s spring 2026 campaign, Miuccia Prada and Raf Simons have tasked American artist Anne Collier to execute a portfolio of images that challenges the idea of the usual fashion campaign in the digital age.
Prada
Courtesy of Prada
Collier’s work jumps off the screen, showing qualities of a physical object. Disembodied hands hold up the images, shot by Oliver Hadlee Pearch, allowing for a new perspective. Sometimes bare, sometimes donning silk gloves, the hands allow the photos to exist on a new plane, while simultaneously creating a story. Who is this person admiring the photos?
Prada
Courtesy of Prada
While the handler remains anonymous, the models they’re admiring are anything but unknown. Hunter Schafer, Nicholas Hoult, Carey Mulligan, and Damson Idris, among others, pose for the camera—and the viewer’s pleasure.
Dior
Photograph by David Sims; Courtesy of Dior
Jonathan Anderson debuted his vision for Dior over the course of two shows last year, dividing each collection into men’s and women’s. But for the spring 2026 campaign, the complete world of Anderson’s Dior is finally coming together.
Dior
Photograph by David Sims; Courtesy of Dior
In the David Sims-shot images, Anderson’s Dior walks the line between reality and performance. There is a pomp to the clothes and their compositions: sweaters flare out into capes, and lace dresses explode backward into gravity-defying bows. The models lounge, dance, and vamp it up just so.
Dior
Photograph by David Sims; Courtesy of Dior
Greta Lee leads the charge, followed by actors Louis Garrel and Paul Kircher, models Laura Kaiser and Saar Mansvelt, and footballer Kylian Mbappé. After walking in the Dior women’s show in October, Nicole Kidman’s daughter, Sunday Rose, also returns in the ads. The people morph into new characters in their Dior digs; they’re simultaneously themselves, but also a heightened, newer version.
Saint Laurent
Courtesy of Saint Laurent
Charli xcx dons two anoraks in the new campaign for Saint Laurent’s spring 2026 collection. And if the outerwear looks familiar to you, it’s because the singer has actually worn one of the pieces before.
Saint Laurent
Courtesy of Saint Laurent
Back in September, Charli attended Anthony Vaccarello’s show in Paris wearing the same red jacket and lace shorts from the campaign. She matched Hailey Bieber, Zoë Kravitz, and Rosé in the front row. Now, though, Charli is showing off the pieces solo, in a campaign shot by Glen Luchford.
Originally presented on the runway, the Celine charms allow for a unique form of personal expression, with pieces to be worn however the owner desires—on bracelets or necklaces, as brooches, or dangling off a bag, of course.
Celine
Courtesy of Celine
There are infinite possibilities when it comes to the Celine charms, especially with new designs being introduced each season.
Givenchy by Sarah Burton
Collier Schorr for Givenchy
“My friends are often my muses, and my muses often become my friends,” says Givenchy creative director Sarah Burton. The relationships she describes are on display in Givenchy’s latest campaign, Friends and Muses.
Givenchy by Sarah Burton
Collier Schorr for Givenchy
The second portrait series created for the brand stars actor Rooney Mara and punk icon and artist Paul Simonon. The images, shot by Collier Schorr, are simple, yet striking—highlighting an intimacy enjoyed only by close comrades.
Loewe
Talia Chetrit for Loewe
Jack McCollough and Lazaro Hernandez teased their first collection with Loewe about a week before its debut, featuring a campaign starring Sorry, Baby director Eva Victor and actor Isla Johnston.
Loewe
Talia Chetrit for Loewe
The images acted “as an opening gesture, the outset of a new dialogue,” McCollough and Hernandez said. With these photos, shot by Talia Chetrit, the designers set a tone, one defined by “vibrancy and tactility rooted in craft.”
Amanda Lepore, Joan Smalls, and CT Hedden at the Longchamp x Jeremy Scott party. Photo by Lexie Moreland/WWD via Getty Images
We’re five months into the year, and the social calendar is still full up. Brands are wasting no time breaking out the champagne and hors d’oeuvres, fueled by awards season, new collaborations, or the simple desire to throw a great bash. Fêtes are taking place all over the world in honor of award nominees, fresh launches, the Olympics, fashion month, and every other reason imaginable. It’s all just an excuse to have a wonderful time. And while you might not be invited to the biggest parties in town, you can still enjoy them vicariously. Keep checking back here as we cover the best and brightest events of the year—and their A-list attendees.
Photo by Lexie Moreland/WWD via Getty Images
Spring Street in New York City’s SoHo was the place to be on Tuesday, May 26—specifically, the four-story Longchamp store on Spring Street, where crowds of people gathered to watch Zoey Deutch (pictured here), Emma Roberts, Joan Smalls, Maggie Gyllenhaal, and more head to the French label’s latest big party. The cause for celebration? Twenty years of collaboration between Longchamp and the American designer Jeremy Scott, plus the launch of the new limited-edition “Greetings From New York” Le Pliage bag.
Photo by Lexie Moreland/WWD via Getty Images
Roberts, shown here, wound her way up the steps to the rooftop, where more drinks were served and all the different Jeremy Scott Pliage styles were on display.
Photo by Lexie Moreland/WWD via Getty Images
For Gyllenhaal, the evening was something of a reunion between her and Sophie Delafontaine, Longchamp’s creative director. “I looked at her face and I was like, ‘We have met before,’” the actress told W at the party. “Sophie was like, ‘Yes we have, we met at this store,’ maybe even the opening of this store.” That was back in 2006, when the Jeremy Scott collabs first began—it was also “the year my daughter was born,” Gyllenhaal noted.
Photo by Lexie Moreland/WWD via Getty Images
Scott and Delafontaine at the event.
Photo by Lexie Moreland/WWD via Getty Images
Musician Chloe Flower made an appearance, wearing Longchamp’s kimono jacket with trumpet sleeves.
Kevin Czopek/BFA.com
Lola Leon at the Longchamp x Jeremy Scott party.
Blake Lively at FENDI Presents The Baguette® 26424 Re-Edition in New York City. | Brendon Cook/BFA.com
On May 19, guests gathered at Fendi’s Madison Avenue flagship in New York City to celebrate the Baguette 26424 Re-Edition. The name references the first model code assigned to the bag, which quickly became a signature silhouette of the house upon its 1997 release. The crowd featured friends of Fendi, including Blake Lively, Olivia Wilde, Ayra Starr, Delilah Belle Hamlin, Ella Hunt, Steph Hui, Deacon Phillippe, Lux Pascal, Esther McGregor, and Ivy Getty.
Esther McGregor at FENDI Presents The Baguette® 26424 Re-Edition and The Baguette Lab. | Brendon Cook/BFA.com
At the event, guests were treated to a preview of the new bags, available this July in 20 designs inspired by the Fendi archive, and first seen on the runway of Maria Grazia Chiuri’s fall 2026 debut collection.
Ali Puliti, Delilah Belle Hamlin, and Milan Ruben at FENDI Presents The Baguette® 26424 Re-Edition. | Brendon Cook/BFA.com
The immersive evening also featured a look at the Baguette Lab, which, for a limited time, will provide complimentary restoration services for clients’ own vintage Baguettes.
BFA/Rommel Demano
Fine jewelry brand Brent Neale gathered some of New York’s most influential names on Tuesday, May 19, to celebrate the opening of its New York City salon. Hosted at the Astor Trust Building on Fifth Avenue, the 7,000-square-foot space was transformed into a new kind of jewelry showroom.
BFA/Rommel Demano
Guests including Blake Lively and Kate Mara were invited to browse an immersive display of the brand’s signature collections, one-of-a-kind creations, as well as the newest collection, Tides. They sipped cocktails and took in the glittering gems while enjoying the new, more personalized jewelry experience Brent Neale will soon launch to all clients.
BFA
On Saturday, May 16, Dia Beacon brought together a notable crowd of more than 600 members of the art, film, and fashion communities (including Paloma Elsesser, pictured here) to celebrate the Dia Art Foundation’s Spring Benefit. The gala—which started with a morning reception at Dia’s Gerhard Richter gallery before moving on to a lovely family-style spring lunch—paid tribute to artists John Chamberlain, Tehching Hsieh, Lee Ufan, Agnes Martin, Hélio Oiticica, Kishio Suga, and Jack Whitten, each of whom has had recent or upcoming exhibitions at the museum.
BFA
After lunch, guests were invited to wander the galleries and explore Dia’s grounds. Those in attendance included artists, philanthropists, gallerists, collectors, and other creatives including Alicia Keys, Steve McQueen, Derek Blasberg, Lauren Santo Domingo, Carrie Mae Weems, Laurie Simmons, Diamond Stingily, and many more.
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The benefit also marked Dia Beacon’s new partnership with Chanel. Co-chairs included house designer Matthieu Blazy, Dia’s Board chair Nathalie de Gunzburg, and artists Joan Jonas and Lisa Yuskavage. Proceeds from the gala will support the museum’s ongoing programming, including installations, publications, and public educational initiatives.
Photograph by Garrett Bruce
On May 14 in New York City, Troye Sivan made his way to the Meatpacking District for a carnival-themed party thrown by Coach to celebrate its new collaboration with the Los Angeles-based creative collective Brain Dead. Sivan snapped photos in the cavernous space on West 14th Street, which had been filled with fairground treats and games like cotton candy stands, balloon popping, and even a cyclone-style amusement park ride installed inside.
Photograph by Garrett Bruce
Launching globally on May 29, the collection features lots of playful touches, like the cartoon sketched onto the leather bag gymnast Suni Lee is pictured holding, with creative director Stuart Vevers, above. (Vevers’s children were also in attendance for the party; the VIP tots spent the evening running from popcorn stand to merch booth to miniature golf.) Inspirations for the capsule include Tokyo street style, collectible souvenir culture, and merch the designers dreamed up that would be sold at this fictional amusement park.
Courtesy of Coach
A surprise runway show took place midway through the night, putting all the wares from the collection on display.
Photograph by Garrett Bruce
Vevers took a bow with Brain Dead cofounder and creative director Kyle Ng while guests like Lourdes Leon, Aquaria, and Ella Emhoff cheered them on.
Matt Winkelmeyer/FilmMagic/Getty Images
Gold House hosted its fifth annual Gold Gala at the Music Center in downtown Los Angeles on Saturday, May 9. The event brought together over 650 of the most influential Asian-Pacific and multicultural leaders across industries, all dressed in “heritage-inspired black tie” from AAPI designers.
Bowen Yang opened the show with a monologue before an array of awards were handed out to actors Charles Melton and Simu Liu and Olympic freestyle skier Eileen Gu, among others. Hayley Kiyoko performed her song, “Girls Like Girls,” while H.E.R. and Liza Soberano shared an exclusive first look at their upcoming film, Forgotten Island.
Guests took in the show while enjoying a three-course dinner from chef Justin Pichetrungsi and drinks provided by Hennessy. When the programming came to an end, attendees let loose at the Billboard x Gold House Founders Party. There, RuPaul’s Drag Race stars Nymphia Wind and Plastique Tiara performed before Mortal Kombat II star Joe Taslim took the stage for a DJ set.
Courtesy of Valentino
It was not your average book club on April 28, when friends of Valentino gathered together at the Marciano Art Foundation in Los Angeles. This was a high-fashion evening, though the reason for the event was a book. The night was dedicated to the launch of Specula Mundi by Mark Borthwick, the new haute couture tome with a visual narrative that reinterprets the collection of the same name by Alessandro Michele.
Courtesy of Valentino
Patricia Arquette, Maude Apatow, Sombr, and more stars were in attendance, dressed in their Valentino best. Those who missed the presentation of the collection in Paris last January were transported there thanks to a Kaiserpanorama installation on-site.
Courtesy of Valentino
The hottest accessory of the evening was, of course, Specula Mundi, produced in a limited edition of 1,500 numbered copies. A close runner-up was the new Valentino Garavani Devain bag, held by Arquette and Apatow, among others.
Courtesy of Valentino
Teyana Taylor pregamed the Met Gala at the event, showing up in a romantic black dress.
Courtesy of Valentino
Tate McRae attended in an animal print jacket from Valentino’s pre-fall 2026 collection and a Devain bag.
On April 28, the arts nonprofit Creative Time invited New York's art and fashion worlds into the Russian Tea Room for its 2026 gala. Over borscht and vodka, guests celebrated the organization's new Executive Director, Jean Cooney, and honored artists Guadalupe Maravilla, Molly Gochman, and philanthropist Michelle Coffey. Co-chaired by stylist Kate Young, designer Waris Ahluwalia, and Nordstrom, the night was unexpectedly full of Russian bears. Waiters dressed as polar bears toted bottles of vodka while guests—from artists Kara Walker and Chloe Wise to designers Daniella Kallmeyer, Wes Gordon, and Henry Zankov—mingled around a giant bear-shaped ice sculpture. The night ended late, with dancing to sets by Leigh Lezark of The Misshapes and Jean d'Armes.
Gala season in New York City is officially in full swing. Apex for Youth—an organization that mentors and supports underserved Asian and immigrant youth in NYC—hosted its annual fete on April 16 at Cipriani South Street. The event drew over 600 guests and raised nearly $3.7 million for the nonprofit, which offers health-focused programming, education, and community engagement via volunteers. Olympic champion Eileen Gu, shown here with Michael Chung, attended the event, along with actress Lana Condor, who received honors.
Yvonne TNT and Matt Borkowski/ BFA for Apex for Youth
“The Inspiration Awards Gala is one of the few moments where you can see the full ecosystem of Apex in one room—our youth, mentors, supporters, and partners,” executive director of Apex for Youth Jiyoon Chung told W. “It’s powerful because the impact is tangible. You’re not just hearing about change—you’re witnessing the relationships and community that make it possible.” That sentiment proved true when Avantika Vandanapu, pictured here, presented Condor her award onstage.
Chloe Misseldine, Isiah Magsino, and Kim Shui. | Yvonne TNT and Matt Borkowski/ BFA for Apex for Youth
Of course, the dinnertime auction is as key for a gala as the starry guest list. During the evening, guests like Kim Shui—photographed here with Chloe Misseldine and Isiah Magsino—Sandy Liang, Dao-Yi Chow, and many other New York City insiders helped raise nearly $4 million for Apex for Youth.
Photograph by Quadir Moore/BFA.com
Next up on April 15 was The Bronx Museum of the Arts, which held its annual gala at Tribeca Rooftop this year. Artist Awol Erizku, cultural patron Lois Plehn, and designer and artist Colm Dillane (aka KidSuper)—pictured here with The Bronx Museum’s director and chief curator, Shamim M. Momin—received honors during the stylish party, which included dinner and a live auction.
Photograph by Quadir Moore/BFA.com
Joey Bada$$ and Ferg, shown here, were also in attendance for the soirée—the museum’s most important yearly fund-raiser, which also served as a welcome party for Momin, who threw her first Bronx Museum gala that evening.
Photograph by Quadir Moore/BFA.com
Tyrell Hampton at The Bronx Museum’s gala.
Alex Consani and Tomokazu Matsuyama | Photograph by Miki Yamato
Alex Consani may be known as a downtown fashion darling, but on Friday, April 10, the model traveled to Times Square for a party celebrating the acclaimed artist Tomokazu Matsuyama’s latest work. Along with Lulu Tenney, Hank Willis Thomas, and many more art-world stars, Consani feted Matsuyama’s new piece, Morning Again, with a soirée that began at the Times Square EDITION and ended on the Red Steps—where Consani joined Matsuyama to watch the project illuminate Times Square.
Photograph by Miki Yamato
Commissioned by the Times Square Arts Midnight Moment program, Morning Again will screen nightly from April 1-30 from 11:57 PM to midnight, on nearly 100 electronic billboards in Times Square.
Photograph by Miki Yamato
In the piece, the Japanese–born, New York–based artist Matsuyama—pictured here with Hank Willis Thomas—traces four symbolic currents that move through New York City: flows of hope, rhythm, self-expression, and transformation.
Julianne Moore with Movado brand president Margot Grinberg. | Courtesy of Movado
On the afternoon of Wednesday, March 26, Movado toasted its latest chapter at New York’s King restaurant, where brand president Margot Grinberg hosted a seated lunch along with ambassador Julianne Moore. The gathering marked the debut of three new women’s watch collections—Museum Bangle, Heritage 1917, and Museum Velura—as well as the official launch of Curve, Movado’s newest high-fashion jewelry collection. All were showcased alongside archival designs.
Julianne Moore | Courtesy of Movado
“I’ve always admired Movado for its clean, modern aesthetic and its ability to create pieces that feel both timeless and deeply personal,” said Moore. “These new collections are beautifully crafted and thoughtfully designed—a true reflection of the brand’s artistry and its commitment to celebrating women.”
Morgan Spector, Britt Lower, and Michael Stipe | Photo courtesy BFA
On Thursday, March 19, guests gathered for an intimate dinner at The Odeon hosted by Loewe and Bergdorf Goodman. The party celebrated Jack McCollough and Lazaro Hernandez’s first collection as Loewe’s new creative directors as well as the house’s takeover of Bergdorf’s famed windows.
Grace Gummer and Mark Ronson | Photo courtesy BFA
American Love Story star Grace Gummer and Mark Ronson joined the exclusive group, carrying his-and-hers Amazona bags.
True Whitaker | Photo courtesy BFA
True Whitaker also joined the event, whose guests included Britt Lower, Michael Stipe, Jayme Lawson, Sandra Bernhard, Morgan Spector, Lucas Hedges, Isaac Powell, Talia Ryder, Tramell Tillman, and more.
Lazaro Hernandez and Sandra Bernhard | Photo courtesy BFA
Along with the collection launch, McCollough and Hernandez collaborated with Bergdorf Goodman on exclusive custom windows and an interior installation in the brand’s women’s store, bringing their spring 2026 collection to life.
Photo by Getty
On March 18 in Manhattan’s Union Square neighborhood, Dua Lipa descended upon the new Nespresso flagship boutique on 5th Avenue. Wearing a white minidress and a stunning Serpenti necklace, the singer toasted her status as the coffee brand’s latest global ambassador. Guests sipped on espresso martinis (like DJ Mia Moretti, above) and plucked tuna crispy rice bites from geometric blocks held by the waitstaff. As the sun set outside, the crowd trooped downstairs for more dancing.
Photo by Getty
Dua Lipa at the Nespresso party.
Chloe Wise, Brooke Wise, and Hannah Traore. | Photo by BFA
Meanwhile, farther uptown at The Pool/The Grill, art-world luminaries gathered to celebrate the 16th annual Art Production Fund gala. The event—which supports the organization’s work of commissioning and producing public art projects—raised a record-breaking $1 million. More than 300 guests including Chloe Wise and Brooke Wise, along with gallerista Hannah Traore (shown above) attended, decked out in fashion that reflected the theme of the night: après ski at the “APF Chalet.”
Marilyn Minter, Sanford Biggers, and Casey Fremont. | Photo by BFA
Legendary artists like Marilyn Minter and Sanford Biggers showed up for APF, whose executive director, Casey Fremont, can be seen here with the duo.
Photography by Marc Patrick / BFA.com
Spring brings countless galas to New York City, but we’re pretty sure there’s only one where you’ll find the city’s premiere “experimental clown” performing as one of artist Paul McCarthy’s famed butt plugs and donors will get called “pay pigs.” Welcome to Performance Space New York’s annual spring gala, where this year, the best way to do some good was to be very, very bad.
Playwright Jordan Tannahill, fresh off his off-Broadway success Prince Faggot, stepped into the role of creative director and reimagined a kink-friendly gala with a “Haute Fetish” dress code that that meant black leather was more common than black tie. This year’s gala honored fashion’s Michèle Lamy, artist McCarthy, and writer Samuel R. Delany, all creatives who no one has ever accused of being prudes. Naturally, Tannahill called in former dominatrix Julia Fox and her BFF, the photographer and model Richie Shazam, to cohost. Dressed as a gala table to open the night, Fox reminded the crowd this was a kink-friendly event. She pulled up comedian Julio Torres onstage to interrogate him about his favorite kink. “A memorable, entertaining night supporting the arts,” he demurred.
Photography by Marc Patrick / BFA.com
French singer Yseult, long-known for making a statement on the Cannes red carpet, made her United States performance debut with her new single “Freak” accompanied by a BDSM performance by Mistress Nina, Dahlia Damoiselle, and Tristan Allen.
Photography by Marc Patrick / BFA.com
Moses Sumney performed a multisong tribute to Lamy, including his first performance of his song “Rank & File” in years.
Photography by Marc Patrick / BFA.com
Performance artist and clown Alex Tatarsky’s tribute to Paul McCarthy was undoubtedly one of the evening’s most delightfully weird moments.
Courtesy of Deonte Lee for BFA
Right as the elevator doors were about to close and take us to the fifth floor of the WSA building for Free Arts NYC’s 26th Annual Gala, none other than Rosie Perez slipped in. There’s no better omen for a good night in the city than starting it with an accidental run-in with one of its cultural icons. Once inside, we were greeted with a glass of red wine and gallery walls full of 70 works on paper by a who’s-who of art-world notables, including Tschabalala Self, KAWS, Will Cotton, and Marilyn Minter. They would all be auctioned off that night through an online portal to benefit the nonprofit. Even New York’s new first lady, Rama Duwaji, donated a sketch.
Founded in 1997, Free Arts NYC provides kids from underserved communities with both daylong creative workshops for younger artists and more in-depth mentorship and scholarship programs for teenage artists.
Courtesy of Matteo Prandoni for BFA
This year’s edition honored three women from three different generations: artists Katherine Bradford and Sasha Gordon, and Jody Quon, creative director of New York magazine. Yet the three didn’t just show up to collect their adoration on gala night. Earlier in the year, the trio stopped by to both offer advice and create alongside Free Arts students. The results—“exquisite corpse”-style drawings—were also on display.
“Free Arts is planting seeds of curiosity that will undeniably make this world more beautiful,” Quon said upon accepting her award. “We are not just investing in children’s art. We are investing in the next generation of thinkers, makers, leaders, and dreamers.”
Courtesy of Matteo Prandoni for BFA
Stylist and editor Alastair Mckimm and photographer Carin Backoff represented the fashion world.
Courtesy of Matteo Prandoni for BFA
This was the rare gala for an arts foundation in which the act of creation literally took center stage. Artist Adam Dressner had set up an easel to paint live portraits of guests during both the cocktail hour and after party. At dinner, guests were provided with colored pencils and encouraged to draw on the table by Free Arts founder Liz Hopfan. Paper had been placed over some windows, with crayons provided to encourage guests to leave a doodle. “A sketch is a funny thing,” she told the crowd. “We tend to think of it as lesser, the thing before the thing. But a sketch is where we are all most honestly ourselves. It's a color test, a first instinct, a page that was never meant to be seen. This is where Free Arts lives, too.”
Nike
Jason Sean Weiss and Virisa Yong/BFA
On February 15, Nike closed out All-Star Weekend in Los Angeles with All-Time High, a star-studded after party at the members-only Bird Streets Club on Sunset Boulevard. The event wrapped up the weekend and celebrated the intersection of sports and entertainment, bringing together figures across industries like Teyana Taylor, Travis Scott, Damson Idris, Takashi Murakami, Steve Lacy, Ego Nwodim, and more.
Nike
Miles Chamley-Watson, Devin Booker, Zack Bia, and Damson Idris | Jason Sean Weiss and Virisa Yong/BFA
Zack Bia was on deck, DJing for the crowd, followed by a lineup that included Chase B, Coco & Breezy, and Hank Korsan.
Nike
Jason Sean Weiss and Virisa Yong/BFA
The event space had a sprawling setup, where guests could move between three different floors, each with their own unique feel. The layout lent itself to the eclectic crowd that had gathered there, which also included musician Shaboozey.
Bulgari
BFA
Eternal beauty was the theme of the night at the Bulgari event held at the luxury jewelry brand’s Rodeo Drive flagship on January 15. VIP clients, celebrities, and creatives came together to celebrate Bulgari Eternal, a new collection breathing new life into archival designs.
Bulgari
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Maude Apatow, Phoebe Dynevor, and Ryan Destiny were in attendance on Thursday night, enjoying the conversation and immersive experiences on offer. Apatow and Destiny, specifically, acted as models for the evening, wearing the new collection while enjoying rooftop cocktails and the celebratory atmosphere.
Bulgari
BFA
The mood was set by Kaytranada and Kim Gordon, who both delivered DJ sets for the guests, keeping the energy high throughout the evening. It was a true L.A. party, celebrating glitz, glamour, and, of course, Bulgari.